La madre del blues

I didn't really know much about this movie going in so i was surprised to find out that it was based on a play but after watching it you can see that fact from a mile off.

The film is soaked in play-like monologues and limited sets and the framing. It works so well. It is such a dialogue heavy movie that it could run the risk of being a little bit slow but it is just that well acted and the dynamics and topics are so well thought out that you find time flying by while watching.

The characters are really 3 dimensional and you understand who they are. This is all backed up by the acting. For the most part everyone in this movie hits it out of the park. i really love Colman Domingo and he really shines in this film. He just has a charm that draws you to any character that he plays. Chadwick was really great too. His emotional scenes really sweep the rug out from under your feet and i really wasn't expecting him to be able to do that he was really great. And Viola Davis is just fantastic. I love how she just dives head first into her characters and just lives in them. It reads so well on screen. She just embodies the role even down to the way she walks is just done to perfection.

There isn't a whole lot of story because it is very character based but it does things to keep it fresh and i found it to be really shocking at times and took turns that you really wouldn't expect.

The costumes are also really well done. I would guess that they would get an Oscar nod because they are fantastic.

I would defiantly see this movie especially if you love character studies and want to feel like you looking though a window into a day in the life of these people.

I would have much rather seen a proper biopic of Ma Rainey than this movie version of a play where, with the exception of one chap banging on and on about his shoes, very little actually happens.

Horrific overacting and a script that rambles and goes nowhere. Most of the film is taken up with individual stories about how the white man was evil, which became very tiresome very quickly. A few very daft plot twists that never went anywhere. This was more 'panto' than serious drama and those involved should be ashamed of the mess they produced. This film literally had no redeeming features

First things first. Chadwick Boseman gives a performance like nothing you've ever seen. The rest of the cast, led by the legend that is Viola Davis, is, as might be expected, tip-top, but Mr Boseman flies ever higher in every scene.

The film is based on a famous play by a great playwright who chose to write with a sense of melodrama that can still work in the theatre but somehow feels dated when transfered to the screen. The camera has to cope with the sheer size of performance necessary to capture set-piece speeches, which go against the grain of image-led cinema. Renowned Broadway director George C Wolfe gets the actors to the right temperature, but then has to find a way to make the project cinematic. The solutions here, apart from minimal opening out from the claustrophobia of the recording studio setting, are some mobile camera work and quite a bit of nimble editing. Curiously, though, these strategies simply emphasise the work's stage origins. What do work are the close-ups. They bring us closer to the characters than can ever happen on a stage. With an ensemble as fine as this one, the more close-ups the better.

So, MA RAINEY'S BLACK BOTTOM, like the film of Wilson's play FENCES, is not satisfying as a movie, but as a record of a powerful play. Both well worth seeing. MA RAINEY is the greater, because of Chadwick Boseman. What an amazing actor. What a loss. What a legacy.

A lesson in the art of acting and film making, as an exceptional cast of extremely talented actors portray several hours in a recording studio, the tensions as taut as any wire, the crimes of the times and their effects on those involved in full view - crimes perpetuated into today, sadly.