Barroz: Guardian of Treasures

I genuinely regret wasting my time on Barroz. For a movie that touts itself as a groundbreaking 3D experience, it offers little more than shallow storytelling, laughable visuals, and an overall sense of creative emptiness. If the goal was to bore and frustrate the audience, mission accomplished.

The plot (if you can call it that) is a convoluted mess, lacking coherence, emotional depth, or any semblance of character development. It felt like a half-hearted fairy tale stitched together with clichés and incoherent fantasy elements. Not a single character stands out-they're either forgettable or downright annoying.

The much-hyped 3D effects were underwhelming. Instead of immersing you in the world of Barroz, the visuals were clunky, poorly rendered, and felt like they belonged in the early 2000s. At no point did the film capitalize on its 3D potential; the scenes were flat, unimaginative, and lacked the visual flair that could justify the format.

The pacing was atrocious. Entire segments dragged on endlessly, leaving the audience squirming in their seats, desperate for the ordeal to end. The editing felt amateurish, with abrupt cuts and awkward transitions that only added to the film's chaotic presentation.

As for the music and sound design? Uninspired, generic, and utterly forgettable. Instead of enhancing the experience, it served as background noise to a train wreck of a narrative.

Overall, Barroz is an embarrassing attempt at 3D storytelling that fails on every level. Save yourself the agony and skip this disaster entirely. It's not worth your money, your time, or even the effort it takes to think about it afterward.

The movie 'Barroz' isn't worthy of a rating. The script is weak, and the cast's performances are largely unbearable, with the complete actor Mohanlal being an exception, although he felt like a shadow of his former self. The dialogues and dubbing were equally disappointing.

The only positives are the impressive visual effects and Mohanlal's performance.

The film could have been more engaging with an animated backstory exploring D'Gama's treasure and the bond between D'Gama and Barroz, which might have helped create a stronger emotional connection with the characters.

Overall, the movie was a complete dud.

Everyday I wake up and I thank the Lord for my choice of watching the film at home instead of the theatres. I would have regretted wasting my time and money. Now I only regret wasting my time. The VFX was done on Microsoft PowerPoint and their team has a combined brain cells count of 3. On second thoughts, I'd like to try the drugs that the entire team who conceived this idea was on. Mohanlal could do better. Its a shameful movie for the actor to be cast into. The horrible VFX, the mediocre acting by the cast members and the earrape of a song "Isabella" rounds up the entire experience. The only good thing I could've mentioned about the movie is the ads that would've played before the movie if I had watched it in the theatres.

0/10 wouldn't even recommend it to my enemy.

Did I mention the horrible VFX ?

Barroz. Mohanlal 's First Directorial Movie .The Movie's 3D , VFX Was Great And Mohanlal's Performance Was Great Too But It lacks in story and script and other actors performance except lal's performance was not great. So Barroz Was A Missed Opportunity And Could Have Been Done Much Greatly. Some Even The Acting Of Lal Was Not Great Too. Sometimes it felt like a serial therefore. Mohanlal's Look As Barroz was great too. The Voodoo Doll was great too it's vfx was great too. So Barroz was great visual festival and it's cgi and vfx was great but it lacks story , script and performance except lal.

Baroz impresses technically, especially with its stunning 3D effects and world-class visuals crafted by the talented Santhosh Sivan. The background score (BGM) is exceptional, elevating the cinematic experience, though the songs are just passable. Mohanlal's acting stands out as a major positive, showcasing his unparalleled screen presence.

However, the movie falters in several areas. The casting feels underwhelming, with many actors failing to match the standard set by Mohanlal. The story is clichéd and predictable, and the script misses the opportunity to develop its promising premise. Dialogues lack impact, and the overall delivery feels weak, failing to engage the audience. The narrative progression is sluggish, and the movie struggles to maintain interest due to its lack of momentum and depth.

Despite its technical brilliance and Mohanlal's performance, Baroz ultimately ends up as a visually stunning yet narratively disappointing film. It's a classic example of style over substance, leaving the audience wanting more in terms of storytelling and execution.