The Darkness

Caught this while I was in Australia - it aired there (no US release yet?) - and I genuinely wasn't prepared for how good it is. Thought it'd be your standard moody crime drama with pretty backdrops. Instead, it's quietly gripping, sharp, and way more emotionally layered than it lets on at first.

It takes its time. It doesn't spoon-feed. The tone is icy but grounded, and the tension builds in this really restrained, almost hypnotic way. The lead performance is excellent - minimal, but you feel everything. Visually it's beautiful too. Cold, clean, controlled.

If I had one gripe, maybe a few of the supporting characters could've been fleshed out a little more - but the central story is strong enough to carry the whole thing.

Out of curiosity, I went and read the book afterward. Huge mistake. It's all internal monologue and emotional exposition - just endless moping. Hulda in the book is... not great. Kind of aimless. On-screen, though, she's magnetic. Everything the book tries to say, the show shows instead. The adaptation is tighter, smarter, way more alive.

Don't let it slip past you.

Also, all the trolls hating on it for not being whatever they think it should be (more Nordic?) should probably go back to Iceland.

I have seen many of the Nordic Noir / Crime series such as The Bridge, The Killing, Wallander, Beck, Trapped, Valhalla Murders, Karppi, etc. And I can assure you that this is one of the worst series in this genre that I have ever watched. The acting is so overreacting that you cannot stand it and I did not like the way how Lena Olin performs. On the other hand, there are plotholes in this series. I wish it was not so easy to guess who the killer was. It did not meet my expectations at all and I recommend you to skip these series and instead watch Den Som Draeber (Those Who Kill) series instead of wasting your time with this one. I give 3 over 10 only because it was filmed in Iceland.

Was expecting a cheesy theatrical Icelandic cop drama but was pleasantly suprised to find a beautiful, suspensful and unpredictable series. The Icelandic actors really stood out as proper good even though they were not acting in their mother tongue. Björn Hlynur and Thorvaldur were great!

Lena Olin was a bit stiff at first but as the series plays out her character deepens and her acting starts fitting the character better. Bannon was great!

Cinematography and lighting was top notch and the aerials were superb in the low light conditions. Street lights, snow and tire tracks are a suprisingly pretty combo, who knew?

Definitely recommend.

We watched other Icelandic crime series before so we had high expectations, especially seeing Douglas Henshall's name amongst the actors, but we were soon disappointed. The conversations were absurd at points, serious plotholes, unexplored themes. The acting was terrible, especially Lena Olin. It was theatrical and ridiculous. The only actor who was almost good was Jack Bannon. We really wanted to believe that it could get better as we watch but no; it got worse and worse, to the point where we could not watch the last 20 minutes. Everything was cringe. It is sad that this story was butchered, it could have been good if it was done differently.

This show just isn't worth your time. I tried to give it a chance, but after watching two episodes, I couldn't bring myself to continue. The pacing feels sluggish, and the story lacks any real hook to keep you invested. The characters are uninspired, and the dialogue often falls flat, making it hard to connect with anyone on screen. Additionally, the predictable political correctness woven into the narrative feels forced and unnecessary, detracting from any potential intrigue. Overall, the series feels unoriginal, lacking excitement or depth. It blends into the sea of standard content without leaving any lasting impression. Save yourself the time and skip this one.