CALIFICACIÓN DE IMDb
7.1/10
47 k
TU CALIFICACIÓN
Un servidor público francés de Provenza es desterrado al extremo norte. Con fuertes prejuicios contra este lugar frío e inhóspito, deja a su familia para reubicarse allí temporalmente, con l... Leer todoUn servidor público francés de Provenza es desterrado al extremo norte. Con fuertes prejuicios contra este lugar frío e inhóspito, deja a su familia para reubicarse allí temporalmente, con la firme intención de regresar rápidamente.Un servidor público francés de Provenza es desterrado al extremo norte. Con fuertes prejuicios contra este lugar frío e inhóspito, deja a su familia para reubicarse allí temporalmente, con la firme intención de regresar rápidamente.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 11 nominaciones en total
Opiniones destacadas
I didn't know what to expect from Bienvenue chez les Ch'tis. The story sounded all a bit cliché to me but since a lot of my friends in Belgium used their expressions after watching the movie I thought I give it a shot. And honestly I did like the movie. I don't know though if it will work for English speaking people or other languages than French in fact. Because if you don't understand or speak the French language a lot of humor will make no sense at all, even translated. Because most of the humor comes from the dialect they speak in the North of France, close to the Belgian border. For me it was all easy to understand since I'm from Belgium but I have my doubt it will have the same effect on other people not understanding French. Basically the story is a guy moving from the South of France to the North and of course he has the usual prejudice about it being cold there, and full of a bit retarded people. It's like somebody from California was forced to go live in Alaska. Kad Merad and Dany Boon are playing the main characters and they did a good job. Don't expect it to be a great story, it's just a funny view between the differences of North and South.
I saw this movie in Lille, France, two weeks after the premiere, and the movie theaters were full. Everyone wanted to see it. (After two weeks, 15 million viewers. That's a lot.) Even though they sometimes spoke Ch'ti it was quite easy to understand, and many parts would have been funny in any language. I really recommend everyone to see it, no matter if you speak French or not. Many of the jokes with words (jeu de mots) are only comprehensible if you speak French, but it's still great. The point with the movie isn't just the language, another aspect is the prejudices the Southerns have about the Northerns. Which can be found in many more countries than France. I really think that it's a movie everyone can find something to like about. Maybe the French over-hyped it, but it's still a superb movie.
As a French film lover, I had to discover this little film which was surrounded by much hype and now ranks among the 5 most profitable movies launched in France. Otherwise, people would have told me: "what? You haven't seen Bienvenue Chez Les Ch'Ti's? Everyone's talking about it. It's terrific". So terrific that it turned the small town of Berck into an unlikely tourist attraction and a few months ago I ate a delicious "Maroual" tart! Without mentioning verbal expressions that are now used in French common language like "Biloute". I went to see it also partly because I had enjoyed Dany Boon's first effort as a director: "la Maison Du Bonheur" (2006) even if I especially smiled than laughed.
I'm a little baffled that this film which isn't that much original made itself known in virtually every French house. The premise of a man who has to cope with a new and supposedly hostile world has been used thousands of times before in cinema. At first, Boon follows an apparently mapped scheme. Kad Merad is anguished at the idea to spend a part of his professional life in Northern France where it is supposed to rain every day and where inhabitants appear to be sullen. But then, things aren't what he believes them to be: it's often sunny and people are generally charming. But as he wants to avoid a breakdown to his wife, Merad lies to her until one day she joins him in the Nord Pas De Calais.
What I like in Boon's effort is that it recycles the clichés linked to this French area to boost laughter and it often works. I dig the moments when Merad is on the highway (to hell?) and as soon as he arrives in the Nord Pas De Calais, it starts to rain. When Merad also tries to help Boon to solve his problem with alcohol, it's quite funny too. I would also quote the moments with humorist Patrick Bosso as a cop who stops twice Merad on the highway and its results. Boon's directing should also be praised for taking some of his clichés into unexpected territories like when Boon announces to Line Renaud that he wants to marry his girlfriend. And when Merad's wife comes to visit him in Northern France, Dany Boon thumbs the nose at the ones who have a dogged vision of dreary Northern France.
There's no denying that Boon is deeply attached to his native area. His love for it transpires in virtually every plan where we can see parts of the town and its inhabitants. It's obvious that he feels much more at ease in directing and acting than in its previous effort where secondary roles almost stole him the show. He manages to convey tenderness for his characters to the viewer. However, like in "la Maison Du Bonheur", I especially smiled than laughed. The sole moment where I was dead laughing was when Merad pretends to be disabled to have his promotion even if this trick isn't new.
But Boon's effort is better than his first one thanks to his control over directing (one can admire the contrast when Merad enjoys being in joyful Northern France and when he has to go back to Nice to find again his depressed wife), clichés and also the performance as a whole. It's also comforting that such a film rode high at the French box office while other productions that were likely to be successes failed in spite of a conspicuous publicity campaign like "Astérix Aux Jeux Olympiques" (2008). And it's a film that should definitely reduce the detractors of Northern France to silence. So, I liked "Bienvenue Chez Les Ch'Ti's" but I doubt whether I would want to watch it again.
I'm a little baffled that this film which isn't that much original made itself known in virtually every French house. The premise of a man who has to cope with a new and supposedly hostile world has been used thousands of times before in cinema. At first, Boon follows an apparently mapped scheme. Kad Merad is anguished at the idea to spend a part of his professional life in Northern France where it is supposed to rain every day and where inhabitants appear to be sullen. But then, things aren't what he believes them to be: it's often sunny and people are generally charming. But as he wants to avoid a breakdown to his wife, Merad lies to her until one day she joins him in the Nord Pas De Calais.
What I like in Boon's effort is that it recycles the clichés linked to this French area to boost laughter and it often works. I dig the moments when Merad is on the highway (to hell?) and as soon as he arrives in the Nord Pas De Calais, it starts to rain. When Merad also tries to help Boon to solve his problem with alcohol, it's quite funny too. I would also quote the moments with humorist Patrick Bosso as a cop who stops twice Merad on the highway and its results. Boon's directing should also be praised for taking some of his clichés into unexpected territories like when Boon announces to Line Renaud that he wants to marry his girlfriend. And when Merad's wife comes to visit him in Northern France, Dany Boon thumbs the nose at the ones who have a dogged vision of dreary Northern France.
There's no denying that Boon is deeply attached to his native area. His love for it transpires in virtually every plan where we can see parts of the town and its inhabitants. It's obvious that he feels much more at ease in directing and acting than in its previous effort where secondary roles almost stole him the show. He manages to convey tenderness for his characters to the viewer. However, like in "la Maison Du Bonheur", I especially smiled than laughed. The sole moment where I was dead laughing was when Merad pretends to be disabled to have his promotion even if this trick isn't new.
But Boon's effort is better than his first one thanks to his control over directing (one can admire the contrast when Merad enjoys being in joyful Northern France and when he has to go back to Nice to find again his depressed wife), clichés and also the performance as a whole. It's also comforting that such a film rode high at the French box office while other productions that were likely to be successes failed in spite of a conspicuous publicity campaign like "Astérix Aux Jeux Olympiques" (2008). And it's a film that should definitely reduce the detractors of Northern France to silence. So, I liked "Bienvenue Chez Les Ch'Ti's" but I doubt whether I would want to watch it again.
A really, really charming film. Charming being the word for movies with really simple plots, very down-to-earth stakes, and the ability to leave you with a big G-rated smile on your face afterwards. If you like cross-cultural fish-out-of-water movies such as My Big, Fat Greek Wedding, you're going to love this story of a postmaster who gets reassigned to the apparently misunderstood (in many senses) northern region of France, and how lives change accordingly.
But what really impressed me the most were the subtitles. The English subtitles amazingly captured all the nuances of the convoluted wordplay that was obviously happening on screen. This becomes an even more impressive feat when you consider that much of the verbal fun of the movie comes from the various misunderstandings between the French-speaking lead character and the folks who speak in the northern provincial "Schticks" dialect. Because of this added layer of complexity, I realized that capturing these dynamics cannot be the product of any ordinary clerical translation job.
And it turns out I was right. I later read that the director, Dany Boon, actually took an active role in ensuring that all the subtitles for the different languages properly and lovingly reflected the nuances and intent of the on screen banter. With truly impressive results.
So kudos to Boon for paying attention to this particular detail. Oftentimes, foreign audiences miss out on much of the seeming in-jokes that movies play for their local audiences. "Schticks" made it a point to share its world with everyone else. Great job.
But what really impressed me the most were the subtitles. The English subtitles amazingly captured all the nuances of the convoluted wordplay that was obviously happening on screen. This becomes an even more impressive feat when you consider that much of the verbal fun of the movie comes from the various misunderstandings between the French-speaking lead character and the folks who speak in the northern provincial "Schticks" dialect. Because of this added layer of complexity, I realized that capturing these dynamics cannot be the product of any ordinary clerical translation job.
And it turns out I was right. I later read that the director, Dany Boon, actually took an active role in ensuring that all the subtitles for the different languages properly and lovingly reflected the nuances and intent of the on screen banter. With truly impressive results.
So kudos to Boon for paying attention to this particular detail. Oftentimes, foreign audiences miss out on much of the seeming in-jokes that movies play for their local audiences. "Schticks" made it a point to share its world with everyone else. Great job.
Finally a movie that is not the usual American comedies! Not judging the American comedies of course, I love them, but is a different movie for you to watch. Incredible story, different story, and really funny.
I would say that this movie is in the best ten comedies i've ever seen. A lot of adventure, comedy, a little drama, but amazing to watch.
I started watching this movie with no good expectations about it. I taught- French aren't funny- turns out they are really funny.
Again, don't listen to the bad reviews about this movie, even if you do, there's not much bad reviews about it(that's how good it is).
Be prepared for a good french movie. Good film!
I would say that this movie is in the best ten comedies i've ever seen. A lot of adventure, comedy, a little drama, but amazing to watch.
I started watching this movie with no good expectations about it. I taught- French aren't funny- turns out they are really funny.
Again, don't listen to the bad reviews about this movie, even if you do, there's not much bad reviews about it(that's how good it is).
Be prepared for a good french movie. Good film!
¿Sabías que…?
- TriviaInstead of using well known dialects for the German dubbed version, the dubbing studio created a completely new fictional dialect with as much similarity to the original French ch'ti dialect as possible.
- ErroresWhen Philippe Abrams knocks down Antoine Bailleul with his car, one of the windshield wipers rights itself then is back down on the next shot.
- Créditos curiososafter the movie, while the closing credits scroll over the screen, some outtakes are shown.
- ConexionesFeatured in La noche de...: La noche de... 8 apellidos vascos (2014)
- Bandas sonorasUn Clair de Lune à Maubeuge
Music by Pierre Perrin and Claude Blondy
Lyrics by Pierre Perrin
Performed by the Harmonie Municipale de Bergues
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Welcome to the Sticks
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 11,000,000 (estimado)
- Total a nivel mundial
- USD 245,144,417
- Tiempo de ejecución1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
What is the Japanese language plot outline for Bienvenue chez les Ch'tis (2008)?
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