Roadside Romeo

In a world where Pixar sets the gold standard in animated films, Yash Raj Film's Roadside Romeo (incidentally Dinsey's foray into Bollywood as well) will find it hard to even pass the QC test. Both the animation and the story leave a lot to be desired and the only positive outlook for the movie is that being the only major release this Diwali and potentially a hit with the kids, it should barely manage to trudge along. The story of a dog, Romeo (voiced by Saif Ali Khan) who was living the lavish life and suddenly finds himself on the mean streets of the city is clichéd to a fault. Romeo falls for Laila (Kareena Kapoor) who also happens to be the crush of bad dog Charlie Anna (Javed Jaffrey) and predictable mayhem follows. Jugal Hansraj's direction relies too much on borrowing from Bollywood lore (Yash Raj film scenes and dialogs are copied galore) and too little on character study. It is an earnest effort perhaps but if anyone thought animation didn't need a story, they should ask the studio that made the animation movie event of the year, Wall•E. The film hardly has any genuinely funny moments, and the background sets, though well detailed, lack punch. The redeemer is eventually Javed Jaffrey, who is the only one who seems to know how to voice an animation character. He brings out the quirks of Charlie Anna superbly to life and provides the few laughs there are in the film. The tepid songs and a basic background score do nothing to add to the appeal. Ultimately, the gag reel during the end credits turns out to be funnier than the movie itself. And that's saying a lot.

I guess the number of dogs in Disney's repertoire isn't enough, and this year they're looking to grow the kernel which houses the likes of the 101 Dalmations, Goofy, Pluto, Lady and the Tramp with Bolt, Beverly Hills Chihuahua and of course, Roadside Romeo and his pooch friends hailing from India.

Touted as the first Indian full length CG-animated film, the end credits reveal just how much Disney's participation here likely amounted to, being primarily consultants to what was mostly work done by Tata Exlsi Visual Computing Lab. And it's a pretty fine job those guys there are doing, because if you were to strip away the Hindi language and end credit roll so as not to cue in on production details, you're more than likely to think that this was made by Disney themselves. So it's absolutely not a bad effort at all, for a first film.

Animation aside, this is as Bollywood a movie as it can get, with distinct song and dance sequences rooted in Bollywood spirit. Storywise, it's kept really simple with one main plot running and no sub plots trying to complicate matters. The characters too seem to leap out of a typical Bollywood film with over the top villains and their slimy incompetent henchmen, err, dogs, coupled with the propensity to switch to English with constant plurality and grammatic errors in efforts to impress everyone.

Saif Ali Khan voices the titular character of Romeo, once a dog living the life of luxury, before given the boot onto the streets when his owners take off to settle overseas. Left to fend for himself, he relies on his street smarts, suave ways, quick wit and smooth talking to garner himself a posse of abandoned dogs and one cat, putting into use his fashionable skills with the scissors to open a salon for the neighbourhood hounds.

Adversary comes in the form of a Don Corleone Godfather type bulldog named Charlie Anna (Javed Jaffrey), who has three "angels" for protection (and to fuel plenty of tired Charlie Angels jokes and references) and to dish out torture, running a protection racket which Romeo and gang run afoul of given their new enterprise, and on a personal level, the rivalry for the affections of Laila (Kareena Kapoor), which becomes the centerpiece in the second half of the film. The first half did seem a bit of a drag though, especially with the expanded introduction of Charlie Anna and subsequent scenes just to demonstrate what he's capable of, together with some repetitive threats of torture that definitely tested patience.

Otherwise, once the seeds of romantic rivalry has been sown, with Laila being marked as Charlie Anna's romantic target, it led to a number of hilarious playful cross-exchanges between Charlie, Romeo and his gang Guru (Vrajesh Hirjee), Interval (Suresh Menon), Hero English (Kiku Sharda), and cat Mini (Tanaz Irani), which the victim given its focus on these characters was Laila, being reduced to an unfortunate supporting presence.

For some strange reason, Roadside Romeo needed some getting used to as the dogs prance around on two hind legs most of the time, which brought back some memories of The Barnyard. But once you come to terms with it (just like how the Barnyard's bulls all have udders), it's quite an enjoyable and light piece of animation that should do well with its intended demographic, though to an international audience, some nuances because of one pooch's frequent impersonation of Bollywood legends might be woefully lost in translation.

Am I the only non-Indian teenage boy who actually enjoyed this film? If not, that's fine with me. That's right, I watched Roadside Romeo (a wordplay on an Indian term for 'flirt') on DVD with English subtitles and liked it. It's probably the 2nd in a full line-up of movies about dogs from October 2008 to February 2009 (Chihuahua, Romeo, Bolt, Marley, Hotel and Vomit). Sure it may be campy at some parts, but hey, this is India's first well-animated film, so I'll cut them some slack. This film is kinda like a CGI Bollywood version of Lady and the Tramp meets All Dogs Go To Heaven, but there's nothing wrong with that. You'll need to watch some Bollywood films in order to understand the film itself. Myself, I haven't even watched any ordinary Bollywood film, but I've watched some clips and heard of Yash Raj's other hits, so I understand.

Ever since the giant Hindi studio Yash Raj Films included a clip from 'Cars' in 'Dhoom 2' and used the Disney Store and a song provided by Disney (non-pop) in Ta Ra Rum Pum, Disney had decided to join forces with the studio to create Roadside Romeo. Before the film was developed, Indian animation looked pretty cheesy. But Tata Elxsi, a VFX studio responsible for doing VFX for plenty of Bollywood films and two of Marvel's films, did a pretty impressive job on making it almost Pixar quality. (I've heard in the commentary that someone from Pixar came over to visit the creators and teach them how to do fur)

Anyway, the film is about a spoiled, cute-looking, rich dog dude named Romeo (Saif Ali Khan) who gets abandoned on the streets of Mumbai, where he gets bullied and then befriended by a pack of strays with unique personalities. Guru is the leader of the pack. His name speaks everything about him. Hero English is a dog with a funny hairstyle, buckteeth and a bow-tie who wishes to actually speak full English, though a lot of the characters speak broken English and Hindi at the same time. His eyes and his buckteeth might make you think of Sid the Sloth from Ice Age. Interval is a big fan of YRF who copies many lines of the actors who have starred in their films. Mini is, believe it or not, a pretty aggressive alley cat, just about the only one in the movie, who thinks she is a stray dog and refuses to disbelieve it. Oh, and there's also a mouse who is kind of the Jerry type when it comes to enemies.

Together, Romeo and the strays start a salon after Romeo shows his haircutting skills just so they can get some business. One night, Romeo falls in love with a pretty female pooch named Laila (Kareena Kapoor) after hearing her sing and watching her dance. The next day, Romeo meets a ferocious, disgusting, big-lipped bulldog with a bit of an accent named Charlie Anna (Jaaved Jaffery), his sidekick Chhainu, who gets beaten up all the time and looks like Wile E. Coyote's long lost father, and his female ninja dogs, Charlie's Angels. Which set of girls do the Angels parody? Well, duh! Romeo and Charlie rival over Laila, much to the dismay of Romeo's friends. Who will win? Everyone knows the answer...

I've listened to one of the songs from the film everyday surprisingly. They're just so catchy! My most favourite song has to be "Choo Le Na". The songs are better than the cheap pop songs Disney has to spew out today! ;) A few song sequences in this movie act like Indian music videos. You might see a character appearing in some random place while singing and dancing. The biggest example is in "Cool Cool".

The creators acted quite like Pixar when doing this movie. Not only did they do impressive animation/motion capture inspired by that of Ratatouille, they also released teaser trailers without actual footage one year before the film was released. In the film itself, they managed to slip in some in-jokes of the Pixar tradition, including the name "Tata", some posters of other Yash Raj films, photographs of YRF's actors/actresses and some Mickey Mouse references. Heck. they even added some bloopers in the credits! If only Pixar used them more often... Maybe on their DVDs.

Though it ain't the best animated film of 2008, Roadside Romeo has plenty of charm and feel, including some tension, beautiful romantic moments (especially , and clever humour. It does have gross-out humour including flatulence, but there's one bit of it that actually made me laugh. At Charlie is the most appropriate victim! My big problem with the film was - did Yash Raj care about the audience of theirs that loves Disney and is not familiar with Bollywood? Still, there are some parts that kids would enjoy (Hindu kids, even), such as the little mouse's moments and the Looney Tunes style gags. But not all of it is kiddy. Poor Romeo gets strangled several times, for instance. Kids might not even be interested, to tell you the truth. :rolleyes: And yes, Indian cinema still has intermissions. I highly recommend this film if you're a freak for animation, Bollywood, dogs or anthropomorphic animals.

In every sense one is glad Indian animation has come such a long way. It would be wrong to say that so far we have been doing an inferior job in comparison to our Hollywood counterparts. However the quality hasn't been at par. With Roadside Romeo, Indian animation films have taken a giant leap forward and kudos to Yash Raj Films and Walt Disney Studios for being the one to raise the bar up by many notches.

Bottom line is the fact that Roadside Romeo is ultimately a movie that has stemmed from the land of masala films, so expecting anything different is sheer blasphemy. The film has lovers, a villain and great humor - the ultimate essentials for a Bollywood caper. But then being animated and convincing is what whisks this film away from clutches of the inane Bollywood film monster.

Romeo (Saif Ali Khan) the quintessential lover dog is thrown onto the streets, where he meets newly found best mutts. Soon enough he bumps into the love of his life, Laila (Kareena) who happens to be a nightclub performer. Besides falling in love, the biggest mistake Romeo commits is having rubbed Charlie Anna (Javed Jaffrey) the wrong way. With a villain to combat and love to win over, the film is all Romeo and tons of heart.

One can't stop gushing over the fact that Yash Raj Films and Disney have brought to India what can be called India's first world class animation film. It's not perfect, but nonetheless still great. Had the movie been made into a live Acton one, perhaps it would not have worked. Even story-wise the film is extremely light. But it is exactly these aspects that make Roadside Romeo lovable. The film is entertaining, funny and light. There is little that your mind needs to work on and it's escapism at its best.

This is a mediocre attempt at an Indian CGI animated film. It's the same old hackneyed storyline of a typical Bollywood romance with the characters all dogs. There is little evidence of any further imagination on display. The constant references to Yashraj films annoy. The voice work is unremarkable and both Kareena and Saif seem to be essentially reprising their well known off-screen personae. Only Javed Jaffrey leaves an impression as the villain Charlie Anna. One plus point- the animation quality. While not even close to international standards, it's leagues ahead of anything previously made in India.

Overall 4/10