CALIFICACIÓN DE IMDb
5.9/10
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TU CALIFICACIÓN
Un joven escapa de la ciudad y su ex, encontrando tranquilidad en un pueblo. Se enreda con una mujer cuyo novio desaparece, volviéndolo sospechoso.Un joven escapa de la ciudad y su ex, encontrando tranquilidad en un pueblo. Se enreda con una mujer cuyo novio desaparece, volviéndolo sospechoso.Un joven escapa de la ciudad y su ex, encontrando tranquilidad en un pueblo. Se enreda con una mujer cuyo novio desaparece, volviéndolo sospechoso.
- Dirección
- Guionistas
- Elenco
Gord Rand
- Jack Neilson
- (as Gordon Rand)
Alex Karzis
- Robert's Lawyer
- (as Constantine Alex Karzis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Withholding in the best sense of the word.
I started watching this movie laying in bed and by the time I was nearing the end all my blankets were twisted one way or another. And I admit, I did not even know this was from the guy who did The Talented Mr. Ripley, which I would probably have given a 6.5/7 after seeing in theaters.
This was an incredibly refreshing approach to a thriller. The settings subdued and passive, set up from the opening scene. The score was never Hitchcock, in that notion of action/suspense/surprise follows ominous cords. The cast all held something back that I couldn't quite place my finger on but by the time the credits rolled, wow... what a job they did.
The only thing I would say to those reading this-- If you like your standard Hollywood movies go ahead and pass on this (nothing is spoon fed). But if you enjoy those parts of a good novel that compel you to keep reading, then this movie will surely please.
I know the review is a bit vague, but watch this movie... If my words mislead you then feel free to come back and thumbs down me 2x.
I started watching this movie laying in bed and by the time I was nearing the end all my blankets were twisted one way or another. And I admit, I did not even know this was from the guy who did The Talented Mr. Ripley, which I would probably have given a 6.5/7 after seeing in theaters.
This was an incredibly refreshing approach to a thriller. The settings subdued and passive, set up from the opening scene. The score was never Hitchcock, in that notion of action/suspense/surprise follows ominous cords. The cast all held something back that I couldn't quite place my finger on but by the time the credits rolled, wow... what a job they did.
The only thing I would say to those reading this-- If you like your standard Hollywood movies go ahead and pass on this (nothing is spoon fed). But if you enjoy those parts of a good novel that compel you to keep reading, then this movie will surely please.
I know the review is a bit vague, but watch this movie... If my words mislead you then feel free to come back and thumbs down me 2x.
Paddy Considine as Robert Forrester is very good here. He is a man going through an at-fault divorce, Caroline Dhavernas is irritating as ex- wife Nikki. He relocates and changes jobs from New York City to get away from her and start over. He thinks.
The story of a hapless man, he tries to do his best but married to an albatross like Nicki who pokes fun at him at a divorce mediation, he eventually leaves NYC to find a fork in the road...he chooses a Northeast Pennsylvania town, where he works for Lavigne aeronautics and seems to settle.
He sort of stalks Julia Stiles "Jenny Thierault", by watching her for a month at her rural house, she seems happy in life and this gives him a semblance of hope for his own new life. Stiles is very good here as instead of rejecting Robert as unstable, as he is watching her from her backyard, she says "depression can crush you" and invites him for coffee. He takes this as empathy, and is surprised she is interested in him at this point.
As things develop we feel for Robert who is going through divorce and suddenly realizes his minor interest in Jenny, is (to Jenny at least ) a true romance. She appears to be a borderline personality, she understands depression, but also becomes attached too quickly to any man who appears. She dumps her brutish boyfriend (Greg Wyncoop) and begins to pursue Robert more vehemently. At first he hides, then submits to her for the physical benefit. Her girlfriend sees Jenny as needing protection, and warns Robert not to hurt her.
Robert knows, deep down it is wrong, but when he tries to confront Jenny after they spend a night together she starts making blueberry pancakes and telling Robert if she were to be on death row this is her favorite last meal, and she'd want to hear vintage Louis Armstrong.
The photography and foreshadowing is noteworthy here.The cry of the owl resounds one night they are in bed together and Jenny is jolted awake. It's nuanced, which may be why (unfortunately ), it was not as widely distributed. The minor suspense points here are similar to Hitchcock, and very rare in film made in Hollywood today, sadly.
This is an excellent suspense film. Even Julia Styles, who I rememberer from only a few previous performances, is perfect here as Jenny, attractive but lost, a winsome sad smile, and need for ...love or something more. Considine also, despite how he befalls the horrible fate, being wrongfully accused of murder etc., is sympathetic in that he is overcoming a breakdown (from his ex-wife goading him).
There is a twist I will not reveal which will make you want to read all of Patricia Highsmith's short stories. "The Cry of The Owl" is haunting and real. 10/10.
The story of a hapless man, he tries to do his best but married to an albatross like Nicki who pokes fun at him at a divorce mediation, he eventually leaves NYC to find a fork in the road...he chooses a Northeast Pennsylvania town, where he works for Lavigne aeronautics and seems to settle.
He sort of stalks Julia Stiles "Jenny Thierault", by watching her for a month at her rural house, she seems happy in life and this gives him a semblance of hope for his own new life. Stiles is very good here as instead of rejecting Robert as unstable, as he is watching her from her backyard, she says "depression can crush you" and invites him for coffee. He takes this as empathy, and is surprised she is interested in him at this point.
As things develop we feel for Robert who is going through divorce and suddenly realizes his minor interest in Jenny, is (to Jenny at least ) a true romance. She appears to be a borderline personality, she understands depression, but also becomes attached too quickly to any man who appears. She dumps her brutish boyfriend (Greg Wyncoop) and begins to pursue Robert more vehemently. At first he hides, then submits to her for the physical benefit. Her girlfriend sees Jenny as needing protection, and warns Robert not to hurt her.
Robert knows, deep down it is wrong, but when he tries to confront Jenny after they spend a night together she starts making blueberry pancakes and telling Robert if she were to be on death row this is her favorite last meal, and she'd want to hear vintage Louis Armstrong.
The photography and foreshadowing is noteworthy here.The cry of the owl resounds one night they are in bed together and Jenny is jolted awake. It's nuanced, which may be why (unfortunately ), it was not as widely distributed. The minor suspense points here are similar to Hitchcock, and very rare in film made in Hollywood today, sadly.
This is an excellent suspense film. Even Julia Styles, who I rememberer from only a few previous performances, is perfect here as Jenny, attractive but lost, a winsome sad smile, and need for ...love or something more. Considine also, despite how he befalls the horrible fate, being wrongfully accused of murder etc., is sympathetic in that he is overcoming a breakdown (from his ex-wife goading him).
There is a twist I will not reveal which will make you want to read all of Patricia Highsmith's short stories. "The Cry of The Owl" is haunting and real. 10/10.
I have never read the novel, nor heard of the movie. After reading some of the reviews here, I decided to give it a shot. And I have to say, I do not regret it.
This is a very dark movie with disturbed main characters, greatly acted by Robert Considine and Julia Stiles. This isn't your typical fast-paced Hollywood thriller. I consider this movie to be "different", the plot develops slowly and is very unpredictable, which makes it in my opinion very enjoyable.
I totally recommend this movie to anyone, who likes dramas / thrillers with a dark touch, and enjoys great acting.
I give it a 7 out of 10.
This is a very dark movie with disturbed main characters, greatly acted by Robert Considine and Julia Stiles. This isn't your typical fast-paced Hollywood thriller. I consider this movie to be "different", the plot develops slowly and is very unpredictable, which makes it in my opinion very enjoyable.
I totally recommend this movie to anyone, who likes dramas / thrillers with a dark touch, and enjoys great acting.
I give it a 7 out of 10.
"The Cry of the Owl" is a 2009 Canadian psychological-drama with thriller elements based on the Patricia Highsmith novel. The story revolves around Robert Forrester (Paddy Considine) who has a great job, but is in the process of a divorce and has recently moved out of the big city. He becomes intrigued by a random girl he spots at a country house and secretly gazes at her from the woods at night. A relationship eventually develops and the girl, Jenny (Julia Stiles), starts overly-monitoring him and he begins to regret the relationship. Meanwhile, Jenny's ex (James Gilbert) isn't happy about the situation and neither is Robert's ex (Caroline Dhavernas). The situation soon spirals out of control.
The story is fairly engaging and the actors are effective, particularly Considine as the protagonist, but the ending is ambiguous and left to interpretation. Regardless, the themes are intriguing: romanticism vs. logic, fate and fatalism vs. chance encounter, omens and signs vs. random happenings and the irony of role reversal or reaping what you sow.
It's not great and it's too pessimistic -- probably because it's really a tragedy -- but it's a solid psycho-drama with intriguing ideas that'll leave you pondering or scratching your head. The latter is why many people don't like it.
The film runs 100 minutes and was shot in Ontario.
GRADE: B
The story is fairly engaging and the actors are effective, particularly Considine as the protagonist, but the ending is ambiguous and left to interpretation. Regardless, the themes are intriguing: romanticism vs. logic, fate and fatalism vs. chance encounter, omens and signs vs. random happenings and the irony of role reversal or reaping what you sow.
It's not great and it's too pessimistic -- probably because it's really a tragedy -- but it's a solid psycho-drama with intriguing ideas that'll leave you pondering or scratching your head. The latter is why many people don't like it.
The film runs 100 minutes and was shot in Ontario.
GRADE: B
Mathilda May won a César for her role in this film made by Claude Chabrol in 1987. This is a remake, and it stars Julia Stiles in the role of Jenny. I have been in love with Stiles ever since The Bourne Identity, and, while she will not be as good as May, she is still Julia Stiles, and that's enough for me.
Robert's (Paddy Considine) marriage has failed, and his method of dealing with depression is to stalk Jenny, thinking she has a great relationship with her partner.
The tables get turned, and she begins stalking him. If that is not enough, her boyfriend Greg (James Gilbert) keeps trying to kick his arse. But, then he disappears, and Robert is under suspicion.
Twists and turns abound as Robert tries to figure out who is trying to kill him while everyone thinks he is a killer.
The owl cries a lot in the film. I'm just not impressed with Considine, and the ending was abrupt.
Robert's (Paddy Considine) marriage has failed, and his method of dealing with depression is to stalk Jenny, thinking she has a great relationship with her partner.
The tables get turned, and she begins stalking him. If that is not enough, her boyfriend Greg (James Gilbert) keeps trying to kick his arse. But, then he disappears, and Robert is under suspicion.
Twists and turns abound as Robert tries to figure out who is trying to kill him while everyone thinks he is a killer.
The owl cries a lot in the film. I'm just not impressed with Considine, and the ending was abrupt.
¿Sabías que…?
- TriviaEl grito de la lechuza (2009) is based on Patricia Highsmith's 1962 book of the same name. The film is an American-British-Canadian-French-German co-production.
- ErroresAt 57.30, you see Jenny coming out of the house with a box and three boxes on the ground next to her car. She puts the box in her hand in the car, she then takes up one of the boxes on the ground, which leaves two boxes. She proceeds to talk to her friend. When the shot opens up the boxes are no longer on the ground and drives away.
- Citas
Susie Escham: I think people who lose their hearts too easily are never very happy in life.
- ConexionesReferences ¡Qué bello es vivir! (1946)
- Bandas sonorasReal Life
Written by Joan Wasser
Performed by Joan As Policewoman
Published by Chrysalis Songs/Fists of Fury Music
Courtesy of Cheap Lullaby Records
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Cry of the Owl
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 11,500,000 (estimado)
- Total a nivel mundial
- USD 32,572
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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