Agrega una trama en tu idiomaLegends collide as young Yuda wrestles with his newfound godlike powers, defending his world in an endless battle against ancient and powerful evils.Legends collide as young Yuda wrestles with his newfound godlike powers, defending his world in an endless battle against ancient and powerful evils.Legends collide as young Yuda wrestles with his newfound godlike powers, defending his world in an endless battle against ancient and powerful evils.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Terrible writing, mediocre acting, cringe dialogue, and too much ugly advertisements.
There is so much plot holes and unexplained things through out the film. No character development at all. I don't feel any emotional attachment to any characters. There's also two useless character that should be just thrown off.
The dialog is boring as h*ll and filled with lots of long expositions. Not follow "show don't tell" rule at all. And don't get me started on the advertisements! Ugh, I understand they need a lot of money to produce a movie, it's normal. But how they show us the advertisements is like an insult to viewers.
I'm glad Hanung Bramantyo (director and writer of this film) not directing Gundala like what it originally planned. Gundala ends up in better hands and not turning like this film.
There is so much plot holes and unexplained things through out the film. No character development at all. I don't feel any emotional attachment to any characters. There's also two useless character that should be just thrown off.
The dialog is boring as h*ll and filled with lots of long expositions. Not follow "show don't tell" rule at all. And don't get me started on the advertisements! Ugh, I understand they need a lot of money to produce a movie, it's normal. But how they show us the advertisements is like an insult to viewers.
I'm glad Hanung Bramantyo (director and writer of this film) not directing Gundala like what it originally planned. Gundala ends up in better hands and not turning like this film.
The concept of this superhero universe is promising, combining ancient Javanese mythology into modern society. This potential concept was blown away by rushing the stories, mediocre directing, unnecessary characters, and awfully product placement.
The writers put too many things in the storyline resulting in a fast-paced and no emotional attachment story. I can't feel/empathize with the character's emotions and feelings. Sometimes relationships among characters appear out of nowhere, like the romantic feelings between the main character. This movie should focus more on how Yuda struggles to live his life while taking care of his mother and finding his true self-identity. Leave the in-universe world-building later on in other films.
As a new genre for Hanung Bramantyo as the director (and Indonesia's film industry), it is understandable that he is still not used to directing this genre. But he should be able to give a better performance than this.
The second most annoying part of this movie is two characters are really unnecessary, Quinn and Gege. They don't serve any important role, they don't contribute anything to the plot, and their dialogues are only saying something outloud and most of the time not related to the context of the scene. An important note is maybe Gege's character like that could be justified because he is a child. If these two characters were removed from the movie I'm sure nothing would be affected.
The last problem for me with this movie is how they place advertisements. The majority of the food and drink product placement is ok, not good, but in some ways is acceptable. On the other hand, the online marketplace advertisement is so weird. Why would someone create a dedicated scene with a completely unknown character who throws dirty/NSFW jokes just to advertise some online marketplace? This scene and the jokes made me cringe at best.
There is also a questionable plot hole in this movie regarding how Yuda's friends came to the final battlefield. But maybe it can be explained later.
In conclusion, this movie, Satria Dewa: Gatot Kaca needs to fix a lot of things to be able called a good/decent movie. Regardless of all the flaws in this movie I still appreciate the cast and the crews who work on this movie, they were all brave to take the challenge of creating a movie with a genre that is not popular enough in Indonesia's film industry. I also encourage anyone who reads this review to give this movie a chance and watch it in the cinema to support our local movie industry. I hope Satria Dewa Studio take lessons from their first movie, good job!
The writers put too many things in the storyline resulting in a fast-paced and no emotional attachment story. I can't feel/empathize with the character's emotions and feelings. Sometimes relationships among characters appear out of nowhere, like the romantic feelings between the main character. This movie should focus more on how Yuda struggles to live his life while taking care of his mother and finding his true self-identity. Leave the in-universe world-building later on in other films.
As a new genre for Hanung Bramantyo as the director (and Indonesia's film industry), it is understandable that he is still not used to directing this genre. But he should be able to give a better performance than this.
The second most annoying part of this movie is two characters are really unnecessary, Quinn and Gege. They don't serve any important role, they don't contribute anything to the plot, and their dialogues are only saying something outloud and most of the time not related to the context of the scene. An important note is maybe Gege's character like that could be justified because he is a child. If these two characters were removed from the movie I'm sure nothing would be affected.
The last problem for me with this movie is how they place advertisements. The majority of the food and drink product placement is ok, not good, but in some ways is acceptable. On the other hand, the online marketplace advertisement is so weird. Why would someone create a dedicated scene with a completely unknown character who throws dirty/NSFW jokes just to advertise some online marketplace? This scene and the jokes made me cringe at best.
There is also a questionable plot hole in this movie regarding how Yuda's friends came to the final battlefield. But maybe it can be explained later.
In conclusion, this movie, Satria Dewa: Gatot Kaca needs to fix a lot of things to be able called a good/decent movie. Regardless of all the flaws in this movie I still appreciate the cast and the crews who work on this movie, they were all brave to take the challenge of creating a movie with a genre that is not popular enough in Indonesia's film industry. I also encourage anyone who reads this review to give this movie a chance and watch it in the cinema to support our local movie industry. I hope Satria Dewa Studio take lessons from their first movie, good job!
GATOT KACA does an admirable job of introducing the origins of an Indonesian superhero, providing a detailed exploration of who he is and tracing his journey from an ordinary individual to a celebrated hero. The film manages to present this origin story with clarity, allowing audiences to gradually understand the character and his evolution.
The film begins with a strong foundation, methodically digging into the backstory and slowly revealing the details to the viewers. This deliberate pacing builds intrigue around the mysteries within the film, keeping the audience engaged as they uncover more about the plot and the characters. As the film progresses, it continues to unfold new information, effectively expanding the narrative and introducing additional characters that contribute to the overall story.
In terms of improvement, GATOT KACA appears to address and refine several aspects that were seen as shortcomings in other Indonesian superhero films, such as GUNDALA. It seems to build on the lessons learned from its predecessors and presents a more polished and engaging superhero experience.
Visually, the film is a standout. For an Indonesian production, it is quite impressive to see a superhero in flight with all the accompanying spectacular and magical effects. While it may not yet rival the visual grandeur of Marvel superhero films, the film still manages to deliver a visually captivating experience. The special effects and cinematography contribute significantly to the film's appeal, showcasing a superhero genre that is both exciting and unique within the context of Indonesian cinema.
Overall, GATOT KACA is a commendable effort in the Indonesian superhero genre. It combines a compelling origin story with impressive visuals and a thoughtful approach to character development, making it a film that deserves recognition and appreciation.
The film begins with a strong foundation, methodically digging into the backstory and slowly revealing the details to the viewers. This deliberate pacing builds intrigue around the mysteries within the film, keeping the audience engaged as they uncover more about the plot and the characters. As the film progresses, it continues to unfold new information, effectively expanding the narrative and introducing additional characters that contribute to the overall story.
In terms of improvement, GATOT KACA appears to address and refine several aspects that were seen as shortcomings in other Indonesian superhero films, such as GUNDALA. It seems to build on the lessons learned from its predecessors and presents a more polished and engaging superhero experience.
Visually, the film is a standout. For an Indonesian production, it is quite impressive to see a superhero in flight with all the accompanying spectacular and magical effects. While it may not yet rival the visual grandeur of Marvel superhero films, the film still manages to deliver a visually captivating experience. The special effects and cinematography contribute significantly to the film's appeal, showcasing a superhero genre that is both exciting and unique within the context of Indonesian cinema.
Overall, GATOT KACA is a commendable effort in the Indonesian superhero genre. It combines a compelling origin story with impressive visuals and a thoughtful approach to character development, making it a film that deserves recognition and appreciation.
When I sat down to watch the 2022 Indonesian action movie "Satria Dewa: Gatotkaca", here late in 2022, it was without ever having heard about the movie. But given my fascinatio and love of the Asian cinema, of course I needed no persuasion to sit down and give this movie a chance.
And I will say that "Satria Dewa: Gatotkaca" was actually entertaining enough, and writers Rahabi Mandra, Hanung Bramantyo and Tesadesrada Ryza did put together a good enough script and storyline here. However, I don't feel that the movie was really outstanding as per se, and there are far better Indonesian action movies out there. But it was entertaining enough, though I personally don't understand why they opted to turn the movie into a strange hybrid mix of superhero movie and "Mortal Kombat" towards the end, it was a rather strange change of direction for the overall feel of the movie.
I was, for the majority of the actors and actresses on the cast list, not familiar with the talents that starred in "Satria Dewa: Gatotkaca". In fact, the only familiar face to me here was Yayan Ruhian (playing Beceng), and he is always a nice addition to any movie.
Something that worked well in favor of director Hanung Bramantyo's movie was the action sequences and the special effects. There was quite a lot of action in the movie, and it was nicely choreographed and executed on the screen, which added a lot of enjoyment to the movie. And the special effects were quite surprisingly good for an Indonesian movie.
While "Satria Dewa: Gatotkaca" was entertaining enough, it is hardly a movie that I will ever return to watch a second time though.
My rating of "Satria Dewa: Gatotkaca" lands on a five out of ten stars.
And I will say that "Satria Dewa: Gatotkaca" was actually entertaining enough, and writers Rahabi Mandra, Hanung Bramantyo and Tesadesrada Ryza did put together a good enough script and storyline here. However, I don't feel that the movie was really outstanding as per se, and there are far better Indonesian action movies out there. But it was entertaining enough, though I personally don't understand why they opted to turn the movie into a strange hybrid mix of superhero movie and "Mortal Kombat" towards the end, it was a rather strange change of direction for the overall feel of the movie.
I was, for the majority of the actors and actresses on the cast list, not familiar with the talents that starred in "Satria Dewa: Gatotkaca". In fact, the only familiar face to me here was Yayan Ruhian (playing Beceng), and he is always a nice addition to any movie.
Something that worked well in favor of director Hanung Bramantyo's movie was the action sequences and the special effects. There was quite a lot of action in the movie, and it was nicely choreographed and executed on the screen, which added a lot of enjoyment to the movie. And the special effects were quite surprisingly good for an Indonesian movie.
While "Satria Dewa: Gatotkaca" was entertaining enough, it is hardly a movie that I will ever return to watch a second time though.
My rating of "Satria Dewa: Gatotkaca" lands on a five out of ten stars.
The movie starts out okay, then slowly hitting rock bottom in terms of film quality. I wish the Quinn character would just fall from that bridge and plummet down to her agonizing death. No character development whatsoever. Cringe dialogue throughout the movie and for God sake, the product placement ruins the experience for me. The CG is okay, I only like the last part of the whole movie, when gatot fights beceng in their final super hero forms. That was the only redeeming quality in the whole movie. I'm surprised why hanung chose to have the product placement in his first superhero movie. It's just so unecessary and ruins the film.
¿Sabías que…?
- TriviaOriginally directed by Charles Gozali, But They Replace by Hanung Bramantyo.
- Bandas sonorasHantam!
Performed by Kotak
Courtesy of Warner Music Indonesia
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Detalles
Taquilla
- Presupuesto
- IDR 24,000,000,000 (estimado)
- Tiempo de ejecución2 horas 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39:1
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