Delhi-6

While modern India races ahead towards its self-designed glory with aspirations and outlook that are based on the premise of something new and different, the majority still lives in stark contrast to these changes. The Indian society in reality is multi-faced with its culture, customs, traditions, orthodox outlook, communal bitterness, corruption and above all, hypocrisy. Delhi 6 is a mirror shown to us that portrays this Indian society in changing times. Now whether one chooses to believe that the image in the mirror is a story-less facade, a mockery or a genuinely vivid portrayal of the Indian kaleidoscope is a matter more of acceptance than of opinion.

Rakesh OmPrakash Mehra's 'Aks' was a bold venture into the indestructible evil but his distinct narrative style was incomprehensible by the majority. His next film claimed an iconic status for him and 'Rang De Basanti' became a cult movie with outstanding music, technical finesse, brilliant story telling and a soul stirring message. With 'Delhi 6', Rakesh Mehra gives us a view of his childhood locality in Delhi through the eyes of an NRI who finds the warmth and diversity appeal to him as he brings his ailing grandmother back home. Soon he discovers the hypocrisy and backwardness that lies underneath the surface of the society that first gave him love but now leaves him in disbelief of the reality around him. There is a subtle meaning behind every dialog, a satirical take on every reality, a brilliant visual for everything beautiful, a metaphorical implication for our inner selves in parallel plots, the meaningful and unique compositions of Prasoon Joshi with AR Rehman's genius and a narrative so powerful yet subtle in context and delivery. Rakesh Mehra proves yet again, that he is a class apart from the rest.

The narrative is like a rich textured, painfully woven cloth made of fine individual threads of varied colors that exemplify the film's diverse characters. We see Delhi through the eyes of Roshan (Abhishek Bachchan) who shows maturity and greater understanding of the story than simply that of his character. Bittu (Sonam Kapoor-beautiful!) is the concealed modern face of an Indian Idol aspirant whose dreams are caged by her father's orthodox attitude. Waheeda Rehman plays Roshan's grand mom with her natural ability as a veteran actress while she munches on supari, Pan and dances to Genda Phool. Rishi Kapoor is at his charming best as Ali Baig, Roshan's uncle, a reputable citizen of Delhi 6 whose insight into the ways and customs of the society are both didactic and lasting in their impact. Gobar (Atul Kulkarni – class act!), the simpleton who is always ridiculed by everyone has an impactive part to play towards the end while Pawan Malhotra and Om Puri play the roles of acrimonious brothers in a manner that is consistent with their brilliant acting prowess. The list of towering performances extends with Vijay Raaz as the typical corrupt and conceited policeman, Deepak Dobriyal as the rancorous victim of his society's inanity, Prem Chopra as the flamboyant moneylender and Divya Dutta as the outcast trash picker whose mockery of the hypocritical 'clean communities' pinches at the conscience of many.

Although the ensemble cast may seem like the film's highlight, it actually is Rakesh Mehra and Prasoon Joshi's script and screenplay that result in the entwined narrative leading to an analogous summation of the story. Running parallel to Roshan's discovery of India and its people is the plot involving the real life incident of Delhi's 'black monkey scare' back in 2001. This Kaala Bandar menace has shaken the very grounds of scientific and logical credibility while leaving the citizens in a fearful state. Who or what really is this Kaala Bandar?? And of what real significance is the symbolic Ramleela play?? The two aspects of the story have a deeper significance in the real message that Rakesh Mehra's nimble direction is trying to convey and is now clearly affirmed as the trademark in all his films.

AR Rehman returns in his best form after RDB. Every song bears resemblance to those of RDB's in an inconspicuous manner while remaining distinct and pertinent to Delhi 6's story. Prasoon Joshi gives us unique lyrics yet again that carry the deeper meaning which not all dialogs could convey. Genda Phool is the most imaginative song which has a rapper tune to it in the most Indian form ever heard. Rehna Tu, in true Rehman style is that one song in his album that remains the most melodious with his own voice.Bhor Bhaye and Tumre bhavan main are brilliantly rendered in classical style. Arziyan is a great composition with outstanding voices of Kailash Kher and Javed Ali. Delhi hai is the catchy theme song that shows Rehman's versatility with modern music and Kaala Bandar is like a musical story in itself in hip- hop style. Masakali is beautifully sung by Mohit Chauhan and the composition reminds us of what Gulzar would have written for a pigeon. Overall, Delhi 6 is the album that is a rare gem even by the maestro.

'Let us look at the mirror, in which we see a message, in which we see our wronged sides, our true conscience'. Delhi 6 is an honest thought; a philosophy that is truly a reflection of what is around us but which we tend to disregard in our own arrogance or ignorance. The movie's true hero is the crazy Fakir who roams around with a mirror in his hand while narrating the film's enduring philosophy "zarre zarre main usika noor hai, jhaankh khud main, woh Na tujhse door hai….." Rakesh Mehra's film- making embodies sheer brilliance in story telling, running parallel narratives, strong and witty script, superlative screenplay that does equal justice to an ensemble star cast and in the end leaves a deductive message that one can ponder over for quite sometime. Just go watch it.

• 9.29 on a scale of 1-10.

What a delight! The streets of Delhi haven't ever looked as affable as through the camera of Binod Pradhan in Delhi-6. To be honest, when I had heard the music release, a few songs seemed out-of-place/non-inspiring, but every note played in the movie seems to blend seamlessly with the plot.

It's not a perfect movie - the plot seems to be unconvincing in the last 20 minutes, but that doesn't even manage to scrape the lingering happy feeling that you're left with from the previous couple of hours of the movie.

I found three remarkable things about the movie. I've already mentioned the cinematography - it makes you wish you were there. Then there is a bunch of the most heartwarming, hilarious scenes written and enacted brilliantly. Yet, the performance by the actors is what remains with you when you step out of the theater. Divya Dutta, Deepak Dobriyal, and Vijay Raaz stand out and have such impact through their few appearances that you end up believing they were on screen for almost the entire movie. Waheeda Rahman and Rishi Kapoor remind us that Old is Gold. In fact, the entire cast is full of life, and has carried the story on its shoulders through every scene. Abhishek Bachhan has done justice to his talent.

If you're a fan of the old run-on-the-mill Indian movie, better stay at home. If you wish to see a delightful approach to cinema, go catch the movie.

I rate it at 7/10.

I remember the time the song "Masakkali" hit our TV screens. I felt a good vibe about this movie, later found out that it was from the same director who did RDB, one of my favourites. Being a regular IMDb user, the ratings below 7 barely encouraged me to watch it though. Obviously, the movie never achieved the popularity status anywhere near to that of RDB.

But for some reason, almost 4 years later, I decided to give it a try and I have to apologise Mr. Mehra for underestimating him. It is nigh impossible to emulate RDB but Delhi 6 shouldn't have done his prospects any harm. If there was anything like an Indian Oscar, Delhi 6 would have been a strong contender, considering the paucity of quality movies that get made in the biggest film industry in the world. As someone who is relatively familiar to the ways of Indian society and mentality, it was a stark depiction of the intricacies that form the gullies and chowks. The colours and noise and the varieties of personalities just illuminates the first half or so. The latter half shows the dark side, naivety, greed, ignorance, pettiness which can quite easily ruin a society.

Nothing compelled me to write something here other than the fact that moviegoers have decided to rate it 6, which is a pity. No wonder, movies like Dabangg seem to reap financial rewards and recognition and the ones like Delhi-6 are left to stray into oblivion. I loathe bollywood in general, not so bollywood music, but Delhi-6 gives me hope.

I normally very strongly dislike Hindi films. Most people who like intelligent, artful, deep films usually hate films from "Bollywood", and with good reason. There's a reason why Hindi films aren't seriously considered when there is a discussion of great films. Slumdog Millionaire doesn't count for obvious reasons.

Delhi 6 is a film which finally made me believe that there IS potential in India, and a desire to make a film which isn't just meant to be spoonfed to the audience.

For people who have spent their entire lives, watching films which are only what they are at first glance and nothing more, this film will be undoubtedly annoy and bore them. That probably means most of the Indian audience, unfortunately. And that unfortunately means, this film will not do well financially, and will discourage producers from making a wonderful film like this.

Delhi 6 will not make sense to people who take EVERY SINGLE THING in a film literally and don't dig deeper to try and understand the implicit meanings. This film is wonderfully directed, acted, and very evidently produced with heart and love.

I would definitely submit this film as the selection from India for the Oscar foreign film section. It's *that* good.

Don't watch this if you're looking for a "masala" movie. If you're looking for a film which will make you believe in India's ability to make excellent movies, this is it.

So this movie has an average rating of 6.2, which is quite disappointing for a film like this. It falls along the lines of Rang De Basanti. It is not a masala flick where you have drama, love, sex, music, thrills, laughs, tragedy, etc. This movie doesn't have much entertainment value, it is more about real life and how people behave (just like Rang De Basanti).

Now about the movie. It is directed well and the story is simple. The pace was slow a couple times but it picked up during the climax. Although Abhishek and Sonam aren't great actors in my view, they have my respect for working in this film. You can read the plot to know about the general story.

I would watch this movie again with friends and family. It is definitely a keeper and it's available on Blu-Ray!