Dreamin' Wild

"Dreamin' Wild" is an artful, lovingly wrought tale, enchanting in its wistful melancholy and profound love of music. The film's defining feature, and also its main flaw, is the inherent smallness of its story. The key key facts about the Emersons are revealed in the movie's first few minutes: two Washington farmboys poured their heart and finances into producing a privately pressed album in the late 70s, which decades later is rediscovered and championed by a boutique rock label.

We're treated to extensive flashbacks of the making of the album, but not much really happens from there in terms of plot. Casey Affleck and Noah Jupe give pitch-perfect performances as the adult and adolescent versions of Donnie. The support is excellent, with Beau Bridges disappearing into the role of a self-sacrificing father. Affleck and Bridges together are a delight to watch.

Much of the film's narrative conflict revolves around Donnie Emerson's difficulty accepting sudden vindication after decades of thwarted attempts to break into the music business. His bitterness and reticence to embrace his good fortune can be frustrating at times, but it does feel psychologically authentic. The sheer acting firepower given to these small conflicts can feel a bit overwrought.

The best part of the entire film is when we get to witness the adult, real-life Emersons play a small live gig. Donnie Emerson's voice has matured into a wonderfully soulful instrument, and their performance wraps up this small but tender tale very movingly. Here's to more forgotten artists like the Emersons getting their chance to shine!

This was a sweet story, art house for sure, and a bit slow. It is moody, and needed another rewrite and an edit to pick up the pacing. As is, the story does not do the massive talent onscreen justice. And they are excellent, so it is the direction that is the problem. Too slow, too disconnected and belabored. It is the pacing of the writer/director that is the problem.

Too many scenes of people doing nothing, driving, partying in the distance for too long, and on and on.

Casey is clearly brilliant as usual. He is really the king of understated performances, and suprise talents, like being a musician.

Basically it is a quiet, understated story, running a bit too slow.

When I saw the trailer, I was intrigued about this story, so I checked out the background of it online and thought this might be a movie worth watching.

The music aspect of the movie is well done. And the actors all play their parts well.

But I felt a lack of connection at the end of the day. It really was a half hour or hour MTV special that was stretched out too long. I really couldn't buy into the angst that Don was feeling, even though I could understand where it was coming from. It just felt repetitive. Especially all of the speeches that happen in the movie. Usually a movie will have one or two big speeches. This one seemed to have many 'oscar' moments that just weighed it down too much.

I also didn't like the cliched 'older self meets younger self'. I think that's been played to death, and is just cheesy now.

I am glad for the Emerson family and I hope they are continuing to rake in the money from the album. It was nice seeing the real voice of Donnie as it is today, he definitely is a gifted singer. But the movie just didn't resonate with me, and that's coming from a music lover.

THis is my first review, but not the first movie I've seen :) I Love Movies about Life. And this is one of that.

You can feel all the emotions in it, in a very authentic way. The passion to music & nature, family life, love, lost.,.,.,

Further its specially about brotherhood, about to accept somebody for who he is.

And this is all bedded in dreamlike locations. Far away from civilization, endless forests, colourful sunets and old trees where this beautiful story starts to grow.

I think I am not driving too far, cause Casey Affleck should get an oscar nomination for best lead role.

Give this a movie a chance, u wont regret!

Greetings again from the darkness. Very few actors are more proficient than Oscar winner Casy Affleck at taking on the role of a tortured soul and making us care. If you are one (like me) who wiled away many hours scouring LP bins at music stores, then you likely recall the "Dreamin' Wild" album from Donnie and Joe Emerson. It was a horrible album cover featuring the two young brothers in white jumpsuits. The self-produced album flopped, and writer-director Bill Pohlad has adapted the in-depth article penned by Steven Kurutz to dramatize the backstory, while filling in the real-life effects.

A vivid dream of success at an early age startles an older Donnie Emerson (Casey Affleck) awake. This is how Pohlad opens the film. Reality strikes as he once again realizes that recurring dream never came true, and now he runs a foundering recording studio and plays wedding gigs with his wife Nancy (Zooey Deschanel). Director Pohlad plays with timelines in an unconventional manner much as he did in his excellent Brian Wilson biopic LOVE & MERCY (2014). Noah Jupe and Jack Dylan Grazer play the young Donnie and Joe, respectively, while Walton Goggins plays grownup Joe, the less talented, though quite eager drumming brother.

This is a beautifully crafted film, though a bit unusual for a musician biopic. It's not so much a story of music as it is a glimpse at the psychology of a musician. On the family farm in rural Fruitvale, Washington, teenage Donnie writes and performs songs. His ever-optimistic and always supportive father (a terrific Beau Bridges) mortgages the farm to build the boys an onsite recording studio so that they can pursue music, while keeping up with farming chores. When nothing happens with the album, dad loses a big chunk of the farm, and everyone just moves on with life. Well, Donnie doesn't so much move on as brood about a shattered dream. Thirty plus years later, an independent record producer (Chris Messina) shows up and informs the brothers that their album has found a second life online and there is interest in a new pressing, as well as a special concert and even a tour.

It's at this point where we see just how deep the waters run for Donnie. He is reticent to allow himself to dream again ... despite encouraging his own kids to do so. He's a pensive man carrying the burden of guilt and shame as a son and failed artist. It takes courage to try again, although a tortured artist remains tortured regardless of any level of success. The second shot finds the dreamlike hit "Baby" front and center. It's an ethereal song perfectly suited to Donnie's temperament and a testament to his talent.

Director Pohlad brilliantly utilizes flashbacks throughout so that we understand what these folks have endured, and how differently they each react to the second shot at fame and respect. Often it takes a jolt in the present to permit us to come to terms with the unresolved feelings of the past, and we not only get to see Donnie make peace with his brother and father, but in a brilliant cinematic sequence, also with his younger self. Pohlad's film plays as a fitting tribute to Donnie Emerson, but also as inspiration to all the dreamers.

Releasing digital and On Demand beginning September 26, 2023.