The Man Who Came Back

On the surface it appears this had the potential to be a good movie. The setting Thibodaux, LA or Lafourche Parish where a large strike took place in the late 1800's. The material available to be successful but was not used (even if the project was to be fictional). However, we end up with the common good cause stands against evil cause scenario. The acting does not support credibility of occurrences (in the movie plot nor the historical strike). The scenes are weak and at times seem to try to portray a point but fail and at times leave the watcher with what does this have to do with anything. The actor's dialogs seem forced with little emotion and the action scenes are walked through with no fluidity or realism. The best acting in the movie is performed by the undertaker - a couple of short scenes. Can we have a refund or exchange?

Forget the fact that this film is supposedly based upon historical fact. Several people who know what happened in Louisiana at the time have set straight the fact that nothing in the movie resembles what actually happened.

And, no, it's not High Plains Drifter either, even if they try to make comparisons.

Let's just view this a a good revenge flick that happens to be a cross between a western and a plantation flick.

Now, I have to admit I really like George Kennedy, and would give a film with him in it a higher rating than it probably deserves. I also like Armand Assante, but not as much. I certainly couldn't wait for him to get some justice, along with Billy Duke (James Patrick Stuart).

I'm not familiar with Eric Braeden, the star of this movie. He is, after all, a soap star. He did OK, but I sure would have liked more passion.

Sean Young was certainly a wife that no one would desire. Certainly, no one but maybe Amos (Assante) will miss her.

Justice prevails.

I'm embarrassed to admit that I even rented this film, though I could not bear to watch it. As the crappy after effects title revealed itself at about 5 frames per second over the first shot of the film I said to the girl next to me, "Uh oh. That's not a good sign." I am torn with whether or not to dignify this movie with the designation "film," as it appears to have been shot with a 1998 prosumer video camera.

Poor, poor Billy Zane. I feel bad for everyone in this film actually. The acting, from the few scenes that I watched, looked as though it might have been okay. It's hard to tell when the only mic used seemed to be the one that came mounted on the camera.

I really wonder what it cost to produce this movie. I was fooled because the cover art of the DVD looked pretty good. Why does Hollywood video even stock this thing? There should be a warning next to it. "This movie was shot with a video camera!"

It's very misleading to say, "...this really is a great western". It's anything but. If it is (to quote another reviewer) "the best (they) have seen in a while", then I'd recommend watching a few good ones. There are plenty, but this film doesn't qualify. Nor is it a "classic western revenge movie" (try "Ride Lonesome"). It's an excuse for a lot of quite predictable bloodshed, masquerading as some kind of historical comment, and for some nasty misogyny. The movie strives for political correctness, at least racially, but misses the boat completely where the female characters are concerned. They simply get raped and brutalized. It's unrealistic, too; everyone, including field hands, is far too clean, and there's no feeling of authenticity. The direction's adequate at best; there are far too many lingering shots of the star's face (he's too old for the role anyway).

As for being based on the Thibodeaux Massacre of 1887, as the final comments indicate, it bears little resemblance to that event - but then, it's not actually about injustice to black field hands, it's about the white guys, as usual. The black characters are just there to die on the "hero"'s behalf, as the women are there to be raped. As long as he can stagger to the final showdown, they've played their part in this miserable vehicle for an aging soap opera heartthrob.

Forget it. It might please fans of the soap in question, or kids, but that's all it's good for.

This is an example of welfare for once famous actors. Poorly written, directed, and videotaped, with one dimensional caricatures, instead of characters, who are used as plot pawns to advance a story that is so obvious, you see what is coming from the next county.

I gave it a view, as I do all western type films, because it is a uniquely American genre that I wish would be rediscovered by present day film makers.

A simple story, about a slower pace of time, doesn't have to be obvious and contrived, it can ring true and be compelling, but this effort is simply not up to the task.