Llamando al amor

All the elements were there, but the editing was flat and scenes tended to play out way past their usefulness.

Thinking it was directed by an Eastern Indian, I excused these things to my companion as, "Well, perhaps they have a different sensibility and sense of timing in Mumbai." But then I learned it was written and directed by Americans and was doubly depressed.

...Line has a great premise and is mostly acted and directed well. Maybe I'm too used to the fast pace of a/a films and TV, but scenes trailed off with no 'button,' some of the time actors looked adrift and the Indian actors ("Jennifer's" relatives in particular) were very melodramatic and over-the-top. All IMO, of course.

All that aside, I teared up at the right moments and for the most part enjoyed the two leads. I'd recommend it, but unfortunately not whole-heartedly.

Randomly found this movie as a freebie on XFINITY. As a romantic comedy, it had enough heart but lacked humor. The movie itself was just okay - I think the premise was unique and the Shriya Saran was an attractive screen presence. Most of the supporting cast did not have much to offer though. Also, despite the length of the movie, the transitions were poorly done. I don't regret watching it - I just feel it needed a tighter script.

I really can't figure out why people have rated this movie so low, at least as yet. I won't say that the movie was exceptionally good in acting or directing or screenplay or whatever. But, on a whole, the movie did quite well in doing what it was meant for. Its a simple romantic comedy with a dream romance between an Indian girl and an American guy and it scored pretty well there. Some of the moments with Anupam Kher were really very very hilarious. Though, I would say that at some points the movie lifted up from reality and went into the ideal state. But, then again, romantic movies are usually like that only.I liked the movie to give it a decent 7/10. I'd suggest that you go and watch the movie, it'll be a real fun to watch!!!

I won't think twice about rating this movie 8/10 mainly because: 1.) It's like a fresh breeze amongst all the stupid Indian movies that come out these days (barring masterpieces like A Wednesday, Shaurya, etc.) 2.) It's an unbelievable idea yet you can easily see it happening in real life. 3.) Even though it is a movie, one can relate to many moments in the movie. I liked many!

Shreya Saran acted very well even though I had never even heard of her name. She is pretty and did her part really well (even the fake accent was decent). Tara Sharma didn't have much to do, but she filled in OK. Anupam Kher was also funny yet did not turn into an idiot as many such roles do. I have no clue why this movie is rated so low. I just hope that haters stay away from this movie. I will highly recommend that you watch this at least once and I'm sure you'll love this one!!

Granger and his partner Charlie are struggling in the advertising business. They make a sultry and suggestive presentation to Kit Hawksin of Hawksin Hotels, a very demanding businessman. Hawksin is very disappointed that the ad executives do not get his conservative views, but he agrees to give them another chance.

While in bed with his intimidating girlfriend Emory, Granger receives a call from CitiOne Bank saying his identity has been stolen. It is the first of many contacts Granger will have with "Jennifer David", who claims to be from San Francisco. Actually she is Priya Sethi of Mumbai, India.

Priya is engaged to Vikram but doesn't love him. As is often the case in India, it is an arranged marriage and her conservative parents don't care what Priya wants. They are even bothered that she works the night shift (because that is daytime in the United States, where CitiOne wants its customers to think the callers are from) and seem to want her to leave that job. But Priya is very good at her job and enjoys it; she mimics an American accent perfectly. And we see the training the employees get: it's quite detailed and we see how her employer expects everyone to convince people they are American.

Charlie, meanwhile, is also about to get married, and Granger will be his best man. This provides even more distractions.

As part of his effort to win over Hawksin, Granger and Charlie have to go to San Francisco. This gives Priya a chance to meet Granger, and she reluctantly agrees to do so--in order to talk about business. She has relatives in the area and her family believes she is visiting them. Never mind how she gets so much time off work.

But when Granger arrives at the meeting place, he sees several girls who could be "Jennifer". Realizing she has seen granger, and knowing she will never live up to his expectations, she gives up on trying to meet him. But then Granger bumps into her--literally. Granger and Priya immediately make a connection, and to make sure their relationship will work, Priya keeps quiet about her real identity, claiming to be a nurse from India on vacation.

It just so happens Priya is staying at Hawksin Hotel, and Hawksin meets both Granger and Priya. He asks Priya for an evaluation of his hotel and she does a wonderful job, worthy of one of his commercials. For that he rewards her with one of the finest rooms.

Meanwhile, Priya's parents wonder what has happened to her, and they angrily take off for San Francisco to retrieve their wayward daughter.

Over the course of the movie, Granger and Priya run into numerous obstacles. Will they overcome them?

Well, I can say this much. The ending is nothing short of amazing.

Shriya Saran is beautiful, adorable, easy to like and quite talented. She does a very convincing American accent and comes across as very intelligent, though she's just cute enough not to be threatening.

Unlike Sara Foster, who is merely pretty, but we don't want to like her and we're not supposed to want her and Granger to make it.

Jesse Metcalfe also does quite a good job. Especially in one scene toward the end, but I don't want to give away too much. I'll just say he talks about the time he and Charlie went to summer camp.

The clash between cultures provides some opportunities for comedy, and both leads make this work.

Austin Basis is appealing, coming across as an friendly but somewhat incompetent. I especially liked how Hawksin intimidated him and pointed to his proper and quiet Japanese associate of thirty-plus years. Larry Miller, as Hawskin, also does a very good job as a demanding businessman.

The conservative Indian relatives make this movie different. The father Rajeev is determined to keep his family in the past but realizes he is fighting a losing battle. He is appealing in a bumbling way.

There is one hilarious scene at the San Francisco hotel involving words that can have more than one meaning. The movie does get slightly naughty from time to time, and it would be hard to describe it as a family film, but the version I saw likely had some offensive material cut out for broadcast TV and was relatively clean.

It's mostly formula but it's a winning formula.