Nueve Días

This movie is not just a movie, is a poem that unfolds throughout the time runtime of the film. We get to sort of see how possibly "god" works and how the existence of one individual can still continue beyond this realm. It feels like a warm dream, that could turn into a nightmare at any moment but it never does. You just fall in love deeper and deeper with whatever is happening in this dimension. It never fully answers anything nor does it try to explain the questions that is "trying" to answer but the end result leaves you wanting more.

I may have ultimately found this somewhat more intellectually stimulating than emotionally, regarding the many philosophical and moral paths and implications that go into what one does in a life and how one regards violence and being violence or passive and of course what creativity brings about. The filmmaker Edson Oda - first feature as a writer-director and by itself that makes this a pretty major achievement to me - pulls off that tricky thing pretty well of exploring the ideas of simply living a "good" life or being a person wrought with inner pain and anguish (and what hiding that does to those who care about them) without falling into pedantry - in brief, it tackles empathy by putting it through the characters' perspectives. He provides a captivating backdrop, spare but interesting, without over explaining the mechanics of how these subjects are right at this place

There is an obvious point that is a flaw which is just how exceptional and perceptive Zazie Beets is (like once she's there game over you know). Buy Winston Duke is great at channeling a lot of preprinted thoughts and feelings, sometimes so explosively it could go the other way and not work but he always holds it together, and it is a surprisingly moving moment when he just talks about when his character was alive and performing a monologue he had to memorize last minute... to that end Walt Whitman (or at least his seminal work) makes an appearance!

This really rubbed me up the wrong way, on a matter of principle, because it's just too close to its source material, while adding nothing. This is 'After Life' by Kore-eda, my favourite film, only this 'visionary director' inversed the premise. Which ultimately makes little difference, it's still an exploration of what constitutes a meaningful existence on this earth.

It's beyond homage. Masquerading and marketing such plagiarism as a breathtakingly unique, original indie film (and fooling the press) is so much more insidious to me than the inevitably over-schmaltzified remake once-proposed in the 00s.

'Nine Days' takes the setup, the tone, the limbo setting, the bureaucratic elements, the interviews, the metaphysical questions, the down-to-earth quality, even the analogue VHS tapes and lovingly-crafted staged sendoffs. Even the minor plot developments were tonally the same. Zazie Beets and Benedict Wong are great, but performances become overwrought towards the end. The cinematography is beautiful. Yet in every aspect of actually feeling something, this pales in comparison to After Life. Much like when a knockoff design company changes a couple of small things on the product it's copying to avoid a lawsuit, but the final product isn't nearly as good as the original, this film doesn't provide anything approaching the quiet emotional resonance After Life does, instead descending into overwritten quasi-philosophical discussions which left me cold.

I don't mean to take the experience away from those who found it meaningful but it angered me most because I love cinema, I love unique voices, and I can't stand lauded frauds. When this guy's taking the Marvel money in a couple of years' time, Kore-eda will still be evolving his genuinely-authentic craft.

If we're lucky, a couple of times a year we get a film that on face value may not appear to be anything truly special but upon watching casts a magical spell over willing viewers to create something noteworthy and memorable, in 2021 one of those such films is Edson Oda's moving debut feature Nine Days.

Much like the Nicolas Cage starring Pig from this year, a film that managed to become much more than just another Nicolas Cage film or a budget Taken with hooves, the Spike Jonze produced Nine Days for all intents and purposes seems like a small film that could be a nice way to pass some time but from the moment Oda's beautifully constructed fantasy drama begins, there's a sense that you're in for something outside of the normal, something unique and something that feeds the soul within.

Following Winston Duke's (never better than he is here as a broken but kind hearted man) reclusive and softly spoken Will as he goes about his job monitoring people's lives on small TV screens in front of him and interviewing prospective souls for vacant positions to become a living breathing human, Nine Days concept may ask viewers to give up their prejudices but for anyone willing to go along with Oda's ode to what it means to be human and the gift that is everyday living, this unique and touching experience may just be the type of film that continues to linger on in your memory and even change the way you view your own human experience.

Shot with a keen eye by cinematographer Wyatt Garfield and scored with grace by famed composer Antonio Pinto, Nine Days is a complete all round feature package lead by Oda's impressively refined direction and a collection of great performances from Duke, the radiant Zazie Beetz as prospective human Emma, Benedict Wong as Will's only real friend Kyo and some nice little supporting turns from Bill Skarsgård an Tony Hale as some of the other souls Will must choose as worthy to be gifted life in the world we call our own.

We're never told exactly where Nine Days takes place or why things are as they are (particularly why VHS tapes seem to be the go to for Will's job) but really none of that matters as the joys you will discover when watching Oda's film and the learnings both his characters and we as viewers have through the films constantly engaging run time ensure that this is a gripping, moving and heartwarming tale filled with some of the most affectionate and touching material you could hope to find in a film.

Final Say -

A wonderful debut from Edson Oda who has marked himself down as a director of note with his efforts here, Nine Days is an unforgettable little film about the big things. Providing a beautiful viewer experience, Nine Days is one of 2021's best and a film deserving to be discovered by a bigger audience than it was afforded upon release.

5 bike rides out of 5.

I rated this a good 7/10 upon first watching. An already great note. But after watching this again today and paying much more attention to its small details, I have to admit Iiked it even more. It deserves a little more remarkable mark. A solid character driven drama. I hope to see more movies like this in time. Feels refreshing even if they are not that flawless. Go and see it!