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5.1/10
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Cuando explota un brote de un virus, Aidan se atrinchera dentro de su apartamento y comienza a racionar la comida. Su complejo está invadido por infectados y se queda completamente solo luch... Leer todoCuando explota un brote de un virus, Aidan se atrinchera dentro de su apartamento y comienza a racionar la comida. Su complejo está invadido por infectados y se queda completamente solo luchando por su vida.Cuando explota un brote de un virus, Aidan se atrinchera dentro de su apartamento y comienza a racionar la comida. Su complejo está invadido por infectados y se queda completamente solo luchando por su vida.
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Opiniones destacadas
There's a Korean film that came out a year or two ago with the same story, plot, everything. And it was much better.
The 'zombies' n this one have a unique twist that as a guy who watches ANYTHING post-apocalyptic, I appreciate a fun wrinkle. The love story is actually feasable and we'll done, meaning believable for the most part and not overdone. It works as a PART of the story. Other than Donald Sutherland I had never heard of these actors but they all we're solid; no one took me out of it or anything. Anyone rating this too low has just not seen what awfulness there truly is in the Post-Apocalypse genre wasteland.
The plot is the same as #Alive, a South Korean zombie flick, but it fell short. Actually Matt Naylor has a screenwriting credit on both films, so it's hard to say which movie copied the other. While Alone has a good premise (like #Alive), it takes the wrong turn by offering us humiliating lead (sorry Posey), lazy story, apathetic "suspenseful" scenes and a love story that is nothing more than a mere fairytale. In the end I think Alone is more action driven, and #Alive has more character development.
Apparently this and the Korean version (seen on Netflix I reckon for most) are just based on the same script. Which would techincally mean this isn't a Remake in the true sense of the word.
On the other hand, I saw the Korean version first and I am happy I did. While I didn't dislike this overall and I have to admit the lead here has quite the charme to him (at first you will probably dislike him, but that can and is supposed to change during the course of the movie) ... he loses some of his drive - at least that is what I think will be true for most.
Good casting overall and the basic idea holds up throughout, even when it doesn't make much sense after a very strong opening.
On the other hand, I saw the Korean version first and I am happy I did. While I didn't dislike this overall and I have to admit the lead here has quite the charme to him (at first you will probably dislike him, but that can and is supposed to change during the course of the movie) ... he loses some of his drive - at least that is what I think will be true for most.
Good casting overall and the basic idea holds up throughout, even when it doesn't make much sense after a very strong opening.
Who cares if it's better or worse than the Korean version. This was an enjoyable, well paced film. Had a good mix of despair, horror ,hope and romance. Some truly edge of your seat moments. The zombies were fast and plentiful. Reminded me of those from 28 days later. Yes, there were the usual stupid moments as in most horror films, such as being in intense situations but easily dropping your guard, putting your weapon down, not locking the door etc etc. While being annoying I guess these things happen to add tension. What did bug me though was the main actor. I think he'd been hired from over actors anonymous. In a movie where the idea is to be quiet to avoid zombie detection this bloke shouts, screams and grunts at every opportunity. Anyway, overall it's worth a watch.
¿Sabías que…?
- TriviaTyler Posey's dad in the movie is his real dad.
- ErroresAt the very beginning Aidan says it is day 42 and he is sorry cause he tried. later in the movie when it is officially day 42 he only says sorry.
- ConexionesReferenced in Diminishing Returns Diminisodes: Peninsula (2020)
- Bandas sonorasIn Light of Darkness
Performed by Bri Holland
Written by Hyesu Wiedmann and Frederik Wiedmann
Published by 15th Magic Publishing (BMI) and Feda Music (BMI)
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Detalles
Taquilla
- Presupuesto
- USD 4,000,000 (estimado)
- Tiempo de ejecución
- 1h 32min(92 min)
- Color
- Relación de aspecto
- 2.39 : 1
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