Train

TRAIN is a one-note film with a one-note idea: somebody, somewhere said "let's make HOSTEL and set it on a train". The project was greenlight, and this movie was born, a vehicle for former Hollywood starlet Thora Birch produced by her former porn star father, Jack.

And, unsurprisingly, it turns out to be pretty rubbish. This is low budget, xenophobic nonsense throughout, shot in Eastern Europe and happily ripping off HOSTEL left, right, and centre. The story goes that a group of American gymnastics students are stranded abroad and suckered into boarding a decidedly dodgy train, where the usual shenanigans arise. This is a torture porn film and nothing else, so whether you enjoy it or not depends on how much you like seeing people getting bits snipped off them at frequent intervals.

The film boasts poor acting, one note characterisation, and bad direction. Thora Birch is just about adequate as the heroine, but the rest of the cast aren't up to much - apart from Gideon Emery perhaps, as the only distinctive one of the group (he's playing a gay, dope-smoking elder who hooks up with the rest). The villainous motivations are ludicrous, and the film really drags despite the plentiful action and many death sequences. I was also surprised at the sheer number of plot holes and goofs along the way, which indicates it was probably written and rushed out in a hurry to cash in on the success of the (thankfully) short-lived "torture porn" genre. In any case, it's a dog of a film.

When Hostel was released I found it to be an interesting twist on the likes of Texas Chainsaw Massacre or Hills Have Eyes, playing on the fear of being outside one's normal environment, but exchanging the backwoods for Eastern Europe. Even back then, however, I noted the American-centricity of the film.

Since then we have had Hostel II, Turistas (known as Paradise Lost here in the UK), and now we have Train- another in this unfortunate sub genre that shouldn't be called Torture Porn, but rather "Don't be Leavin' America!" Because yet again those poor beautiful Abercrombie And Fitch mannequins are under threat by Eastern Euopeans who want to take their organs.

A film I recently enjoyed was Saw VI. Yes- seriously. The sixth part in a series of horror films and it still felt fresher than this film. Why? Probably because it quite cleverly, highlighted the brutality inherent in the medical insurance system of care in the US, and selfishness of banks practically handing out risky loans that has led us to this economic crisis. This was a horror film brave enough to assess America's own problems.

In contrast films such as Train are contemptuous of all things non- American. It makes me wonder about the the directors of these movies- did they take their middle-American rite-of-passage trip to Europe as students- backpack around? At what point did they decide to cinematically urinate on the countries they visited? The film itself is bland, feels cheap and thinks revealing a character's pierced nipples counts as character development. Thora Birch looks annoyed at having signed on- I'm pretty sure there are moments her face screams "I was once in American Beauty." And let's be grateful this film was about Eastern Europeans stealing organs, because if it was about bottling charisma or likability, no one would have died.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A group of young American athletes head to Germany to compete in a grappling competition, with mixed success. However, a mix up at the railway station compromises their trip home, leaving them stranded...until a mysterious woman offers them all a trip back on her luxury carriage. They are struck by the hospitality...only to find as the journey progresses, they are on a train of psychopaths who want their organs and will stop at nothing to get them.

Train probably forwent it's right to a cinema release on these shores for appearing so generic and predictable. Take a typical bunch of obnoxious American teens (the only one I could make out of any of them being Thora Birch) place them in a plot eerily similar to Hostel and then, add the even more common denominator today of being a typical 'torture porn' flick where the emphasis is far more on blood and gore than genuine scares. And indeed, the film never achieves anything resembling a claustrophobic air of tension or terror, just a stumbling stutter from one clunky set up to the next. Not surprising, given the plot line is so far fetched and implausible from the off set. Nonetheless, it could have managed as a genuinely creepy and atmospheric film...but by selling out and being just another of the many bottom of the barrel 'torture porn' flicks that you could forget about as easy as that. **

Torture porn is a really overused description, one that tends to be slapped onto anything with a bit of blood and guts which the reviewer didn't like very much. Hostel, for example, is nothing like it; it has a storyline, characters, even a bit of subtext going on there. Real porn is where the splatter has no reason to exist, there are no actual characters, and no plot other than to get us from one splatter scene to the next. Train is genuine torture porn.

Oh, sure, there is an attempt at a plot, but not one that makes any sense. Organ harvesters - on a train? Rumbling through the middle of nowhere, taking out bits of bodies by yanking at them until the connecting tissue snaps? Harvesting tongues, penises, and other not-exactly-transplantable organs? The whole movie is just an excuse to show some graphic, very nasty scenes of dismemberment, shot in leering close-up, and anything else - character, plot, dialogue - is perfunctory at best. The script feels like it was written on the back of a cigarette packet, no one behaves in a remotely sensible way - 'oh look, here's a locked door with copious blood-stains in front of it, let's find out what's behind it by STEPPING OUT OF A MOVING TRAIN AND SMASHING A WINDOW FROM THE OUTSIDE. What school do these kids go to, James Bond High School? Let me say again - I've got no objection to graphic splatter, so long as there's some point to it. If there's no worthwhile story, no reason for the gore to exist, you have porn. This movie, in other words. A nasty, degrading experience made by stupid people who probably think they're pushing some boundary or other. You're not, guys. You're just stringing together a bunch of random scenes of people being chopped up. Well done.

Just one thing before I go - what the hell happened to Thora Birch? Between this and Deadline (also unbelievably awful, though with less people having their skin cut off), is she aiming to be the new Cuba Gooding Jr or something? Please, Thora, fire your agent and start doing actual movies again. Pretty please?

Not exactly sure what I was expecting with this one. I figured, hey, Thora Birch is in this, it can't be ALL bad. A bunch of American kids traveling around in a train getting terrorized in some fashion... sounds watchable. Unfortunately, I was not satisfied.

If my comment title hasn't tipped you off yet, you're in for an hour and a half of equal parts torture porn and survival horror. There's nothing new here and no worth while twists to raise this movie above (or even up to the level of) many similar genre pictures. It seems to meas if all the horror directors have tired of setting their pictures in the rural south, invariably populated with crazed backwoods cannibals and have instead focused on semi-fictional demonic visions of Eastern Europe populated by depraved butchers for hire. The acting is flat and the characters are so unlikeable (not to mention the lack of definition or development) you just can't muster any emotional ties. You won't even find yourself rooting for the bad guy here... you just won't care.

There is one facet of the movie that does seem to shine though. Love it or hate it, the gore in this film is so over the top and just down right rotten and visceral that it will produce a response. The camera does not flinch away... ever. I guess we're all just too complacent as horror fans these days. Gore like this used to be able to carry a film on the merits of the blood spilled alone, as the super bloody extreme cinema was relatively rare, often found only in hard core Asian productions. Now, every movie you watch seems to be teeming with so much of it that we as fans are beginning to demand more than just a slasher guts fest.

There are so many cool horror movies out there that invest their time and effort in delivering more in terms of originality. Unless you're curious, I would seek out something with more depth.