Los descendientes

This drama offers nothing that unique, it's just really well done. I was moved by the incredibly realistic, raw and deeply complex characters and relationships. They're written, directed and acted brilliantly. These and other film techniques evoke in the audience a wide range of emotions that are exactly what you would expect people in the characters' circumstances to be experiencing. Confusion, grief, frustration, anger and a lingering solemness are just some of the things I was positioned to feel so profoundly alongside the characters. These things justify the grave narrative in a truly impacting way. The characters and plot are definitely the highlights, although there are also several well-crafted and highly relevant themes and perspectives woven into the film, that add more layers of brilliance to an already great watch. There's also not much in the movie that's not purposeful. Great examples of this are the setting and soundtrack, which not only aid the plot but also develop mood and help construct the messages being conveyed. There are also some genuinely funny moments scattered throughout. All of these things combine to produce a viewing that is immensely enjoyable, impacting and thought-provoking. If you haven't seen The Descendants yet, I'd highly recommend it.

I watched it at the movies in 2011 and it was immediatly my least favorites of Clooneys', an actor I like; my least favorites of Paynes', a director, I owed so much great times.

Then, I crossed its paths 2 or 3 times on tv for years, without much change but when I fully watched it again in full, alone, in 2025...it struck me as one my 10 key personal movies and stories.

Movies are brilliant objects, they do not change but we evolve around them and one day, we either puzzle out or puzzle into them.

That one eventually clicked, I saw characters, and not actors anymore: I had lived through some of the events and understood and felt a lot. Its writing and dialogues are mature and his subjects unique. We will all be concerned, if not already.

I love the freedom oozing from Alexander Payne's films. The clarity and simplicity of the idea and its execution. All the answers and unity found under a grieving cloud. George Clooney's Matt King is, quite simply, superb. The humanity of the man mingling with his contradictions. So refreshing to spend time with this immediately recognizable man. I couldn't help but loving him. If it's true that Clooney dominates the film, he is surrounded by compelling characters. His eldest daughter, played by the remarkable Shailene Woodley for instance or her boyfriend, a winning Nick Krause, contribute to make "The Descendants" one of the best films of 2011.

I hadn't seen so many elderly folks in a movie theatre, since I saw The King's Speech last year. I suppose there is a bit of irony in considering that a film called the Descendants has an audience of ancestors.

The best thing about the movie however, is that I think it can be appreciated greatly by any adult age group, elder or not. There are laughs to be had and tears to be shed. The film centres around middle aged, Matt King; a Hawaiian land baron attempting to connect with his children with the knowledge that his comatose wife is at death's doorstep, and he knows that she had an affair before her accident. Meanwhile, he is under pressure from his network of cousins to sell his inherited land to the kind of real estate that wants to put up a seaside condo-mania.

In essence, it's a recovery story. The formula is not entirely 'new' yet the somewhat paradoxical balance of refinement and dry humour are enough to elevate this to a very well rounded story. As far as drama comedies go, The Descendants is ideal.

This may be George Clooney's best lead performance to date. I think it is the first role that doesn't require him to be slick or charismatic even for a moment. He is rather scruffy, but more importantly, he is human. Clooney brings range to the role, hitting all the right notes, funny and serious alike.

I like the fact that even though we are on Hawaii (a photographer's paradise) the island doesn't look all that special. It's important that The islands look just as mundane to the audience as it would to the characters who inhabitant it. Most of the time it's cloudy, and low brow, except for the few moments where it is necessary to bring out the sunshine, as we stand on a cliffs edge with the King family overlooking dozens of acres of land which could very soon become merchandise.

Another thing I like about the Descendents (which you don't see often) is an ending that is both happy and sad. Some say that great films are the ones that leave you wanting more. The Descendants did this to me, and it's probably the closest thing to a great film I've seen this year.

The Descendants is a tragic and heartfelt family drama set against a backdrop of the sights and sounds of modern Hawaii. The music is wonderful, and the scenery of several Hawaiian islands is amazing.

George Clooney is outstanding as the father of a family torn apart by tragedy. His character deals with unsettling secrets of his dying wife and his broken relationships with his two troubled daughters. Forced to deal with the consequences of neglecting his family, Clooney does a great job capturing conflicting and powerful emotions.

Shailone Woodley does a wonderful job as the rebellious older daughter, who captures the anger and hurt of a teenager betrayed by her mother and abandoned by her father. Her relationship with her father is the heart of the movie, and they slowly learn to rely on each other for support and strength in dealing with the loss of their mother/wife.

The film has a wonderful supporting cast that adds humanity and heart to the tragic story. Nick Krause stands out as the oldest daughter's friend, who adds a touch of laughter and perspective to the film. His open and carefree personality grates on the characters initially but helps them to eventually gain perspective on the tragic events.

Overall, the Descendants was an excellent movie that captures the raw emotions of a family dealing with betrayal, pain, and loss and learning to draw together for love and support.