Force of Nature

This movie is terrible. Couldn't even finish it. Thought it had enough names in it to be decent, but it's not. Hard pass.

I like watching Mel Gibson, take him out of this movie and I would give it 3.

Mel isn't exactly William Wallace in this movie, far from his best.

This is ok to watch but only if you have exhausted your options. If you are looking for some action sequences supported by a good cast and and a good overall story, then this might be fun. The story is actually fine, the actors are also fine and the acting is fine. However, there are big problems with the dialogue and some action scenes, which sometimes make you think you are watching a B-movie with A-list actors... The director decided to create good action sequences but very boring and rather useless in-between conversations. The moments where there is no action, sometimes make no sense. If you are willing to go past that, then you 'd end up with an ok film experience. This film is kinda saved by its good cast. Also the hurricane concept is not really present as you would expect it to be, judging by the way they promoted this film. 6/10

Force of Nature has a few entertaining moments, but it's very forgettable and it blends in with a hundred other movies. However, Mel Gibson was the main attraction that I was eager to watch this film. But the Mel of Lethal Weapon was shown as coughing and stubborn old man. Besides he has short role in the movie. The fight scenes aren't that bad, all things considered. Force of Nature is not a bad film. It had its fair share of problems, but for a low budget action film with an aging action star, it's not bad at all.

Love him or hate him, Mel Gibson always gives 100% in whatever he does.

And he is the only reason to watch this typical Emmett/Furla time-wasting action picture. Here, subbing for Bruce Willis who usually is the nominal "star" of these poorly-written & directed tax write-offs, Mel does his best as an ex-NYC cop trying to stop a group of bad guys robbing a run-down apartment block during a hurricane.

Whatever talent indy director Michael Polish one showed is now depleted as he puts his cast -- most of them looking like they're sleepwalking except for an earnest performance by Stephanie Cayo -- through the requisite 90 minutes of low budget thrills.

The question that needs to be asked is: With every other person in Los Angeles writing screenplays, why can't EF Films find something worth the time and effort? Why waste talented people on such schlock?