Noticias

An in-depth look at the life of Long Island songster Billy Joel is heading your way in a new documentary entitled Billy Joel: And So It Goes. The first installment of the doc, of which there are two, recently debuted at the Tribeca Film Festival in the wake of the news that Joel is taking a break from performing for health reasons.

And now the first trailer for And So It Goes has debuted. The preview features clips of interviews with Paul McCartney, Bruce Springsteen, Howard Stern, and Joel himself.

So ahead of its broadcast and streaming premieres next week, here's everything you need to know about Billy Joel: And So It Goes.

What's it about?

Billy Joel.

Ok, if we're going to get more specific, here's how the official synopsis describes the project:

The two-part film is crafted around in-depth, exclusive interviews with Joel, illuminating the key moments that...

When it was announced that this year’s Tribeca Festival would open with the premiere of the HBO documentary “Billy Joel: And So It Goes,” I assumed, as a fan of both Billy Joel and pop documentaries (which tend toward the light and hagiographic these days), that we were going to be in for a punchy, rousing, upbeat behind-the-music Tribeca appetizer. “And So It Goes” is surely an infectious celebration of Joel’s pop magicianship — his indelible qualities as a composer and singer and rock star. And the film worked all too well as an appetizer, since the festival only showed Part 1 of what is, in fact, a two-part HBO documentary.

But Part 1, which is two hours and 27 minutes long, takes you right up through 1980, when Joel has already released his seventh album, “Glass Houses.” So I feel confident in reviewing it as a stand-alone experience. And what took me...

George Folsey Jr., the longtime producer and film editor for director John Landis, has died at the age of 85, according to his family.

The son of 13-time Oscar-nominated cinematographer George J. Folsey, whose credits included “Meet Me in St. Louis” and “Forbidden Planet,” Folsey Jr. got his start in editing at Kabc in Los Angeles, where he edited documentaries and news reports for broadcast in the 1960s.

He then moved into cinema by learning the trade at MGM, where his father had worked, alongside “Grand Prix” Oscar-winning editor Henry Berman. His first feature film project was Alexander Singer’s “Glass Houses,” a 1972 film in which Folsey was editor, cinematographer and producer.

A year later, Folsey was hired to edit John Landis’ debut feature film “Schlock,” a sendup of “King Kong” in which an ape man chased out of his cave wanders into a Southern California neighborhood and develops an unrequited crush on a teen girl.

George Folsey Jr., the veteran film editor behind classic films such as “Coming to America” and “Animal House,” died Dec. 29. He was 84.

Variety learned the news from Folsey Jr.’s son Ryan Folsey, who is also an editor. Folsey Jr. was the son of cinematographer George J. Folsey.

Folsey Jr. collaborated frequently with director John Landis. Over the course of his five-decade career, he went on to edit or co-edit a total of six of Landis’s films which included “Schlock,” “The Blues Brothers” and “Coming to America.”

Furthermore, Folsey Jr. worked with the “Burke and Hare” filmmaker as a second unit director on “Trading Places,” “Into the Night” and “Three Amigos.”

Some of his other editing credits include the “Michael Jackson: Thriller” music video, “Hot Tub Time Machine,” “Clarity,” “Wolf Mountain,” “Just Swipe,” “Summer Rain,” “Despair,” “Freeloaders,” “Chain of Command” and “My Sister.”

In addition to his work as an editor,...

George Folsey Jr., the film editor and producer who collaborated with director John Landis on such films as Animal House, The Blues Brothers, Coming to America and An American Werewolf in London, has died. He was 85.

Folsey died Sunday in Los Angeles of complications from pneumonia, his son, fellow film editor Ryan Folsey (Cabin Fever, Renfield), told The Hollywood Reporter.

His father was George J. Folsey, the famed 13-time Oscar-nominated cinematographer whose credits included The Cocoanuts (1929), Animal Crackers (1930), Thousands Cheer (1944), Meet Me in St. Louis (1944), The Clock (1945), Green Dolphin Street (1947), Adam’s Rib (1949), Million Dollar Mermaid (1953), Seven Brides for Seven Brothers (1954) and Forbidden Planet (1956).

George Folsey Jr. also edited Shawn Levy’s Cheaper by the Dozen (2003) and The Pink Panther (2006) and Eli Roth’s Hostel (2005) and Hostel: Part II (2007).

After cutting Landis’ directorial debut, Schlock (1973), Folsey edited the Landis-helmed The Kentucky Fried Movie (1977), Animal House (1978), The Blues Brothers (1980) and Coming to America (1988), which he also produced.

More than 100 sculptures are scattered across the 500-acre grounds of Storm King Art Center in New York’s Hudson Valley: There’s Magdalena Abakanowicz’s Sarcophagi in Glass Houses, a piece from 1989 that draws parallels between turbine engines and the human body; Alice Aycock’s Three-Fold Manifestation II stands at 29 feet, depicting a seemingly endless spiral. The outdoor museum gained an additional multi-dimensional work on Thursday: a 30-foot installation of Charli Xcx’s Brat and It’s Completely Different but Also Still Brat album artwork and track list with a...

While onstage at Madison Square Garden Saturday, Billy Joel enlisted Jon Bon Jovi for “It’s Still Rock and Roll to Me” and “Big Shot.”

Bon Jovi took the lead vocals on “It’s Still Rock and Roll to Me,” hitting every line and dancing during Mark Rivera’s saxophone solo. “What’s the matter with the car I’m driving?” he sang. “Can’t you tell that it’s out of style?” The hit appeared on 1980’s Glass Houses, which will celebrate its 40th anniversary on March 12th.

Joel kicked off “Big Shot,...

Hulu has acquired Sky comedy drama Brassic, while Acorn TV has picked up BBC’s Julia Ormond-fronted drama Gold Digger.

Both deals were unveiled by ITV Studios at Natpe.

Brassic stars This Is England’s Joe Gilgun, Ripper Street’s Damien Molony and Our Girl’s Michelle Keegan as well as Dominic West. Gilgun plays Vinnie, a man from the north of England with bipolar disorder and his best mate Dylan, played by Molony, whose girlfriend Erin, played by Keegan decides to leave town. Dylan is faced with the impossible decision between a fresh start with the love of his life or staying behind with his inseparable gang of mates that he can’t live without.

The series, which is produced by Calamity Films, the company behind Renée Zellweger’s Judy Garland biopic, was co-created by Gilgun and Danny Brocklehurst, the writer behind Netflix’s Michael C Hall-fronted thriller Safe.

Hey, "Blue Bloods" fans. We hope you enjoyed tonight's episode 5. Now, that it's officially in the history books, it's time to take a sneak peek look at what's coming up in the next, new episode 6. CBS recently served up a new press release for episode 6. So, we will certainly use its teaser descriptions for this spoiler session. So, let's get into it. To start things off, a title has been revealed for episode 6. It is called,"Glass Houses." It sounds like episode 6 will feature some very intense, dramatic, interesting and action-filled scenes as Frank gets conflicted about how to deal with a situation at work. Jamie helps a friend with some illicit photos. Danny goes after a vicious killer! Anthony deals with a disappointing realization and more. We'll go ahead and start off this spoiler session with the Frank conflict situation. It turns out that a former cop named Rick Austin...