Un reportero de televisión y un camarógrafo siguen a un equipo de emergencias a un oscuro edificio de viviendas y rápidamente se ven atrapados dentro con algo aterrador.Un reportero de televisión y un camarógrafo siguen a un equipo de emergencias a un oscuro edificio de viviendas y rápidamente se ven atrapados dentro con algo aterrador.Un reportero de televisión y un camarógrafo siguen a un equipo de emergencias a un oscuro edificio de viviendas y rápidamente se ven atrapados dentro con algo aterrador.
- Dirección
- Guionistas
- Elenco
- Premios
- 16 premios ganados y 12 nominaciones en total
María Teresa Ortega
- Abuela
- (as Mª Teresa Ortega)
Kao Chenmin
- Japonés
- (as Kao Chen-Min)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is truly a superb horror movie. I loved this movie so much I had to leave a comment. It has been a long time since I jumped off my seat a few times (way too many). It has some of the scariest scenes I have ever seen (you'll know what I'm talking about). The way it's filmed helps us to live this "nightmare" as it was for real, as if it was a news article. The "suspension of disbelief" works unlike some other titles I have seen. I'm a big horror movie fan and I must tell you: you have to see this. I'm overwhelmed, I'm frightened, I'm suspicious, I can't even sleep... It really scared me big time. There's one particular scene (you'll know, believe me) that I do not recommend for those who are easily impressionable. Go see it. One of the best horror movies I have ever seen.
Watched it at Sitges Internation Film Festival.
Now.. Not being a fan of "home-made" cinema I was extremely suspecting about this film. The first 5 minutes really put you down.. I was thinking "Oh no.. Not another amateur experiment please!".. But that's exactly what they are meant for.
After you relax and even prepare for occasional laughter at how bad a film it is the story slowly swirls and sinks in you with pulsating intensity and believe me: You are going to jump all over your seat for the rest of the film.
Please: Do not take kids with you unless they are grown up enough to deal with horror movies or you are up to a few non-sleep nights full of tears and nightmares.
If you love good horror movies you'll love this one.
Now.. Not being a fan of "home-made" cinema I was extremely suspecting about this film. The first 5 minutes really put you down.. I was thinking "Oh no.. Not another amateur experiment please!".. But that's exactly what they are meant for.
After you relax and even prepare for occasional laughter at how bad a film it is the story slowly swirls and sinks in you with pulsating intensity and believe me: You are going to jump all over your seat for the rest of the film.
Please: Do not take kids with you unless they are grown up enough to deal with horror movies or you are up to a few non-sleep nights full of tears and nightmares.
If you love good horror movies you'll love this one.
Movie started of well for me but got me irritated from mid till the end due to the lead actress overacting. As scared as she's suppose to portray, she didn't have to keep yelling throughout the whole movie. Although some of the other actors did over-do their roles in some scenes, they weren't as irritating. Some of the setup was obviously done to lead viewers for some scary moments but it seemed contrived & amateur making me feel as if i was an idiot audience. Won't go into details to spoil the movie for you. If the final third of the movie was as well thought-out as the rest of the movie, i would have given it an 8. for the most part, it serves as a good flick for horror genre viewers.
10luke-346
REC is a film that utilises the POV (Point of View) camera technique for the entirety of its duration. It is a technique in which the person behind the camera is a character that is integral to the plot, narrative and story of the film. In brief, REC is a horror film that begins with the crew of a TV show, called While You Sleep, making a documentary about firemen. As the film progresses the crew are lucky enough to accompany the fireman on a call out to a local apartment building.
Undoubtedly and unsurprisingly REC will be measured by the film The Blair Witch Project, especially given its plot and the manner in which the film plays out. Comparatively REC is also a horror, low budget, sticks to a female lead and has an ending that is very similar. Although The Blair Witch Project was a ground breaking film, given its illustrious marketing campaign and widespread fooling of audiences, if the two are to be judged purely on their viewing merits then REC is by far the superior if anything REC is the film that the Blair Witch should have been. It is the film that I wanted to see when I queued up in the rain, 10 years ago full of hype, anticipation and adolescent excitement.
Despite REC being a better film than The Blair Witch Project some critics have attacked it for employing such a tired technique that has been used too much in recent films (i.e. Cloverfield and the forth coming Diary of The Dead). The method that has been employed in REC is, I believe, a method that is now firmly embedded in the medley of cinematic processes that a film-maker may chose to exert. It seems strange to me that once a new technique is discovered or employed and put to use regularly, people and critics complain especially when it works. Granted, if we are subjected to a recent flurry of films all using similar methods then yes, it deserves further scrutiny and what usually surfaces is that greedy studios are exploiting market trends.
The film is co-directed by Jaume Balaguero and Paco Plaza and they have clearly dipped into the bucket of clichés with REC, but in doing so they have created something that is both fresh and reinvigorating. It should be noted that clichés aren't always a bad thing and when put to good use can give the audience exactly what they came to see. It's true that the plot is minimal and there are loose ends, but then the vast majority of horror films often suffer from these traits, and sometimes purposefully, but with REC it doesn't make the film any less enjoyable. It is also evident from the plot and the methods employed that the film is very low budget, but this does not do it any harm, instead it complements the narrative and increases the films appeal.
I believe the true quality of the film lies in its ability to cleverly use the history of the genre and the bare minimal of resources to its maximum potential and, unlike Cloverfield, there's little room to doubt the reasons for the cameraman to continue filming and this is (like Blair Witch) due to the fact it's his job. He is there to film a documentary and in true cameraman style his instincts take over. The acting on show here is also a lot better than Cloverfield and the people all look normal, some are even unattractive.
To put it bluntly REC contains some of the most fear inducing and scariest scenes of recent times. It achieves a level of fear that's rarely experienced in cinema and if watching the film carefully it can be seen how. REC has been made by people that are incredibly familiar with the horror genre and fans will recognise the homage's and the inspirations used, from Evil Dead, to The Shining, to 28 Days later and many more. With such a wealth of horror-viewing-experience combined with inspired film-making they are able to draw upon some of the best moments in horror history.
Towards the final reels the film plays like an amalgamation of ideas and inspirations. One of which is the influence of contemporary video gaming as some scenes allude to how certain computer games work (most notably first person shooters) and this is supported by the POV technique as we, the viewer, live the character of the cameraman much in the same way a gamer lives the character he/she is in control of. This notion is furthered by the different levels in the apartment building, the films use of rooms, the final scenes and several allegories to various computer games including Resident Evil, Alone in the Dark and Silent Hill.
For a feature film it is incredibly short at only 75 minutes, in fact it is closer to the length of a TV documentary which is perhaps its aim. I cannot recommend this film enough and have even tried to construct my review in a way as to not give too much away; as it is a film that needs to seen. Watch it with the lights off, with a friend and in a small room. Enjoy.
Undoubtedly and unsurprisingly REC will be measured by the film The Blair Witch Project, especially given its plot and the manner in which the film plays out. Comparatively REC is also a horror, low budget, sticks to a female lead and has an ending that is very similar. Although The Blair Witch Project was a ground breaking film, given its illustrious marketing campaign and widespread fooling of audiences, if the two are to be judged purely on their viewing merits then REC is by far the superior if anything REC is the film that the Blair Witch should have been. It is the film that I wanted to see when I queued up in the rain, 10 years ago full of hype, anticipation and adolescent excitement.
Despite REC being a better film than The Blair Witch Project some critics have attacked it for employing such a tired technique that has been used too much in recent films (i.e. Cloverfield and the forth coming Diary of The Dead). The method that has been employed in REC is, I believe, a method that is now firmly embedded in the medley of cinematic processes that a film-maker may chose to exert. It seems strange to me that once a new technique is discovered or employed and put to use regularly, people and critics complain especially when it works. Granted, if we are subjected to a recent flurry of films all using similar methods then yes, it deserves further scrutiny and what usually surfaces is that greedy studios are exploiting market trends.
The film is co-directed by Jaume Balaguero and Paco Plaza and they have clearly dipped into the bucket of clichés with REC, but in doing so they have created something that is both fresh and reinvigorating. It should be noted that clichés aren't always a bad thing and when put to good use can give the audience exactly what they came to see. It's true that the plot is minimal and there are loose ends, but then the vast majority of horror films often suffer from these traits, and sometimes purposefully, but with REC it doesn't make the film any less enjoyable. It is also evident from the plot and the methods employed that the film is very low budget, but this does not do it any harm, instead it complements the narrative and increases the films appeal.
I believe the true quality of the film lies in its ability to cleverly use the history of the genre and the bare minimal of resources to its maximum potential and, unlike Cloverfield, there's little room to doubt the reasons for the cameraman to continue filming and this is (like Blair Witch) due to the fact it's his job. He is there to film a documentary and in true cameraman style his instincts take over. The acting on show here is also a lot better than Cloverfield and the people all look normal, some are even unattractive.
To put it bluntly REC contains some of the most fear inducing and scariest scenes of recent times. It achieves a level of fear that's rarely experienced in cinema and if watching the film carefully it can be seen how. REC has been made by people that are incredibly familiar with the horror genre and fans will recognise the homage's and the inspirations used, from Evil Dead, to The Shining, to 28 Days later and many more. With such a wealth of horror-viewing-experience combined with inspired film-making they are able to draw upon some of the best moments in horror history.
Towards the final reels the film plays like an amalgamation of ideas and inspirations. One of which is the influence of contemporary video gaming as some scenes allude to how certain computer games work (most notably first person shooters) and this is supported by the POV technique as we, the viewer, live the character of the cameraman much in the same way a gamer lives the character he/she is in control of. This notion is furthered by the different levels in the apartment building, the films use of rooms, the final scenes and several allegories to various computer games including Resident Evil, Alone in the Dark and Silent Hill.
For a feature film it is incredibly short at only 75 minutes, in fact it is closer to the length of a TV documentary which is perhaps its aim. I cannot recommend this film enough and have even tried to construct my review in a way as to not give too much away; as it is a film that needs to seen. Watch it with the lights off, with a friend and in a small room. Enjoy.
A beautiful female TV reporter and her cameraman follow a group of firemen on a call. They go to an apartment building where loud screams are heard from an elderly woman's unit. The fireman break into her apartment. She's bleeding and screaming nonstop and attacks them. It seems she's infected and the other residents might be too. Authorities seal off the building allowing no one out and they all have to deal with each other...and the infection.
VERY bloody and gory with good acting. Even better it moves quickly (it's only 78 minutes) and never stops. Very scary and unsettling. It was remade in the US as "Quarantine" in 2008. That's good too but this is better!
VERY bloody and gory with good acting. Even better it moves quickly (it's only 78 minutes) and never stops. Very scary and unsettling. It was remade in the US as "Quarantine" in 2008. That's good too but this is better!
¿Sabías que…?
- TriviaThe actors were never given the script in its entirety so none of them knew of their character's fates, sometimes not until the day they were actually filming their scenes. This meant that the actors were - more often than not - stressed, nervous and apprehensive on the day of filming, ideal qualities for the film itself.
- ErroresNear the end when Angela and Pablo are listening to the recorder in the penthouse, Angela is obviously rewinding the tape. However, the second time when she rewinds the tape, the audio implies that it was fast-forwarded, as the recording is a diary describing events in chronological order. Watch the tape reel when she rewinds the tape. As it plays forward the reel turns more times than it was rewound. It is impossible for her to hear very much different dialogue without rewinding the tape much more than she does, and then it wouldn't make sense as the dialogue is chronological. In reality, she would be hearing the same spoken passage repeatedly.
- Créditos curiososThere are no opening credits.
- ConexionesEdited into Cent une tueries de zombies (2012)
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- How long is REC?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- [Rec]
- Locaciones de filmación
- Barcelona, Cataluña, España(Rambla de Catalunya, 34 rodaje íntegro)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 1,500,000 (estimado)
- Total a nivel mundial
- USD 32,511,655
- Tiempo de ejecución
- 1h 18min(78 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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