A Room with a View

I should start perhaps by mentioning that I'm quite fond of the James Ivory movies, including the one by the same title. And still, I find this much more faithful to the original book. It better reflects the spirit of the writer and the age. It has an aura of authenticity, a natural flow and a je ne sais quoi that have made it quite endearing to me from the very beginning. The names in the cast are perhaps lesser known than those in the other version, and it is precisely the reason why I find them better suited to this television / cinematographic adaptation. They seem to be natural human beings, and not the caricatures thereof, as some of their counterparts in the more famous version. Other reviewers have been rather critical of the final few minutes in the film. I would be inclined to be much more tolerant, as the new ending, although perhaps questionable in itself, is yet so respectful of the spirit of the author in his novel that I tend to welcome it. It is a much more romantic view of the story, and the music by Gabriel Yared significantly contributes to it all.

I see that Elaine Cassidy has been tipped for the top. Her Lucy Honeychurch catches some of what Helena Bonham Carter missed in the Merchant Ivory film, without succeeding in eclipsing her. The main improvement is that she and a surprisingly unfoppish Laurence Fox look like a more realistic pair of lovers in this Andrew Davies adaptation than HBC and DDL and seem fated for different reasons. I wasn't quite so immediately convinced Rafe Spall had what it took to part them.

Sophie Thompson never disappoints and is a fabulous Charlotte, Mark Williams turns in another great piece of work as does Timothy West.

In fact, compared to the Merchant Ivory version, most of the characters have a little more nuanced colour in their cheeks, with the exception of Freddie and Mrs Honeychurch. What stops this taking off and flying is the lack of real vitality in the script and a lot of direction which tends toward the pedestrian.

Although, on balance, I think I still prefer the Merchant Ivory version, there's plenty enough here to enjoy.

Every adaptation has things that are improvements on the last one. Such is the nature of human beings. This version has a much better chemistry between the two leads. They felt like a real couple and real people. Whereas I found the 1986 versos to be a bit stilted. I would say that almost everything else in this verson is not as good. Including the ending which, beyond what you think of it, was so tacked on I thought I missed a large portion of the movie.

A larger criticism of this movie / source material is that I don't think it tells a story for the ages. Whatever point it is trying to make seems to only really exist in Edwardian era Europe and thus does not perhaps have the staying power that one would like to see.

So basically it is a romance. Well, that is still a good thing.

At first I wasn't sure how I'd react to this remake because I used to think I enjoyed the original, but I was pleasantly surprised to find it much easier to follow the *story* and see the *characters* in this retelling. It was actually quite refreshing.

I didn't realize until I saw this version that the 1985 film is so self-consciously stylistic that it ends up being too clever for its own good. In the original, the intonation by the actors is so stilted that the dialogue feels like a series of non sequiturs. Every shot screams, "Look! Look at this gorgeous cinematography!" There isn't much chemistry between the two romantic leads, Daniel Day Lewis reduces Cecil to a tedious cartoon character, and Denholm Elliott overdoes his accent. Julian Sands, though interesting, seems more like a brother from another planet than a thoughtful subversive. In the Merchant-Ivory version, the story and the characters get buried under a layer of heavily vaselined romanticism.

Through this bittersweet remake, I finally saw the story and felt I better understood what Forster was trying to say in his book. You see the Emersons' working-class roots and how they stick out among the more genteel travelers in Florence. You get to really see Cecil as a good but flawed human being. And, most importantly, you see Lucy as a sweet but unsure girl growing into a bright young woman in spite of herself.

Director Renton keeps a light touch and doesn't spend any more time than is necessary on any part of the story. You see a dinner party, you hear a rough voice cut through the chatter, you see Charlotte put on the spot. That's the point of that scene, and it does its job with no extra fanfare. There is no inordinate amount of time spent on playing up some tennis game or skinnydipping episode. No one is allowed to chew the scenery.

As a result, I felt moved by the passion between Lucy and George in a way that I didn't when watching the original. I felt the pain caused by their predicament. The scenes between Lucy and George were more emotionally charged, especially when Lucy has her epiphany. In the 1985 version, every scene between the two leads feels like little more than comic relief.

And yes, I liked the ending in this version. It added gravity to the story and helped me feel the depth of Lucy's love for George. Kudos to Andrew Davies, Nicholas Renton, and especially to Rafe Spall and the beautiful Elaine Cassidy. They all did a brilliant job in bringing a terrific story to life. By the end of this version, I had forgotten all about the original and fell in love with these characters all over again.

I remember fondly the 85' version and thought worthwhile to see what could be done again with it. Alas I'm not much of a reader and so never read the book. As usual when I come here I enjoy and learn much out of other's comments. Doing so I found interesting to see a variety of comments about it sometimes contradictory but here quite united in the displeasure of the ending! I watched it on our Sydney now only commercial free channel and must admit I was generally pleased with the performance of the leading characters. Yes Maggie Smith was very much missing. Otherwise I was not too disturbed by few changes. Lucy worked well for me. As for the ending I thought it was a little bizarre and unexpected but I like to give credit for the producer for making their own choices even if sometimes I disagree with them. I understand though that there should be some kind of respect for the original work. Well I had a good time with it and don't regret the time it took to watch it as some suggested we should. Perhaps it's not always a good idea to impose on others one's feelings. But at the end of it there are just written words, not orders!