Henjel gwa Geuretel

If you think you know what this is going to be like, you actually might be wrong. Especially if you think this is a true adaptation of the famous child story. It's not, it's completely different. This Korean movie might seem like a story that could be told to people and it's shooting style is amazing, but it moves very slow.

The colorful movie has quite a few twists, while taking it's sweet time. We have great actors here, who play in this drama (well it's a bit of Horror too, but don't expect this to be a real Horror movie, you will be disappointed by that expectation) and a nice story. The main thing still remains the style it's shot, so Kudos to the Production design and the camera man, for making this world so vividly beautiful.

A disappointingly mundane dark fairytale that takes the original storyline and transforms it into a modern-day offering about child abuse, the nuclear family, dependence and obsession. In truth, HANSEL & GRETEL bears little resemblance to the story we know of old, acknowledging it stylistically rather than via the narrative.

The film is billed as a horror movie but in truth it isn't. There are very few moments of violence or tension and these are glossed over rather quickly. Instead, the film prefers to depict 'happy family' scenes and hint at darkness behind the light, rather than focusing on anything specific. Yes, there are a series of supernatural events within the movie that could also help define it as fantasy, but again these are dealt with in hurried glimpses rather than focused upon.

Sadly, what we're left with is a series of repetitive events that go on and on for far too long. From the outset, it's apparent that Eun-Soo can't leave the idyllic woodland location he's trapped in, and yet a good half of the running time is about his endless attempts to escape. Then there are intriguing sub-plots that are never fully developed, such as the one featuring a would-be serial killer. The film ends up relying on huge chunks of exposition plonked in towards the end in an effort to explain things, and undigested back story never makes for a dramatically satisfying movie.

Indeed, you can't fault the calibre of acting on offer – especially from those great child actors – or indeed the technical perfection behind the scenes. But HANSEL & GRETEL's story feels bloated and unfocused, and needed the hand of seasoned professional to turn it into something better than it is.

Maybe I've been ignoring Korean films for too long because I've seen some good things coming from those regions lately. From the first time I laid eyes on the promotional artwork this films sparked some interest, but I never bothered to pursue that interest. Luckily I finally did get around to seeing the film as this is right up my alley.

Hansel and Gretel is many things and is being marketed as many more. Sadly some people try to tag this film to the Asian horror wave, yet the film is pretty different in tone and execution. Some similar elements to Korean(/Asian) horror films are definitely present but in the end the film presents itself more like a darker fantasy.

Comparing this film to others is not an easy thing. It reminded me of quite a few other films but never as a whole. The setup is somewhat similar to Calvaire, the styling of the film has more than a little of Survive Style 5+ and the atmosphere could've been borrowed from a Korean Burton. But none of those references seem sufficient to describe Hansel and Gretel. In the end it draws its unique flavor from mixing all these influences and making them its own.

The film starts off like many Western films do. A guy in a car in a forest on a mountain road. Car crash anyone? But when Eun-Soo wakes up he sees a girl dressed up like Little Red Ridinghood. When he reaches her house he is confronted by a family of fairytale people, but looking and acting a little off. From those first scenes there's already a pretty weird atmosphere present.

The styling of the house and its inhabitants its absolutely lush, with plenty of attention to detail. Colors are flying off the screen and even though the frame is filled with toys and other colorful objects, the house is meticulously clean. It's these kind of things that help to establish the uneasy atmosphere from the start of the film.

As the story progresses the tone becomes gradually darker, as does the styling. The candy-colors never really fade but are often overshadowed by darker tones. It takes a while to get a good grip on the story as more and more elements are introduced to the film and certainly not all of them fit well together from the start, but about halfway through you should have a good idea of what the hell is going on.

Visually this is a very consistent film, with pretty awesome camera work and a great sense of color. Not unusual for Korean films but surprisingly the editing is not so intervening as to kill the atmosphere. There is plenty of time to admire all the visual sweetness, which has been known to be otherwise in Korean cinema.

The soundtrack too is effective and to the point. No high drama bombast to kill the atmosphere but good film music that aids the feel of the film. It's good to see that for a change the atmosphere of the film is kept consistent and is given room to develop itself. Something the film gratefully makes use of to crawl under your skin.

While the revealing of the mystery is nothing too special and the film knows its share of typical Korean taboo-breaking weirdness, it's that very mysterious, dark and fantasy-like atmosphere that gives the film enough momentum to easily swing past these little imperfections. In the end, Hansel and Gretel is a rather special experience that leaves a solid mark in the world of film.

Rather than call it a horror film, it's a dark fantasy mixed with drama and a touch of horror elements. The film is well acted, looks extremely lush and flies by in no time. And while many parts seem influenced by other films, the mix is completely unique and fresh. A very nice film and interesting take on fairy tale antics. 4.0*/5.0*

Hansel & Gretel took me by surprise, in a good way. I was expecting a sick film about a man who gets taken hostage by a murdering, cannibalistic family and he had to escape. I should've known more, being that the film is Korean and the way in which they make films is often character driven, complex and with heart. Hansel & Gretel provides all three. The title is a mere intelligent reference to the Grimm's story, it's not simply a re-telling but a fairytale of its own, although I wouldn't go telling this story to any kids!

The film is beautifully shot. In the beginning the colours are extremely bright and vivid, giving the film an unnatural quality so that you know that there's something wrong. However, the colours and props gradually decrease as we find out the many secrets as it leads up to a big twist at the end that I'm sure you will never see coming. What makes the film so gripping and worthy of its two hour running time is that it's highly unpredictable. When you think the films going one way it completely changes direction in a similar way to "Martyrs", although not that harrowing! Hansel & Gretel is jam-packed (Nathan's jam, in my own fairytale) with twists and turns so there's hardly ever a dull moment.

Although things start to become repetitious when our hero keeps going into the woods and getting lost, so going back to the house it's there for a reason, so that we start to feel as fed up and trapped as he does/ There's a great atmosphere of isolation and the film is incredibly eerie at times with the creepy children. Hollywood could never make a film like this because they lack the imagination and creativity that makes Hansel & Gretel so great. Many people may not totally get the fantasy element but I see it important, as it makes the film become its own fairytale and also leaves a lot of things up to interpretation, and I like that sense of ambiguity.

The protagonist is also a very likable character,being that he's the only normal one in the whole film. We uncover the mysteries with him, putting the audience in his shoes makes the film even more compelling. The screenplay is very clever and explores extremely dark and brave areas towards the end. It makes you sympathise for the characters and almost changes into a completely different genre which is very original.

Hansel & Gretel can sit up there with all the other great Korean films, I have yet to see a bad one! It also makes a nice change to do something different rather than the usual (but brilliant) bloody revenge horror/thrillers. It's highly original and compelling with a big heart. It's scary and heartfelt exactly when it needs to be with a lot of questions that can be answered in very different ways. It's eerily directed and never boring. You'll care as much as our hero about uncovering the secrets in the strange house! I think that it deserves to be seen by much more people. (Luckily I caught it on Film4, having never even heard of it before!)

I thought I'd foam in the mouth with yet another demonic kid horror movie, given the countless of such genre movies out there which set out to make innocent looking kids harbour plenty of ill intention behind them. But I thought the original Hansel and Gretel fairy tale was quite dark too, especially with the ending. You know, the kids who come to know of this gingerbread house where everything and anything can be eaten to fill their empty stomachs, only to culminate in their stuffing of the owner into a large stove so that they can take possession of the property to live (and eat) happily ever after.

OK, so if you believe my synopsis of the fairy tale, then you, like me, probably saw what many others don't. Anyway this Korean movie doesn't come close, only remotely in a certain scene, and the borrowing of the English title. The gingerbread house got replaced with a nice looking and inedible cottage in the middle of lush forest, though the amount of artificially coloured food still remains the same. Instead of two kids, we get three, who seem happy on the outside, but inside harbours some deep, dark, and unseen secrets. Until of course the movie decides to explain it all, as expected, in the last 30 minutes to make everything sensible.

While the poster might suggest horror, it's more of a thriller with little surprises. We all know that there's always some hideous back story that made the characters who they are currently, and almost always involve some bad episodes in life thus far. This time, it involves adults, and these children begin to develop suspicion of all adults who come into their lives. Pity Eun-Soo (Cheon Jeong-myeong), who got involved in a car accident, and got led by one of the children to live with them in their house. But the family in the Happy Children's Home, don't seem all the bit normal, and soon he discovers that he too seemed trapped within this surreal world with zero communications with the outside world. Heck, even the television's unplugged yet the only programme available is some really sadistic cartoon involving a rabbit and a bear.

The story might at first seem very ordinary though bleak, but grew from strength to strength as it went on, nevermind weak attempts at trying to elicit some cheap scares. I thought its basis of a story was strong, even though it did have a very screwed up version of the fairy tale most of us probably already know about. The set designs and art direction were all beautiful to look at, and most times you'll shift your focus to admiring the sets when events start to get repetitive, with Eun-Soo's attempts to get out of the house and the enchanted forest in more than 4 attempts, of course thwarted each time. Supporting characters like the adults who come and go, at first might make you scratch your head, but let that be the least of your worries, because once Santa Claus came visiting, you'll have to suspend your disbelief, otherwise this movie wouldn't work.

Hansel and Gretel's a pretty decent thriller, a mix of groundhog-day-ness with the usual trappings of cheap horror movies, boosted though by its rich production values. Themes of wanting to belong and non-reciprocated friendship, together with major trust issues, lift its plain storyline, and all round fine acting by the kids who will at first scare you, and then lead you to want to give them all a hug.