Ai naki mori de sakebe

Graphic violence, teenage characters, characters who are filmmakers, intense themes of suicide/self-harm, a plot that spans numerous genres, and unflinching looks at non-traditional (for lack of a better word) sexuality?

Yep, it's a Sion Sono film alright.

I worry for the guy sometimes, to be honest. I've said it before and I thought it again while watching this- so many of his films feel like cries for help, owing to just how psychologically tortured his characters are, and how disturbing the subject matter gets. It's reminiscent of dark films like Polanski's Macbeth and Chinatown; both made in the early 70s when he was trying to process the grief caused by wife Sharon Tate's brutal murder.

On the topic of The Forest of Love, though: I think this one covered a little too much familiar ground for me to call it one of his better efforts.

I also am continually frustrated by how his films alternate between looking beautiful and amateurish, sometimes from shot to shot.

But hey, it's unique, it's at he very least interesting, and I was mostly engaged for most of its runtime, so I still can't call it bad.

It also contains what must objectively be the most graphic "disposing of a body" scene I've ever seen (as a word of warning to anyone squeamish who may be contemplating watching this film).

"The Forest of Love" has a similar atmosphere to the Australian serial killer flick, "Snowtown". Both movies are about charismatic, endlessly manipulative psychopaths who insinuate themselves into the lives of people that have already been marked by tragedy. Both movies have that same feeling where you feel everything moving toward unspeakable tragedy, pain and suffering, and you're not sure if you want to keep watching.

"Forest" was made by Sion Sono, however, and he may be the most interesting, challenging, shocking filmmaker working today, so it's a different experience in some other ways, such as its non-linear structure, surplus of strange dialogue and unpredictable behaviour from the characters, and length.

It's not unlike "Midsommar" in these ways. The group surrounding the killer (who is lamentably based on a real person) is, after all, a cult. And the movie takes you prisoner with them, it seems. With its length and commitment to subject matter, like the Ari Aster film, "Forest" becomes more like an experience you are sharing with the characters, the usual gap between movie and audience no longer so apparent.

This is not just like watching a trainwreck happen. You're on the train with them.

It's strong stuff, but all fans of cinema that makes you feel something, whether or not it's a pleasant thing, need to check it out.

Writer/director/editor Sion Sono's latest is based on convicted serial killer Futoshi Matsunaga, here renamed Joe Murata in the film and played exquisitely by Kippei Shîna with Sono's direction. Murder, masturbation, mutilation, self-harm, s&m, torture, gore, sex, control, extortion and more occur with irony, inevitability and imagination. Sono's masterpiece Cold Fish (2010) and grim & beautiful Guilty of Romance (2011) are also based on true stories, but let's be clear, his take on these stories are most likely far from reality. He is able to twist the facts to create details, dialogue, themes, strong characters and storytelling. Antiporno (2016) and Noriko's Dinner Table (2005) are his best stories not based on circumstantial facts and are perhaps even better because of it, although Cold Fish will remain one of the best and shocking movies for decades. (See my 2010 review: https://www.imdb.com/review/rw2469898/) The movie is slow to start with a prologue and long chapter 1. We get to know the characters and dig into the childhood of two friends from an all-girl school. Some scenes are reminiscent of Suicide Club (2001) and Love Exposure (2008) yet darker and deliberate. On the other side, we are introduced to three young men filmmakers and finally, properly to Joe Murata after 20 minutes. Joe is both charming and alarming. An important scene from the shared childhood happens just before the 40 minutes mark. Chapter 2 (from 52 to 60 mins) is where the filming of Joe Murata's life begins for the film festival contest the students want to enter and is also where this film starts to take a new beginning by finally exposing Murata's penchant and proclivities. Chapter 3 (from 60-70 mins) is perhaps the best chapter as it confirms the power and powerlessness at play and will set the tone for the rest of the movie. Chapter 4 (from 70-127 mins) is a descent into depravity, absurdity, pity, envy, sadness and self-delusion with events after events of evocative imagery and daring directing. Finale (from 127-148 mins) still has plenty of surprises and worthy twists. The story will reveal more from all the chapters and the extent of the well-crafted piece will come to life. The second half and ending are positively well-worth to longish running time. Still, if you have not seen a Sono film with sex, violence and gore or are opposed to these ideas to be depicted in your living room, skip this Netflix Original and find something tamer. Thank you, Mr. Sono for staying true to your vision with this one. Now let's see what will come out of his first English-language film Prisoners of the Ghostland (2020), already in post-production, and how he uses sexy and talented Sofia Boutella to tell a tale he didn't write for once.

Guilty of Romance (2011)

Tbh i don't understand why people are saying it's boring and waste of time.

A Tips: no offense but Please Watch the Original Japanese Language Version Instead of The English Dub, It's Not Dialog-Heavy either

This movie went from pure to dark and make you question humanity (i am not a fan of violence and twisted thing but I am up for the psychological part and the storyline) it just starting to get so dark bit by bit, i am scared to tears about how fragile they can be when they are being treaten to the edge and following the twisted order. Some are being torture both physically and mentally with the blinded love¿ for passion and pride.

The actor and actress portray it incredibly For me, i think that the trailer itself did not advertise the climax of the movie (its being advertised as pure and not the dark psychological manipulative twisted part) maybe that's why the 2 hour length is scaring people away.

...I decided to write something regarding the 1 and 2 stars that others put. For what I read they do not aware of Sono s films and style. They do not understand Japanese pop culture too. How they can go to a film so blinded and then let a comment here as they kno w something about that type of cinema? I prefer to not comment about the plot but as mentioned is inspired in a serial killer from the late 90s. -The films is long; longer than most Japanese ones but maintain the expectations. Actors are pretty good in their rolls. Color palette and tense music are spot on.