Una comedia romántica sobre una mujer que no cree que el verdadero amor exista, y el joven que se enamora de ella.Una comedia romántica sobre una mujer que no cree que el verdadero amor exista, y el joven que se enamora de ella.Una comedia romántica sobre una mujer que no cree que el verdadero amor exista, y el joven que se enamora de ella.
- Dirección
- Guionistas
- Elenco
- Premios
- 17 premios ganados y 58 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I haven't seen a romance this touching since I was the same type of single sad sack as depicted by the hero of (500) Days of Summer.
Tom (Joseph Gordon-Levitt) has his radar up for "the girl of his dreams" when he meets Summer (Zooey Deschanel). Too bad for Tom Summer is stuck on friends-with-benefits mode. Let the tension begin.
Director Marc Webb captures the feeling of innocent, naïve love expertly. Anyone who has taken the lyrics of the Smiths too closely to heart, would be moved by the idea of the person they are crushing on sing to them: "To die by your side/is such a heavenly way to die." No wonder Tom soon falls head over heels for this girl.
As events unfold out of sequence, you know all along Tom has fallen for a time bomb of a woman, and he can't even see the countdown. When that bomb finally blows up in his face, it unfolds with powerful simplicity-- no exposition or dialog, just two juxtaposed events that capture the heartache of reality hitting a person who sees a person through the filter of deep-seated emotions that were planted at too young an age.
So many romantic films nowadays concern themselves with cute ideas; take 'He's Just Not That Into You' or 'Serendipity' for example. Even movies like 'Knocked Up' where a pot-smoking, video-gaming, narcissistic slob tries to turn his life around to try to be a father feels more contrived than real. These movies forget about human feelings.
Who cares about stock or cartoonish characters in love. The couple in (500) Days of Summer have true chemistry. There are some beautiful, subtle moments of tenderness as well as some heart- rending moments of disconnectedness between the two that never comes across as heavy-handed. The movie constantly reminds you that these are two different people with different ideas of a relationship, yet they stubbornly continue dating, and they remain lovable all the same.
An omniscient narrator sets the film up early on by noting "this is not a love story." And, in a way, it isn't. It's a story about feelings. It just so happens (500) Days of Summer captures the sensation of falling in love better than most movies.
For more of my reviews, visit indieethos.com
Tom (Joseph Gordon-Levitt) has his radar up for "the girl of his dreams" when he meets Summer (Zooey Deschanel). Too bad for Tom Summer is stuck on friends-with-benefits mode. Let the tension begin.
Director Marc Webb captures the feeling of innocent, naïve love expertly. Anyone who has taken the lyrics of the Smiths too closely to heart, would be moved by the idea of the person they are crushing on sing to them: "To die by your side/is such a heavenly way to die." No wonder Tom soon falls head over heels for this girl.
As events unfold out of sequence, you know all along Tom has fallen for a time bomb of a woman, and he can't even see the countdown. When that bomb finally blows up in his face, it unfolds with powerful simplicity-- no exposition or dialog, just two juxtaposed events that capture the heartache of reality hitting a person who sees a person through the filter of deep-seated emotions that were planted at too young an age.
So many romantic films nowadays concern themselves with cute ideas; take 'He's Just Not That Into You' or 'Serendipity' for example. Even movies like 'Knocked Up' where a pot-smoking, video-gaming, narcissistic slob tries to turn his life around to try to be a father feels more contrived than real. These movies forget about human feelings.
Who cares about stock or cartoonish characters in love. The couple in (500) Days of Summer have true chemistry. There are some beautiful, subtle moments of tenderness as well as some heart- rending moments of disconnectedness between the two that never comes across as heavy-handed. The movie constantly reminds you that these are two different people with different ideas of a relationship, yet they stubbornly continue dating, and they remain lovable all the same.
An omniscient narrator sets the film up early on by noting "this is not a love story." And, in a way, it isn't. It's a story about feelings. It just so happens (500) Days of Summer captures the sensation of falling in love better than most movies.
For more of my reviews, visit indieethos.com
Tom Hansen (Joseph Gordon-Levitt) is always looking for the one. Summer Finn (Zooey Deschanel) doesn't believe in love since her parents' divorce. The narration explains that "This is not a love story". The movie moves in a non-linear timeline. His sister Rachel (Chloë Grace Moretz), McKenzie (Geoffrey Arend), and Paul (Matthew Gray Gubler) are his friends. Summer is the new assistant to his boss Vance (Clark Gregg) in his greeting card workplace and he falls head over heals.
Zooey is the 'It' girl and JGL is playing the adorable leading man. Zooey is a great fantasy girlfriend. They make a fine rom-com couple or in this case, the anti-rom-com couple. The non-linear structure and the serious narration give it a fantasy feel. It's offbeat in tone and in structure. It's not dripping in realism but it is loads of fun. Music video director Marc Webb brings a different sensibility to this traditional genre.
Zooey is the 'It' girl and JGL is playing the adorable leading man. Zooey is a great fantasy girlfriend. They make a fine rom-com couple or in this case, the anti-rom-com couple. The non-linear structure and the serious narration give it a fantasy feel. It's offbeat in tone and in structure. It's not dripping in realism but it is loads of fun. Music video director Marc Webb brings a different sensibility to this traditional genre.
Bruh. SO many of the reviews are just "wahhh all women are lying TRASH!! >:(" Y'all are obviously missing the point. The point is that this is REAL. I don't know why people are saying she's a liar when she isn't. She's very upfront about what she wants because that's genuinely what she thought. But then things escalated. That's how it works sometimes. Just because we think we want something doesn't mean it'll work out that way. And people get caught up. And by the time she was too far in she realized it was too late and he was in love. That doesn't make her a liar, it makes her human. Summer could've handled it better. Hanson could've also handled it better. He knew her intentions going in, but he got caught up. Just like the rest of us. It happens. There's no villain here, just human beings. If you're just gonna watch this movie and cry about how all women are evil because you're a pathetic excuse of a human, then please exit. This movie is heartbreaking, but also a good lesson. It may not be for everyone and that's ok, but no need to blame an entire gender for something a fictional character did (even though she didn't? Still confused where the "she's a liar" thing came in...). Watch this if you've ever gotten carried away with love, and hopefully you see the beauty :)
Let's face it. We've all done our share of "dumping". Whether it's the, "Lets just be friends," or the all too familiar, "It's not you, it's me," tactic, as long as you're not on the receiving end it becomes a question of, "How quickly can I get this over with, so I can move on with my life?" Equally, all of us (yes even Brad Pitt) have experienced what it feels like to "be" dumped and the complex emotions that unexpectedly follow. If you're one of the fortunate souls that have managed to escape the throws of relationship hell, you'll probably fare better with renting the newest addition to the Rambo series. For the rest of you who've at one time or another gotten your hearts ripped out of your chests and stomped into a million pieces only to turn you into unshaven, alcoholic hermits on the brink of starvation
this movie is dedicated to you.
Tom (Joseph-Gordon-Levitt) is a wanna-be architect turned professional greeting card writer whose life is thrown for a loop when he suddenly falls for the "new girl" Summer (Zooey Deschanel, Almost Famous). As one who appeared most certainly unattainable at first glance, Tom manages to charm her into what she coins as a, "casual relationship." Eventually, Tom ends up questioning their status with one another, which manages to put strain on the relationship, causing her to request the dreaded "time apart." (500) Days of Summer chronicles the bitter sweet beginnings, the untimely endings and all of that confusing stuff that takes place during the in betweens of a relationship that just isn't meant to be.
(500) Days of Summer is presented in an effective non-linear style that sets it apart from its romantic comedy predecessors, rotating back and forth between dates signified by a simple title card flashing in between scenes (2), (50), (150) and so on to represent the various days in the course of Toms roller coaster of a relationship. This seesaw method of bouncing to and fro successfully manages to force the viewer in a physically engaging shared experience of Tom's feelings, which is something every director aspires to elicit from their intended audience.
The real kudos go to Scott Neustadter and Michael Weber, whose script is practically flawless. You can't help but feel that their authenticity and attention to detail while constructing each scene through appropriately sarcastic and funny dialogue exchanges among all of the main characters involved, particularly those between Deschanel and Levitt which come across as heartbreakingly real and genuine. Their creative way of crafting the simple concept of a break up through unconventional story structuring is a refreshing concept that begs to be seen more in a world where most conventional films tend to play it safe.
Leads Deschanel and Levitt manage to bring something quite special to the screen in their portrayals of Tom and Summer (both "last nameless"). Their chemistry is really what makes the film a joy to watch. Mostly thanks to Neustadter and Weber's superb dialog, both actors seem so comfortable in their roles that their interactions with one another transcend the screen and naturally unfold before our eyes as if we were voyeurs to their unraveling, wanting so much to change the fate of their outcome, but helpless to do so. Deschanel is sexy, carefree and bound to be adored by males everywhere as Summer. Levitt captures the struggle of the neurotic "boy in love" exceptionally through all of his various stages of emotional imbalance.
(500) Days of Summer is a poem to every down and out guy who thinks he's the only one whose ever been dragged through the mill by their own Summer. What undoubtedly ends up making this picture so brilliant is how relatable it is to its victims and victimizers a like. When all is said and done, there is most definitely a lesson to be learned by Tom's experiences. Everyone you meet along the way, whether just passing through or sticking around for awhile, has a purpose. In the end nothing lasts forever, relationships begin, relationships end. Try to be thankful for all the people that broke your heart, they more than likely helped you find yourself in the process especially you, Summer bitch.
Tom (Joseph-Gordon-Levitt) is a wanna-be architect turned professional greeting card writer whose life is thrown for a loop when he suddenly falls for the "new girl" Summer (Zooey Deschanel, Almost Famous). As one who appeared most certainly unattainable at first glance, Tom manages to charm her into what she coins as a, "casual relationship." Eventually, Tom ends up questioning their status with one another, which manages to put strain on the relationship, causing her to request the dreaded "time apart." (500) Days of Summer chronicles the bitter sweet beginnings, the untimely endings and all of that confusing stuff that takes place during the in betweens of a relationship that just isn't meant to be.
(500) Days of Summer is presented in an effective non-linear style that sets it apart from its romantic comedy predecessors, rotating back and forth between dates signified by a simple title card flashing in between scenes (2), (50), (150) and so on to represent the various days in the course of Toms roller coaster of a relationship. This seesaw method of bouncing to and fro successfully manages to force the viewer in a physically engaging shared experience of Tom's feelings, which is something every director aspires to elicit from their intended audience.
The real kudos go to Scott Neustadter and Michael Weber, whose script is practically flawless. You can't help but feel that their authenticity and attention to detail while constructing each scene through appropriately sarcastic and funny dialogue exchanges among all of the main characters involved, particularly those between Deschanel and Levitt which come across as heartbreakingly real and genuine. Their creative way of crafting the simple concept of a break up through unconventional story structuring is a refreshing concept that begs to be seen more in a world where most conventional films tend to play it safe.
Leads Deschanel and Levitt manage to bring something quite special to the screen in their portrayals of Tom and Summer (both "last nameless"). Their chemistry is really what makes the film a joy to watch. Mostly thanks to Neustadter and Weber's superb dialog, both actors seem so comfortable in their roles that their interactions with one another transcend the screen and naturally unfold before our eyes as if we were voyeurs to their unraveling, wanting so much to change the fate of their outcome, but helpless to do so. Deschanel is sexy, carefree and bound to be adored by males everywhere as Summer. Levitt captures the struggle of the neurotic "boy in love" exceptionally through all of his various stages of emotional imbalance.
(500) Days of Summer is a poem to every down and out guy who thinks he's the only one whose ever been dragged through the mill by their own Summer. What undoubtedly ends up making this picture so brilliant is how relatable it is to its victims and victimizers a like. When all is said and done, there is most definitely a lesson to be learned by Tom's experiences. Everyone you meet along the way, whether just passing through or sticking around for awhile, has a purpose. In the end nothing lasts forever, relationships begin, relationships end. Try to be thankful for all the people that broke your heart, they more than likely helped you find yourself in the process especially you, Summer bitch.
A light and realistic approach to an unhealthy relationship between two young people, each with their own frustrations, expectations and difficulties in communicating honestly with their partner.
Don't expect much comedy, nor much romance or wise messages, which, apart from the narrator, seem to be exclusive to women in this film. Even an 11-year-old girl is smarter than any man, which seems to be forced for comedy purposes.
Still, there is a very good message that the film addresses more than once: the importance of being honest with others and with ourselves.
Overall, it is a very enjoyable film to watch, with great music, innovative back-and-forth directing and nice colours / photography.
Don't expect much comedy, nor much romance or wise messages, which, apart from the narrator, seem to be exclusive to women in this film. Even an 11-year-old girl is smarter than any man, which seems to be forced for comedy purposes.
Still, there is a very good message that the film addresses more than once: the importance of being honest with others and with ourselves.
Overall, it is a very enjoyable film to watch, with great music, innovative back-and-forth directing and nice colours / photography.
¿Sabías que…?
- TriviaJenny Beckman, the girl who is mentioned at the beginning of the movie, was a real girl who dumped one of the screenwriters, Scott Neustadter. Summer is based on this girl, and the script of the movie on their relationship.
- ErroresSummer's heart shaped birthmark on the left side of her neck is is shown twice (same footage) but is then not seen in situations where it should clearly be visible (most notably during the wedding scene where she is dancing with Tom).
- Citas
Rachel Hansen: Look, I know you think she was the one, but I don't. Now, I think you're just remembering the good stuff. Next time you look back, I, uh, I really think you should look again.
- Créditos curiososAt the beginning of the movie, before the title, a disclaimer states: AUTHOR'S NOTE: The following is a work of fiction. Any resemblance to any persons living or dead is purely coincidental. ------------------------------------------------------------------- Especially you Jenny Beckman. ------------------------------------------------------------------- Bitch.
- ConexionesEdited into #BerhentiDiKamu (2021)
- Bandas sonorasUs
Written and Performed by Regina Spektor
Courtesy of Sire Records
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- (500) Días con ella
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 32,391,374
- Fin de semana de estreno en EE. UU. y Canadá
- USD 834,501
- 19 jul 2009
- Total a nivel mundial
- USD 60,802,019
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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