CALIFICACIÓN DE IMDb
7.5/10
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TU CALIFICACIÓN
En la planta de Homicidios de una comisaría de Melbourne (Australia), los detectives trabajan para hacer justicia a los fallecidos.En la planta de Homicidios de una comisaría de Melbourne (Australia), los detectives trabajan para hacer justicia a los fallecidos.En la planta de Homicidios de una comisaría de Melbourne (Australia), los detectives trabajan para hacer justicia a los fallecidos.
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- 4 nominaciones en total
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Didn't expect to like it. Now I can't stop watching. Especially good plot lines and strong performances. Why haven't I ever heard of this show???
Hats off to the Aussies...!
Hats off to the Aussies...!
Australian television series can be hit or miss but this one is a few grades above the rest. Buoyed by superior scripts and crisp direction, each episode unravels without the drawn-out emotional drama of other such shows. Yes, there are soap opera moments but they are brief and tightly written.
The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).
That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.
The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).
That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.
I just finished watching the last show of the series. I waited to write a review until I saw the entire run. Yes, this isn't the strongest Australian show out there, but overall it was a very good show. The entire cast was used equally with no one major "star" coming to the front. For me that is a plus. everyone had an equal part to play. One complaint, when the show ended it left everything up in the air. It could have run at least another season or two. All in all a very good show , well worth your time.
Frankly, I'm an American watching this show "second hand" via the internet, 72 minutes at a time. This means my frame of comparison is typical American cop dramas.
I really like this show.
Unlike most US cop dramas, City Homicide is an actual ensemble show without a true "top billed" personality and a more realistic focus on the case, investigation, and legwork instead of the type of action real cops would call a SWAT team in for. Also, the plots suffer little in the way of "creep" towards outrageous plots like half of the CSI: Miami plots.
Another credit for City Homicide is the fact the actors don't come across like clothes models reading scripts. While most of the cast are attractive, they're believably so.
As far as characterization goes, City Homicide paints the characters as human with flaws that have to be lived with or worked around and not-- like many American shows--show up once out of the blue and are resolved in a single two-episode arc.
This is also a refreshing change.
If you like police dramas, give it a try. If you're an American and you somehow can watch this show, definitely give it a try.
(And don't worry, you'll pick up on the accent pretty quickly...)
I really like this show.
Unlike most US cop dramas, City Homicide is an actual ensemble show without a true "top billed" personality and a more realistic focus on the case, investigation, and legwork instead of the type of action real cops would call a SWAT team in for. Also, the plots suffer little in the way of "creep" towards outrageous plots like half of the CSI: Miami plots.
Another credit for City Homicide is the fact the actors don't come across like clothes models reading scripts. While most of the cast are attractive, they're believably so.
As far as characterization goes, City Homicide paints the characters as human with flaws that have to be lived with or worked around and not-- like many American shows--show up once out of the blue and are resolved in a single two-episode arc.
This is also a refreshing change.
If you like police dramas, give it a try. If you're an American and you somehow can watch this show, definitely give it a try.
(And don't worry, you'll pick up on the accent pretty quickly...)
I'm a big fan of Homicide life on the street and loved Detroit 187 and other shows like them. If you like those too you will live this. The first show almost lost me. It had really dorky music but a good story line so I watched a few more and fell in love.
This is a very real gritty cop drama. They only delve into the characters personal lives as proprietary. Like with Simon's intricate story line that plays out in a most impressive fashion at the end of season three through the begging of season 4.
The few Aussie shows I have watched before sucked. I thought this was British at first. This could have even done fine on USA TV. I've found it addicting.
This is a very real gritty cop drama. They only delve into the characters personal lives as proprietary. Like with Simon's intricate story line that plays out in a most impressive fashion at the end of season three through the begging of season 4.
The few Aussie shows I have watched before sucked. I thought this was British at first. This could have even done fine on USA TV. I've found it addicting.
¿Sabías que…?
- TriviaTranslating some of the terms and phrases used in the series for American viewers: A "door knock" is a neighborhood canvas, where police knock on doors to locate witnesses to the crime. A "death knock" is the notification of the next-of-kin of the death of a victim. To "root" someone is to have sex with them, while "rooted" means someone is tired. Similarly, "stuffed" means being tired, but telling someone to get stuffed is similar to telling them to go screw themselves. A "reggo" is a vehicle registration, which reveals the owner. A "shottie" is the term used for a shotgun.
When confronting a suspect, the police do not yell "Freeze!" as they do on American cop shows. Instead, they yell "Police! Don't move!".
- Créditos curiososAt the beginning of each programme, a title card is shown that reads "No greater honour will ever be bestowed upon an officer than when they are entrusted with an investigation into the death of a Human Being."
- ConexionesFeatured in Dancing with the Stars: Episode #9.6 (2009)
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- How many seasons does City Homicide have?Con tecnología de Alexa
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