They Who Surround Us

No swearing, no violence, no gory scenes...it can be done. I really liked this movie. I may be a little biased being that my ancestors are from Ukraine. I base whether a drama is good or bad, on how much I had an emotional attachment to the main character, and I did... very much. It is slow moving, but I really didn't mind.

I got to watch They Who Surround Us when it played in Toronto in September 2021.

On the surface it is a simple story of the repercussions of a death on a family but there is much more below the surface.

The setting & culture, (Ukrainian Canadians in Alberta in the 80's) is something I haven't seen in film before.

The cinematography, especially in the flashbacks is hauntingly beautiful & reminiscent of the Andrei Tarkovsky films I have seen & loved.

The story unravels slowly & subtly & waits until the end to connect all the dots in the different timelines.

I & my family, including my 11 year old, really enjoyed it.

The plot for "They who surround us" is weak and the direction does not help much. The movie goes back and forth with past and present and does not develop from that. The script is shallow and we do not have a sense or feel of the pain the main character is going through. We see the images but not the feeling. Troy Ruptash is a good actor, but his direction falls short.

The could be an hour movie long.

So, full disclosure here - I am the composer on this film, and in response to what appears to be an almost vengeful review below, which lacks both a nuanced understanding of the film and any sort of authority that would convey the writer knows what he is talking about - here is what the genius Canadian filmmaker Atom Egoyan had to say:

'A sensitive and complex study of grief, as it filters through a family and echoes in historic memory. Centred on a riveting performance by Troy Ruptash, who makes his directorial debut with this ambitious film.'

I think I'll trust Atom Egoyan's opinion on this, and the many many audience members across Canada who have written and expressed how deeply moved they have been by this film.

A quite effecting study of a grief struck, but taciturn, man, and, we learn, loving father. The beauty of Alberta is stunningly portrayed, as are the horrors inflicted on Ukrainians during -- what I presume is, although it is interestingly kept somewhat ambiguous -- the recapture, by vengeful Soviet forces, of territory taken by the Nazis previously. I found, however, the apparitions, in present times, of lost love ones to be occasionally a bit jarring, breaking with what was otherwise the otherworldly, Malick-like, cinematography and excellent character development. That said, an impressive piece of work.