Secretariat

I really enjoyed this movie and Secretariat is my hero because he is a horse just like me. I really like watching racing and he is my favourite racer. When I grow up I want to be a race horse just like him and I really think I'm on the right track.

Get it? Track, because horses run on tracks, and Secretariat is a horse and I am horse.

Do you get it? Do you get my joke about the track? Because Secretariat is a horse just like me and horses run on tracks? Do you get the joke?

Anyway how do you not be sad?

¨This is not about going back. This is about life being ahead of you and you run at it. Because you never know how far you can run unless you run.¨

Secretariat is one of those rare sports movies that manages to hook your attention and maintain the suspense despite knowing how it will turn out at the end. It's impossible not to fall in love with this horse and his story. Disney was the right choice for the production of this film considering their success with other family friendly sport films like Remember the Titans. Secretariat was voted as one of the best athletes of the century (number one on the list if we don't count human performances), and several of his records still stand to this very day nearly 40 years later. His story had to be told in film as Secretariat is considered to be the best racehorse of all time. The story involving his owner, Penny Chenery, and how she saved her ailing father's stable risking everything (including her marriage) and betting it on the horse just adds to the overall dramatic effect of the plot. Secretariat reminded me a lot of another good racehorse film: Seabiscuit. I wouldn't say this is a better movie, it's different, but I can say that Secretariat was a better racehorse that won the most important races, including the Triple Crown in 1973 (a feat that hadn't been accomplished in 25 years). Randall Wallace (writer of Braveheart and director of We Were Soldiers) did a good job with the direction of this film, despite being better known as a screenplay writer. The screenplay for Secretariat was written by Mike Rick, which was adapted from William Nack's book about the large chestnut colt nicknamed ¨Big Red.¨

Diane Lane is Penny Chenery, a mother of four and housewife who's life changes after her mother's death and a visit to their stable based in Virginia. Penny's father used to be the brains of the entire operation in Meadow Stables, but with the death of his wife and his illness things are going downhill at the stable. Penny decides to change things around in order to save the stable and begins by firing their trainer who seems to be making some unfavorable deals with other owners by trying to sell their horses at a much lower value. Penny with the help of the family's trustworthy secretary, Miss Ham (played humorously by Margo Martindale) begins managing the place. The first smart move she makes is breeding one of her horses: Somethingroyal with a famous Thoroughbred racehorse named Bold Ruler. The result was the birth of the large chestnut colt nicknamed ¨Big Red¨, but better known in the horse-racing world as Secretariat. Penny hires Lucien Laurin (John Malkovich) as the trainer and Ron Turcotte (Otto Thorwarth) as the jockey, and along with the groom, Eddie Sweet (Nelsan Ellis) together they form a great team and foster the first Triple Crown winner in 25 years. Of course the movie can't be successful if it doesn't have some drama in it, and so some problems surface back home with Penny's husband, Jack Tweedy (Dylan Walsh), because running a stable back in Virginia has affected Penny with her housewife duties. Somehow Penny has to manage saving the stable in a macho dominated society and maintain her family together, while risking everything on one horse: Secretariat.

Secretariat succeeds as a film because the story is just so powerful and uplifting. The movie deals with overcoming difficult odds and following one's dream. Penny had a good life as a housewife, but all this had led her far away from her early goal of following her father's footsteps and managing the Meadow Stables. Once the opportunity presents itself to her she quickly takes on the difficult task and decides to follow her long life dream. Secretariat teaches us that it's never too late to follow one's dreams and overcome difficult situations. Disney has always been good at reminding us how important it is to fight for our dreams. Life is a race and if we don't wake up in time our dreams and goals might just end in that: only dreams and we will never achieve anything if we don't take risks in order to live out our dreams. Penny took the risk and bet it all on Secretariat who didn't fail her. The story of this colt is just amazing and inspiring. The final scene where he is racing at the Belmont Stakes is just mesmerizing and left me full of goose bumps. Secretariat was such an amazing horse, and his story is done justice in this family friendly film. It is a strong, memorable movie that teaches us some important lessons while at the same time never ceases to entertain it's audience. The performances in this movie are also great. Diane Lane as Penny and John Malkovich as Lucien give memorable and fun performances. Secretariat is a movie for the entire family to enjoy.

http://estebueno10.blogspot.com/

My grandmother was a parent during the '50's and liked everything neat and clean and in its place. Heaven forbid if things get too out of hand; too "real". I have waited my entire life for Hollywood to tell Secretariat's story and after watching Disney's Secretariat my heart remains unsatisfied. It was a good, "feel good" movie, but "good" is the keyword. I felt like Grandma edited this movie. Again, it is a good movie with some interjections of great cinematography, yet Secretariat was a GREAT horse and deserved a GREAT movie. This was an Oscar winning story, with an Oscar winning cast, but the script was emotionally impotent. There were no risks and risk is what horse racing is all about. The movie is so safe and there wasn't anything safe about the facts that surround this horse and his rise to be the greatest race horse that ever lived.

Still today, when I watch Secretariat run on YouTube, I cry!!! I'm not sure why, but the tears flow from the depths of my being. Rationally, I try to tell myself that he is just a horse, but something overcomes me every time, no matter how many times I watch him run. That overwhelming surge of emotion is what this story deserved. If you've ever been in the presence of a great horse, you will know what I am talking about. They are strong and confident. You can feel their aura. There is a low rolling thunder of excitement when you are near them. Talk to the people who were there. Read the first hand accounts of their emotional state when they saw this horse run. He was mesmerizing, captivating, unexplainably breathtaking. The audience deserved to feel the thunder roll through them in every scene.

I expected so much more from director Randall Wallace. The power and emotion of Braveheart, We Were Soldiers, Pearl Harbor, The Man in the Iron Mask, is what Secretariat deserves. Where was that? I'm not sure what research he did for this movie and how much his hands were tied by the real life characters or the studio, but the main character became the background and what was in the forefront was a "sugar coated" conflict of a woman with a driving passion and the place society and her family was trying to lock her into; however, even her passion didn't spill out onto the audience as it should have. I felt like the accomplishments of Penny Chenery and Secretariat have been shrunk down and placed into a nice, neat little box fit for a good little housewife and her sweet little horse. I felt as if I was the one being squelched, because I wanted so badly for everyone to share the emotion I feel at the sheer audaciousness when this horse ran. To accomplish what they accomplished, he and his owner had to be completely audacious to rise above the negativity and overwhelming odds surrounding them.

Diane Lane is one of my favorite actresses; however, her role left me doubting the character. For example, when a woman talks to her horse, she does more than look into his eye for a few seconds and say, "Well OK then". When a woman truly needs to know something from her horse she breathes him in, they breathe each other in, as their souls entwine and one knows the other. You will see it on his face and you will see it on her face, without human words being spoken. This is a rare and special event, but it happens, and it could have carried this movie. If you have seen Diane Lane in "Unfaithful" you will realize this is an actress that could translate this kind of communication and emotion to the screen.

The audience should have been allowed to feel the emotional range that surrounds all involved in preparing a horse for the greatest races any thoroughbred will ever run. Just watch horse racing on television and you will see real raw emotion that these people explode with at the end of the race. So much was on the line for everyone involved and yet throughout the movie everyone handled the stress with subdued emotion, never getting too far off the scale. Just when you thought someone was going to show some real feelings, they apologized for it. Real life is just as ugly as it is beautiful. Without the dark of night, the brightest stars would never beam their intense beauty upon us. Every masterpiece must have its extreme contrasts to fulfill the emotional needs of its audience.

I'm not blaming anyone. I am sure everyone involved did their best. I am simply sharing with the reader my disappointment in what I thought would be a thrilling tribute to a horse so deserving.

Ron Turcotte said the film captured the story "pretty well". I ask you, is "pretty well" good enough for the greatest race horse who ever ran on the track? Secretariat's heart was two and a half times the size of a normal horse's heart; I feel the portrayal of his story should have been two and a half times the size of any regular movie. He gave us everything he had when he ran the Belmont; thirty-one lengths ahead of Sham who was an amazing, record breaking horse in his own right. Don't we owe it to him, to give him everything we've got, to see that generations to come understand the events that transpired to make him who he is? Have we as a culture become so jaded that there can be no magic in the truth? Can the epic only be found in fiction? I don't believe it. I believe that purity of a moment of perfection forever locked in time is where magic can be found and that magic is why it brings inspiration and tears to the eyes of the soul who seeks it.

Suzette Howard

An interesting and emotional story about a family, perseverance and an extraordinary horse.

The film is well directed and easily guides the viewer through the story and gives him an insight into the tension of horse racing.

The cinematography is excellent, and Randall Wallace has proven to be a skilled director. The cast is excellent, they portrayed these interesting characters brilliantly. The characters are layered, in the film we see their desires, fears and everything that makes them human and they easily draw us into that interesting world of theirs.

There are different opinions in the Tweedy family, but they still support each other. We may have different opinions, but we should still agree on some universal things. An interesting film that offers us an insight is a truly fascinating world.

The soundtrack is great, the songs are perfectly incorporated into the film and elevate the overall impression of the whole story.

An excellent cinematic work that is definitely worth watching.

"It is beautiful to watch a fine horse gallop, the long stride, the rush of the wind as he passes—my heart beats quicker to the thud of the hoofs and I feel his strength." Richard Jefferies

Secretariat is no exception. It's the story of the fastest horse in history, first known as Big Red, who went on to win horse racing's triple crown on 1973, a feat not accomplished in 25 years. After that he sired 600 foals, much to the delight of his investors, the first to invest solely in a stud future.

But then I love Seabiscuit (2003) for it depression-era cheerleading. This is what American filmmakers do well--a rouser with messages, big–screen chases, and sentimentality for the little guy. Seabiscuit is Rocky for horses, a suspenseful crowd pleaser with characters such as the whisperer played by Chris Cooper, who said, "You don't throw a whole life away just because it's banged up a little." The thought resonates for almost everyone in the film, a tribute to unity of theme and expression of actor.

Similarly there's more than just a racing film in Secretariat; after all National Velvet has a more interesting story and a younger heroine in Elizabeth Taylor, but that was decades ago. This true story is about the grit of Penny Chenery, who took over Virginia's Meadow Stables from her father and beat the male-dominated odds.

This quintessential Disney movie depicts her as tough and loving, a mother and a businesswoman, who can serve as a model for young women aspiring to reach great goals even in this liberated 21st century, which still has a ways to go before it expunges fully the sexism scourge.

The photography is bracing, often putting the camera right by the prancing hoofs or mid-level close to the steed's haunches. Although nothing new here, it is still exciting fare. Because we all know going in that our horse will win the crown, director Randall Wallace is especially successful in keeping us interested and worried for Secretariat.

Disclosure: I like most Hollywood horse-racing stories.