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IMDbPro

Babylon

  • 2022
  • C
  • 3h 9min
CALIFICACIÓN DE IMDb
7.1/10
196 k
TU CALIFICACIÓN
POPULARIDAD
400
53
Brad Pitt, Tobey Maguire, Jean Smart, Margot Robbie, Diego Calva, Li Jun Li, and Jovan Adepo in Babylon (2022)
Always make a scene. Watch the new trailer for BABYLON starring Brad Pitt, Margot Robbie and Diego Calva. In theatres everywhere December 23.
Reproducir trailer0:31
70 videos
99+ fotos
Costume DramaPeriod DramaShowbiz DramaComedyDrama

Una historia de ambición y excesos desmesurados que recorre la ascensión y caída de múltiples personajes durante una época de desenfrenada decadencia y depravación en los albores de Hollywoo... Leer todoUna historia de ambición y excesos desmesurados que recorre la ascensión y caída de múltiples personajes durante una época de desenfrenada decadencia y depravación en los albores de Hollywood.Una historia de ambición y excesos desmesurados que recorre la ascensión y caída de múltiples personajes durante una época de desenfrenada decadencia y depravación en los albores de Hollywood.

  • Dirección
    • Damien Chazelle
  • Guionista
    • Damien Chazelle
  • Elenco
    • Brad Pitt
    • Margot Robbie
    • Jean Smart
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    196 k
    TU CALIFICACIÓN
    POPULARIDAD
    400
    53
    • Dirección
      • Damien Chazelle
    • Guionista
      • Damien Chazelle
    • Elenco
      • Brad Pitt
      • Margot Robbie
      • Jean Smart
    • 1KOpiniones de los usuarios
    • 320Opiniones de los críticos
    • 61Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 3 premios Óscar
      • 45 premios ganados y 158 nominaciones en total

    Videos70

    Get Tickets
    Trailer 0:31
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    Official Trailer
    Trailer 2:25
    Official Trailer
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    Trailer 2:21
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    Official Trailer
    Trailer 2:26
    Official Trailer

    Fotos517

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    Elenco principal99+

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    Brad Pitt
    Brad Pitt
    • Jack Conrad
    Margot Robbie
    Margot Robbie
    • Nellie LaRoy
    Jean Smart
    Jean Smart
    • Elinor St. John
    Olivia Wilde
    Olivia Wilde
    • Ina Conrad
    J.C. Currais
    J.C. Currais
    • Truck Driver
    • (as JC Currais)
    Diego Calva
    Diego Calva
    • Manny Torres
    Jimmy Ortega
    Jimmy Ortega
    • Elephant Wrangler
    Marcos A. Ferraez
    Marcos A. Ferraez
    • Police Officer
    • (as Marcos Ferraez)
    Shane Powers
    Shane Powers
    • Dale
    Phoebe Tonkin
    Phoebe Tonkin
    • Jane Thornton
    Troy Metcalf
    Troy Metcalf
    • Orville Pickwick
    Jovan Adepo
    Jovan Adepo
    • Sidney Palmer
    Hansford Prince
    Hansford Prince
    • Joe Holiday
    Telvin Griffin
    Telvin Griffin
    • Reggie
    Cutty Cuthbert
    Cutty Cuthbert
    • Jimmy
    Albert Hammond Jr.
    Albert Hammond Jr.
    • Guest (Chicken Line)
    Flea
    Flea
    • Bob Levine
    Bregje Heinen
    Bregje Heinen
    • Female Guest (Nathalie)
    • Dirección
      • Damien Chazelle
    • Guionista
      • Damien Chazelle
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1K

    7.1195.8K
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    Opiniones destacadas

    6noxaman

    It's really three films.

    ...and I wish I could rate them separately. The first act of the film is a fast paced tale of innocence cast into a world of debauchery. It's a beautifully shot, fantastic tale showing the dramatized excesses of show business and the people who would do anything to gain entry into that world. 9/10

    The second act was a somewhat more tame and methodical tale of the inner-workings of 1920's film production, with the standout scene being the "hello college" scene. Out of place however, was the whole tangent around the party leading up to the snake. While decidedly funny, I didn't like the pacing very much. 6/10

    The final act was a tricky one, and probably could have been 30 minutes shorter. Despite absolutely loving Toby's character, the little side-quest they go on pushed to already exaggerated "Babylonian" theme to to a point of absurdity. It's obvious that some sort of narrative bridge was needed to set up the final scene, but I felt it was overdone. Pitt's character arc wasn't bad, but it lost a lot of steam and I honestly wouldn't have noticed if his character had only been mentioned in the pre-credits sequence. 4/10

    If there is one strong point throughout the entire film, it's the use of the dueling saxophone score and quick cuts to drive home the manic energy present throughout the film. Without that score many of the slapstick-heavy scenes would have felt tiresome in an already very lengthy movie. I have a hard time recommending this film to any but the most serious of film nuts, but it's impossible to deny that the bones of a great story are here, they just needed to leave some of the fat on the cutting room floor.
    8cardsrock

    Excess is the name of the game

    Whether it be orgies, showcasing various bodily fluids, plot threads, or the runtime of the film, Damien Chazelle is fully unrestrained in his latest film. La La Land and Whiplash are some of my favorite films and I'm a big fan of Chazelle's directorial style. He shows flashes of that brilliance often throughout Babylon, but does indulge in his most extreme tendencies as well in this modern Hollywood epic.

    There is a lot I liked here. The opening sequence is a sight to behold and had me mesmerized with its vibrant energy. The film chugs along at a good pace for the next two hours to the point I really didn't feel the runtime for most of it. It's the last hour or so where Chazelle loses the story a bit. There were several instances where I thought the film was over, but another scene would pop up next. The runtime really feels unnecessary and there's honestly whole plot lines that could be cut out that wouldn't affect the film.

    Justin Hurwitz has composed another terrific score (with some nice hints of La La Land) and the photography, costumes, and production design are all stellar. Outside of some shoddy editing, especially a bizarre movie montage at the end that really did not gel, the technical aspects of the film are quite an achievement.

    Chazelle really needed someone to tell him no with this film. Some better editing combined with some self-restraint and this would be much closer to the epic masterpiece status he's clearly aiming for. As it stands, it's a pretty entertaining tale of excess and fame in early years of Hollywood.
    8JBuckleyFan09

    Fun look at early Hollywood that's a bit much at times

    I recently read a biography of silent film "It Girl" actress Clara Bow. Margot Robbie, looking more like a Grace Kelly from a few decades later rather than a Bow, plays a character highly inspired. From her blue collar New Jersey upbringing, to a father following her to Hollywood and making money off her image (even opening a restaurant based on one of her famous movies), a gambling addiction, to an off-color joke at a hoity toity part - these are all inspired by Bow and her life.

    The film is great as a love letter to Bow, warts and all, played magnificently by Margot Robbie, and just to the magic film can have on its audience, transcending time. It visually details the difficult transition had on the film industry with the transition from silent films to talkies, showcasing actors, producers, and musical performers adjusting to it all. Brad Pitt gives a great performance as a Douglas Fairbanks like silent star edging toward irrelevancy, but newcomer Diego Calva really steals a large part of the movie with his powerful performance.

    Great music from Justin Horiwitz (who reunited with his La La Land/Whiplash director Damien Chazelle) with excellent cinematography and performances. However, the film was a bit much at time. Consistently frantic (lots of characters melting down and screaming) and/or stressful with excesses abounding, it was a little much at times. Certain scenes (such as an elephant having explosive diarrhea on a man) would have been better not seen so graphically.

    Solid film. 8/10.
    7mfilmcutter

    Hacks don't go this far

    Quentin Tarantino once said "hacks don't go that far." There are some filmmakers that have a creative confidence that delivers a film that many people will find repulsive, but some will find exhilarating because if it's creative audacity.

    Yes this film is too long but there is so much talent and so much detail to admire in every frame of this film. Diego Calva has one scene where you feel so sorry for this man you wanna cry for him.

    The moment when Brad Pitt is kissing a young woman before a perfect sunset and a butterfly lands on a shoulder is the moment that encapsulates exhilarating fun of filmmaking.
    7SaidNDone

    Decadence

    Babylon is a long, messy, repulsive, and magnetic spectacle. Unfortunately despite the great performances and set pieces it doesn't live up to Chazelle's previous work.

    The movie wants to bring you down into the waste yard that is Hollywood then pull you out to see the beauty that grows out of the trash. The problem is the movie spends so much time in the mud, and goes so deep into it that by the time it tries to pull you out at the end it's too late.

    On the upside the cast are great and almost completely carry the movie, especially Margot Robbie's enthralling performance as Nellie. And as with Chazelle's previous work the set pieces are well executed and (some) characters are memorable.

    However, these positives could not completely overcome the movie's fundamental flaws which are -- going too far with trying to revolt the audience (to the point of childishness), not spending enough time with the characters or important scenes despite its decadent runtime, and the ending coming off as completely pretentious in the context of how practical/cynical everything leading up to it was.

    In the end, Babylon does serve its purpose as an entertaining spectacle, but like the Hollywood it critiques, its self-indulgence prevents it from achieving greatness.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The character of Lady Fay Zhu is loosely based on Anna May Wong (1905-1961) the first Chinese-American actress in Hollywood whose career spanned both silent and sound films.
    • Errores
      A "Jackass Forever" billboard appears in the 1952 epilogue.
    • Citas

      [Jack finds George crying with his head in the toilet]

      Jack Conrad: Aw, Georgie. Who was it this time?

      George Munn: [panting] Claire.

      Jack Conrad: Claire. Well, Claire's a lesbian. That's an uphill battle for anyone.

    • Créditos curiosos
      The Paramount logo is the 1920s version, fitting the era the film is set in.
    • Versiones alternativas
      In Singapore, before the film could passed with an R21 classification for theatrical release, the distributor required to remove a scene depicting a deviant sexual act in which the authority felt it has exceeded the classification guidelines which states that "any material that is about or promotes deviant sexual behavior" would be refused classification.
    • Conexiones
      Featured in WatchMojo: Top 10 Best Movies of 2022 (2022)
    • Bandas sonoras
      My Girl's Pussy
      Lyrics by Harry Roy

      Music and additional lyrics by Justin Hurwitz

      Performed by Li Jun Li

    Selecciones populares

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    Preguntas Frecuentes19

    • How long is Babylon?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de enero de 2023 (México)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official Instagram
    • Idiomas
      • Inglés
      • Español
      • Italiano
      • Cantonés
      • Francés
      • Húngaro
      • Alemán
    • También se conoce como
      • Vavilon
    • Locaciones de filmación
      • Santa Clarita, California, Estados Unidos
    • Productoras
      • Paramount Pictures
      • C2 Motion Picture Group
      • Marc Platt Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 80,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 15,658,225
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,603,368
      • 25 dic 2022
    • Total a nivel mundial
      • USD 65,267,446
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      3 horas 9 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • Dolby Atmos
    • Relación de aspecto
      • 2.39 : 1

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