Sigue la vida de las Bene Gesserit.Sigue la vida de las Bene Gesserit.Sigue la vida de las Bene Gesserit.
- Premios
- 2 premios ganados y 5 nominaciones en total
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Resumen
Reviewers say 'Dune: Prophecy' elicits mixed reactions, highlighting political intrigue, complex characters, and rich world-building. Fans commend its exploration of Bene Gesserit origins and fidelity to Dune lore. However, criticisms include pacing issues, inconsistent tone, and deviations from the source material. Acting and dialogue are often deemed subpar, with some episodes feeling generic. Visual effects and production design are praised, yet narrative coherence and character development frequently disappoint.
Opiniones destacadas
All of my knowledge of Dune comes from the two recent movies, both of which are amazing. With that out of the way, one thing that is missing from the TV show, which both films have, is a good score or at least good use of a good score. I feel like the score or music of the films was used in such a way to emphasize the larger-than-life characterization of the Dune world or universe, so to speak. We are talking about a species that spans the universe in space after all. On the other hand, the score is barely perceptible in the TV show. This does ensure we able to hear the dialogue clearly, but also makes the TV show feel claustrophobic in spite of some of its sets or settings in comparison and therefore out-of-character. Without this, the TV show feels much less epic and engaging than the movies, unfortuantely. I am hoping they will fix this in upcoming seasons.
It's nice to see the other side of Dune Universe. Visually beautiful for a TV Show although we know this is nothing compared to Denis Villeneuve movies. Here we can see the city, the bar, etc that feels cyberpunk-ish and we don't see it in the movies.
The story itself was good and again it's nice to know more about Bene Gesserit. But I don't know why this show potrayed the main character (Bene Gesserit) looks 'evil'. Despite that I enjoyed it still.
What I hate about this show is too short. I mean comeon why only 6 episodes? I hate modern TV shows. They gave us 6 episodes and then we need to wait another 1-2 years to watch the next season. 10 Episodes is the standard unless you make it limited series with no continuation. I understand that maybe this show has big budget knowing the visual was very good.
Another uninteresting about this show is bad casting. Almost all the acolytes was so bland knowing they still had good amount of screen time. I always love Travis Fimmel as Ragnar zlothbrok in Vikings since it's my favorite show but in here he also act like Ragnar the way their bodyand eye moves was very sinilar acting
Overall I love this show since we rarely had scifi cyberpunk-ish tv show.
The story itself was good and again it's nice to know more about Bene Gesserit. But I don't know why this show potrayed the main character (Bene Gesserit) looks 'evil'. Despite that I enjoyed it still.
What I hate about this show is too short. I mean comeon why only 6 episodes? I hate modern TV shows. They gave us 6 episodes and then we need to wait another 1-2 years to watch the next season. 10 Episodes is the standard unless you make it limited series with no continuation. I understand that maybe this show has big budget knowing the visual was very good.
Another uninteresting about this show is bad casting. Almost all the acolytes was so bland knowing they still had good amount of screen time. I always love Travis Fimmel as Ragnar zlothbrok in Vikings since it's my favorite show but in here he also act like Ragnar the way their bodyand eye moves was very sinilar acting
Overall I love this show since we rarely had scifi cyberpunk-ish tv show.
The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
DOUR. So dour. Everyone glowering intensely at everyone else. Characters absolutely crippled by the artificial "weight" of how "important" what they are doing is. How do we know it's important? Because the characters state their aspirations right away, and what they aspire to is the way things are in the present of the movies. Wow. Profound. I wonder if it's going to work out in the end??? Remember Game of Thrones? Realistic people doing their best in the horrifying world, trying to find some semblance of meaning, purpose, maybe love? Joking and chiding each other like real human beings do? Remember characters being believable people? Why does every premium show have to be completely humorless and rigid? We get it, the implications are vast. We get it, setting up the world of Dune is "important." Look, I'm a huge fan of the material and the new movies. But even in those they chide each other. "Stilgar is from the south. You didn't notice his accent?" They freaking relax for two minutes! You can't expect me to tighten up and stay rigid for the entire series. There has to be a rhythm to it! Ups and downs. Intensity and levity. Inhale, exhale. Life!
Dune: Prophecy brings us back to Frank Herbert's universe with a different approach. Instead of grand battles, the series explores the intrigues of the Bene Gesserit and their struggle for control. It's not necessary to have seen the movies to understand it, as it builds its own rhythm and atmosphere.
It stands out for its setting and for Emily Watson's performance, which brings depth and presence to her character. However, at times, the pacing is slow, and it may feel like it lacks intensity. Even so, it manages to create interest through its conflicts and the mystery surrounding the story.
It's not a series for everyone, but for those who enjoy more political and dense science fiction, Dune: Prophecy offers an intriguing premise with great potential.
It stands out for its setting and for Emily Watson's performance, which brings depth and presence to her character. However, at times, the pacing is slow, and it may feel like it lacks intensity. Even so, it manages to create interest through its conflicts and the mystery surrounding the story.
It's not a series for everyone, but for those who enjoy more political and dense science fiction, Dune: Prophecy offers an intriguing premise with great potential.
¿Sabías que…?
- TriviaThis series uses material from the Great Schools of Dune trilogy, by Brian Herbert and Kevin J. Anderson. A prequel to the original Dune, it tells how the Sisterhood of Rossak evolved into the Bene Gesserit. The incident with Valya Harkonnen using voice is from one called 'Mentats of Dune'. All three books interweave the development of the Sisterhood, the Mentats, the Navigators and the Suk Doctors.
- ConexionesFeatured in WatchMojo: Top 24 Best TV Shows of 2024 (2024)
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Detalles
- Tiempo de ejecución1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 2:1
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