Life Blood

A blonde model, Brooke, and her good-natured brunette English girlfriend, Rhea, are at a New Years party in 1969. When an arrogant actor at the party apparently abuses a young fan, Brooke kills him brutally. As the two girls escape in a car on a desert road, Brooke runs over a rat or some creature. Now both girls flip out. She stops the car and Rhea has a breakdown. A small sandstorm appears and wipes out Brooke leaving only her clothes behind. Out of the sandstorm walks a masculine looking woman. It's god. God has a mission for Rhea- to fight evil. As a result she will gain immortality. But Brooke will be her challenge, she doesn't have a good heart.

40 years later they are resurrected at the same spot. A driver stops for a hitchhiker nearby and the two girls catch up. Brooke has an insatiable hunger for blood and devours the two much to the protests of Rhea. They escape in the car to a gas station where they try to hide from the rising sun. There, a poor attendant has to witness these two girls arguing. Brooke can't control her hunger and wants the attendant. Rhea wants to fulfill her mission since she is god's warrior. Somehow Brooke manages to kill Rhea. Other patrons show up, the police show up, but they are no match for Brooke. Until god reappears.

Life Blood sure has an interesting premise- vampires as avenging angels for god. However in this movie we don't get to see a lot of that. It's just about the two girls. And Rhea's challenge of dealing with Brooke. The cops and the store patrons are a Hollywood-correct diverse bunch of very silly people.

Despite the low budget, strange story, this movie is very watchable thanks to some nudity at the beginning, lots of making-out between the girls, and the excellent acting of the two leads. It could have been a disaster of a movie but the entire cast takes it seriously and they make it work. The script has some signs of intelligence. The arrogant actor gives an appropriate speech about society letting him get away with anything because he is a star, and he sure is going to test the limits of that submission by society. God also gives an interesting speech but it's as if a limited budget forced the filmmakers to go off course and tell a very limited story.

Wow! Brooke (Sophie Monk) just killed a man and is drenched in blood. It's New Year's Eve 1960. After Brooke is whisked to Heaven or Hell, her girlfriend (Anya Lahiri) is visited by God (Angela Lindvall), who appears in a gauzy dress that shows all. This isn't any God I learned about in Sunday School! God has a mission for Rhea, and she reappears 40 years later as a vampire to rid the World of evil. She asks for Brooke to help her, and God relents even thought She thinks it's a bad idea.

Interesting premise.

Brooke is evil, as expected, and things do not go well for Rhea.

It's not difficult to watch and listen to Sophie Monk' husky voice for 85 minutes, but things really didn't make a whole lot of sense.

What a waste of time.I watched about 30 min of this poor film before I had to turn it off. Even the two hot leads did not make me linger on..

The script is so poor and contains so much repetition that I'm wondering if the writer just made use of the copy/paste function a bit too often while he was watching lesbian soft porn on the internet instead of coming up with a better story line. Lines like "What is happening?" or "I don't know what is happening" occur numerous times during the first 30 min of the movie, mostly uttered in blocks of 4 to 5 in a row. I wished somebody would throw her the script (at her head), that might have given her an insight. But then again..

Not only do the two lead characters make out frequently but also does god, appearing as a female, kiss one of the girls. I mean, WTF? Just don't bother watching it. It really, really isn't worth it.

After dying and coming back to life as vampires, two women try to control their advanced powers in a new world but can't escape their pasts as they threaten their secret life and their friendship and forcing them to choose life or death.

Overall, this was a pretty decent and enjoyable if slightly flawed vampire effort. The main thing about this one is the fact that it tends to take an entirely different take on the genre which is not only wholly original but helps this one immensely by allowing this to take a different route through the story. By making the change occur as a result of a cosmic gift rather than a viral infection to be spread through neck-bites or blood-drinking, there's a different ethereal feel to them and how they go about being involved in the different confrontations takes a rather unusual turn here by keeping the remaining qualities of the creatures intact beyond this one simplistic change. That allows for some great moments in the diner where those powers are put into effect as there's the being impervious to bullets which makes for a fine shoot-out against the hapless officer, the superhuman strength which makes for quite an interesting brawl mid-way through where they get slammed through the surroundings to the point of breaking a normal human to pieces but they survive to continue the fight and even the burning of the skin due to the sunlight so there's the suspense of barricading themselves inside and how long that can work. As well with the plentiful and abundant nudity, these make up for some rather good times but it does have a couple problems with this. The most significant is the fact that the entire film is mostly centered around the diner so it feels way too stagnant and doesn't really seem like it actually does anything here which is quite troubling by letting scenes just go on and on just to eat up time. The fighting between the two is hardly all that original or interesting and these scenes are just maddeningly endless where one wants to exploit their powers and the other is trying to get her under control so they can utilize their powers for the better of their lives, and considering the amount of struggle that went into letting the one get imbued with those vampiric powers that really should've been seen coming quite early on so that kinda takes away from the burgeoning need to have to do that the film is clearly building towards. This does lead to a rather anti-climactic finale since it was clearly set-up from the beginning yet there's nothing really surprising about it, and when combined with the other flaws is a little disappointing.

Rated R: Graphic Language, Continuous Nudity, Graphic Violence and mild drug use.

Well, this flick was over before I knew it so that means I really enjoyed it. I would like to refer Bitchslap which is a bit in the same line. But here we have real scene's and not all green keys. The movie worked for me, you don't have to take it that seriously, as I watched the DVD cover you already knew they wanted to make an exploitation movie. I must say that it worked, the storyline is of course unbelievable but don't bother that. Watch it as it goes and see how two British actresses deliver the goods. Oh yes, Scout Taylor-Compton is in it but not that she has a main lead. She's maybe for 10 minutes into the movie. But indeed, it's a man's movie, with nudity from new star Angela Lindvall and a lot of nudity at a party but the perverts out there will be disappointed that Sophie Monk doesn't show anything. She's also a coming star and appears a lot in horrors and surely she's used to go full undressed like in The Hills Run Red but here she's just a sexy chick wearing almost nothing. Anya Lahiri, the other Brit doesn't show anything at all, and that's a bit a let down for many 'cause those old 70's flicks, the main lead went naked. But hey, there is blood running and that's the important part isn't it? It never becomes gory or to messy but if you are into grindhouse go watch it.