Get Away

Pretty entertaining international folk horror that develops into a slasher comedy. Features two of my favourite comedy actors - both Nick Frost and Aisling Bea put in good performances as characters that get more interesting when the killing starts. Feels somewhat rushed at times with having mixed genres and cultures (packing a lot in). It may have been better as a short series where we got to know more about the locals, the dark history of the island and the visiting family. Left some unanswered questions about the history, the traditions and decapitations referred to! Bit scary as a slasher, bit unnerving as a folk horror and sometimes darkly funny.

Boy the Swedish tourism board can't be too happy about this film. They were probably just recovering from 'Midsommar' and then bam, along comes 'Get Away'. This movie was quite something.

I've never seen a film go from 0 to 100 so quickly before. The first two thirds of the film I was basically just bored. There was the odd laugh and a creepy thing or two going on, but mostly it was just fodder. Then a twist came out of absolute left field and suddenly the film went off the walls bonkers for the entire final third. And that portion of the film I mostly loved.

The film is lacking a lot of polish. I also thought with Nick Frost writing it that it might've been a little funnier overall too. It's impossible to hate a film like this, however I simply can't give it more than a 5.5/10.

Nick Frost likes a light horror. After just starring in the ghostly "Black Cab" he stars in and wrote extremely silly slasher send-up "Get Away". He & wife Aisling Bea (with teen kids Maisie Ayres & Sebastian Croft) go on holiday to a small, remote Swedish island that's about to go into its annual macabre festival... and does NOT want them there. Though the story has hints of "Midsommer" the style couldn't be more different, and the quality's way off too. Steffen Haars' direction is basic and the performances are mediocre (though Ayres is decent on her big-screen debut, as are Eero Milonoff & Anitta Suikkari as nutty local Swedes). It's moderately entertaining, but sure ain't great.

Greetings again from the darkness. Every movie review provides the opportunity to walk the line between telling enough, but not too much. Some movies pose more of a challenge than others, and this is one. Director Steffan Haars (the 'New Kids' movies) and writer-actor Nick Frost team up to deliver a devilish and campy folk horror-slasher-comedy that brings a bit of innovation to genre that could use a boost.

Nick Frost stars as Richard Smith, a Dad-Joke-loving goof desperate for a relaxing holiday with his family. He's joined by his wife Susan (the multi-talented Aisling Bea), and their teenagers Sam (Sebastian Croft, "Heartstopper") and Jessie (Maisie Ayers in her first feature film). Their odd choice for the 'get away' is Svalta, a remote Swedish island that sports a dark history with its tragic 19th century plague that nearly wiped out the population. The family has scheduled the trip around the Festival of Karantan (Quarantine) marking the unfortunate events of yesteryear.

Upon their arrival, the locals give them an icy and somewhat threatening reception. Referring to the festival as a "play" doesn't help their cause, and it's only when their creepy Airbnb landlord (Eero Milanoff) shows up to claim them does the tension soften a bit. The house they've rented seems perfect, but soon things feel a bit off. Sam's vegetarian diet and Jessie's spirited approach add an extra dimension, while Richard and Susan play off each other expertly (as we'd expect from Frost and Bea).

This was my second Nick Frost horror movie in less than a month, as this is on the heels of his much less funny turn in BLACK CAB. Of course, he's known for his comedic turn in the Cornetto trilogy, and his screenplay here is quite impressive. The film really plays up the whole "outsiders" feeling unwanted ... just before the magnificent twist that turns the film into an off-the-rails blood bath. Barry Blue singing "I Eat Cannibals" provides a fitting musical ending to this wild ride from Shudder Films.

Opening in theaters on December 6, 2024.

So many bad reviews! So unwarranted! It's no Oscar winner, but it's also not that bad. Yes, I thought I saw the twist quite early, but I wasn't certain so it kept me guessing. It's good these days to get a film of sensible length, that maintains my interest for most of the movie. The comedy, whilst limited, was in keeping with the pace and characters. What do people want from a Sky Original? I'm not sure it will do much for Scandinavian tourism, but I'd be tempted to visit the island for novelty value. From unwelcoming locals to an incredibly useless police officer, the supporting cast did the job of supporting. The main cast were effective whilst remaining subtle in their roles. I enjoyed it for what it was - a 'B' Movie that knew it was a 'B' Movie!