The Humans

I'm one of those people that really likes talky type dramas with a haunting atmosphere. This is one of those movies. Think of "The Nest" or "The Assistant". This movie is equally as talky and unnerving as those movies.

This is a story about an American family spending Thanksgiving together in a New York flat. While we only see from the inside out, you can feel the liveliness of the city outside. This family is at a breaking point even if most family members are unaware of this. The father, played by Richard Jenkins in an amazing performance, is at the core here and everything seems to be caused, yet held upon the shoulders of this man. A man with a wife of 30 to 40 years and two daughters, now grown. Seeing them maturing and becoming the women they will forever be, he seems scared about the rest of his own life and theirs as he seemingly slowly crumbles before our very eyes.. he is the only male in the family and he consistantly is there as a pillar for his family. Strong and tender.. wavered and weathered. He feverishly is fixated on the sounds within and surrounding the dingy yet spacious apartment. The crumbling apartment symbolizes the emotional crumbling within this family even if not at face value. This is a movie unlike anything that has ever been seen before. There is something lurking deep within. A mysterious sense of strangeness. The human condition at its most frightening.

The people this film really resonates with will call it a horror movie. People with no sense of artistic approach will call it a drama. People that are easily amused will call it a comedy. Non thinkers will call it all of the above and people with no patience will call it a waste of time. I call it a masterpiece for the ages.

This father has something to tell his beloved daughters. It's a doozy.

This is my type of cinema as thus was easily one of the best movies of 2022 yet.

I truly enjoyed this movie, it was well worth the wait since I watched it during a free watchathon.

I've never been an Amy Schumer fan but I see why people are. All of the actors in this movie even the elderly Momo who only said gibberish was excellent!!

Totally believable family dynamics, with snide remarks in between. You know how we throw little jabs at family members with love but still kind of mean-spirited.

The visuals and the sound effects were the most important theatrical elements of the film. Without them it would be an ok film but with them it's almost perfect.

I'm going to address the low ratings. Just because a movie says horror or thriller, doesn't always mean it's going to have a lot of blood, guts and gore.

The jumpscares and visuals in this movie were enough to make me believe it fits in the horror category or at least the psychological thriller category. It put me in the mind of The Others.

So if you're expecting blood, guts and gore you might want to pass on this one. But if you're expecting great acting with jump scares and great visuals for a limited set and a sense of eeriness overall definitely watch this one!

I used subtitles due to the actors talking over each other or talking in the background.

. . . is that we're ALL annoying. Every one of us and this movie lays bare that fact. It's about family and all of the good, bad and annoying that comes with our loved ones. It's a DRAMA, not horror, not action, not a thriller so I don't know why people are complaining that "nothing happens". If you pay attention, you'll see everything that does happen within a dysfunctional family. And for the people saying that "Amy Shumer ruined this movie" - they just hate Amy Shumer. Her acting was fine, as was the entire casts.

Thought it was an interesting well made movie that was just a little too much like being at my family's own insufferable gatherings to really enjoy.

Confused by everyone else's Schumer fixation. She's not even a huge part of the movie. Richard Jenkins steals the show and everyone else plays their role fine.

Twenty years after 9/11, the USA no longer feels like the land of opportunity. Instead, it is the country where the rich get richer, and the rest of the country sinks deeper into debt. Instead of blaming the billionaires who have transferred the wealth of the middle class to themselves, or the fragility of an economy dependent on foreign oil, Americans blame each other. They argue about "wedge issues," small differences blown out of proportion by politicians who know anger will get them votes. It's easier to hate your neighbors than it is to accept than to accept that there is an eventual time for accounting for all superpowers, and that time for America is now.

In this film, three generations of family gets together in a dilapidated NYC apartment to celebrate Thanksgiving. From the first shot of the film, it's clear that the family comes together out of duty, and not because they want to be together. They can't agree on anything, except that every family member feels as if the other family members have failed him. The resentment floats in a thick miasma in an apartment that looks like nothing good has ever happened there.

With the camera as silent witness, what's haunting each family member is revealed. It's exquisitely painful filmmaking, and an incredible lesson from the "show, don't tell" school of playwriting. Every actor delivers a restrained performance so knowing that you want to hug him, but you know he will slap you.

This is what movie making should be.