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This movie is everything that reminds me why I love movies. I came across it unwittingly as I stood outside a remote movie hall in New York and was drawn to its English title, "Just Another Love Story". One glance at the poster told me it was anything but that. A man, stands with a gun drawn over a dead man in a pool of blood. Time wasn't wasted. Tickets were bought. Seats occupied.

The movie begins like promised with a series of numbered love scenes. Except that it was hardly love. It begins with the protagonist's narrative of how it all ends and then we are thrown into his life, abruptly as we come in terms with the brutality of what he does, boring mundaneness of how he lives and how he is suddenly, unwittingly drawn into a passionate love, an exotic fantasy and a forbidden life that he claims as his own.

And as we follow him through a sensory overload of events, we are both repulsed and strangely attracted to his actions. The guilty pleasure of enjoying something really despicable. There is always a woman, the protagonist says, and there is one here. One, we are as much mesmerized with, as is the protagonist. Cleverly written, the characters often dwell in the intricacies of metafiction. A woman and a mystery are the ideal ingredients of a movie, one of the characters says sarcastically. A good shot, says the protagonist in another scene which is a classic film noir shot if any ever is.

The background score is brilliant, alternating between a slow haunting acoustic guitar, to a symphony of sorts as we move through the protagonist's life. The script is fresh and pulsating with energy as we laugh one second and are repulsed the very next. If a movie can make you grimace, laugh and bite you nails with apprehension and wonder at the intelligent sharp exchange of dialog, it is one that has managed to make its mark. This particular movie has surpassed the mark.

Acting by the lead characters is ace. The confrontation scene between the protagonist and his opposite number is fletched out stunningly. Fragments of each life are shown to you, and as you put everything together and move towards what is a stunning climax, you realize somewhat surprised, that this movie is exactly what it promised to be.

Just another love story.

This may not be my favorite film of all time, but it was definitely a great watch in the theater! It was like an exceptionally twisted version of the romantic comedy "While You Were Sleeping." I loved the blue-and-green cinematography as a backdrop for such a black plot (which, by the way, I thought was entirely coherent and interesting). The filmmaker definitely took some risks you wouldn't see in a Hollywood film, but I thought they payed off. The overlay of simultaneous action images was aesthetically pleasing and allowed forward action to continue while giving clues into the character's mysterious past. I think what really made the film for me though, was the concept of the basic human (and especially American) need for MORE. No matter how perfect a life may seem, it is never really enough. Trying not to spoil the plot, there are some actions that would normally make the character seem like a jerk, but he is still very easy to sympathize with because we all have the same driving desire for satisfaction. I think the original Danish reviews had it right. While some of the violence and nudity may not be completely vital to the plot, it all adds up to a great modern-day film noir.

This is the type of film noir Robert Mitchum and maybe Bogart loved to play in: convoluted story, intricate plot twists, and… "always a woman", as Jonah (Anders Bethelsen) mentally intones while dying, on his back in the rain, and reflecting on how it all started – an opener that's a great tribute to Billy Wilder's Sunset Boulevard (1950) with Joe (William Holden), dead in the swimming pool, his spirit entertaining similar thoughts and regrets.

Jonah is no screen-writer though: he's a crime-scene cop, a photographer, a husband with a wife and two kids, and is already deep into his mid-life crisis. Like many angst-ridden men of his age, he wants more. Well, along comes distraught Julia (Rebecca Hemse) who inadvertently smashes her car into the rear of his, with wife and kids onboard (what a technical triumph that smash-up was!). Julia lands in hospital, almost blind, remains in a coma for a short while and, when she wakes, she has little or no memory. Jonah, while visiting her, is mistaken for Sebastian (Nikolaj Lie Kaas), Julia's fiancée from Hanoi. Quick as a flash, Jonah dives into the deception because now – stupid sap – he thinks he's in love...

If you can accept a venture of that magnitude by an otherwise intelligent cop and father of two cute kiddies, then accept what follows as a clever take, perhaps even inversion, on the traditional femme fatale scenario. Sure, you already know he's dying but – who fired the shots? The answer, as in all excellent film noir, comes only in the few seconds that precede that deliciously dark opener. Before you get there, though, the plot has enough false trails, macabre cop humor and misdirection for you, to keep you glued to your seat. Moreover, like all good narratives, nothing is ever as it seems. In that regard, I'm reminded of the murder of luckless Lester (Kevin Spacey) in American Beauty (1999), ironically gunned down in his house, blissfully unaware of who did it and why.

Technically, the structure of the story and photography is brilliant, with the first twenty minutes giving the viewer a series of scenes and dialog in a seemingly discordant sequence. As the plot continues, the editing of sound and picture then assumes an ironic register and tone, as the dialog from one scene might play over a scene that opposes or deconstructs the other. It's a narrative technique that's quite effective and, best of all, it's not overdone. You'll know it when you see it.

The acting and direction are superb, no question. The special effects during fight scenes grittily and graphically hit this viewer between the eyes. Moreover, I think the editing displayed true mastery of narrative flow and cohesion. And the music score fits like a glove. Overall, this is one of the most satisfying and entertaining efforts in this genre for many years. But, is it believable? Well, given the propensity for most of humanity to do stupid things for love, I'd say that's a no-brainer.

Recommendation – run to your video store and get it. Nine out of ten (nobody ever gets ten from me).

December 4, 2013

Actually I can't agree with the rather negative user comment. I saw the movie just last week at the Fantasy Filmfest in Munich, Germany. In my opinion the movie was one of the surprising highlights at the Fantasy Filmfest. I was pleasantly surprised after watching many of the other movies at the festival. Different from many of the other films which were just splatter and blood everywhere, this movie actually had a good story, surprising twists and good actors. I liked how the actor showed the feelings of many people: not wanting to be normal and having some more exciting things happening in his life. He actually had a good life with a wife, kids, nice flat, but something was just missing. I think a lot of people feel like this. And best of all: The ending is great!

The person who made the final decision, whoever it was, on the title of this movie, needs to be spanked. Bad job. Just Another Love Story sounds like it's some romantic comedy. Sure it fits the story, but phewy, that title isn't helping anybody, especially the makers of the film to market this well-made flick.

Just Another Love Story in a pinch is about a man who stupidly, selfishly and led by hormones is brought into a weird situation where he is now living the life of a different identity. He was Jonas, but now he's Sebestian; Julia's love. Julia's past isn't all that it's cracked up to be, and his new little life as Prince Charming is slowly unraveling.

If you're looking to watch a solid thriller with fantastic acting and production values, as well as a film that'll mess with your emotions with each developing scene, then this is a flick you should check out. Good flick, bad title. I like mine better. ;)