Confesiones en familia

Título original: Un conte de Noël

2008
Not Rated
2h 32min

CALIFICACIÓN DE IMDb

6.9/10

7.8 k

TU CALIFICACIÓN

Can a Christmastime scheme hatched by three of the youngest members of the troubled Vuillard family together for a peaceful holiday?

Reproducir trailer2:20

1 video

54 fotos

Comedia Drama

La familia Vuillard se reúne a tiempo para Navidad cuando la matriarca de la familia está enferma y requiere un transplante de médula para salvarse.La familia Vuillard se reúne a tiempo para Navidad cuando la matriarca de la familia está enferma y requiere un transplante de médula para salvarse.La familia Vuillard se reúne a tiempo para Navidad cuando la matriarca de la familia está enferma y requiere un transplante de médula para salvarse.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.9/10

7.8 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 5 premios ganados y 37 nominaciones en total

Videos1

Trailer 2:20

A Christmas Tale: Trailer

Fotos54

+ 48

Opiniones de usuarios33

6.97.7K

Opiniones destacadas

9postcefalu

Family affairs?

After his impressing "Kings and queen" in 2004, Arnaud Desplechin proves that he's the best director come out from France in the last two decades with this exhilarating, moving, awfully brilliant "A Christmas tale". Following the path of its previous feature, the movie mixtures very hard scenes of desperation and hatred feelings with moments of absurd joy in an structure full of elliptical jumps from the past to the present and back again to the memories of another time. There's nothing new in his cinema and this is perhaps the only problem, that everything is well known yet; this is the first time that happens and today i think i have enjoyed very much the film but maybe it's time to spin around again and cut across another new ground. Desplechin knows the way.

8stensson

Funny and disturbing

This is an extremely dysfunctional family. Everybody seems to be aware of their part in it and don't really care.

The great engine is the alcoholic son, who provokes everyone. One tool is the fact that his mother's got cancer and he and his nephew are the only one who can save her. The alcoholic uses it for attacks on the family and not at least the mother. And the characters are forced to develop, not necessarily for the better.

The humor keeps you interested in this chamber play and the 145 minutes never feel long. A quite French movie, but fully appreciable for all of us. A Christmas tale which is both dark and light.

6Videoguy7579

A movie that has its moments, but so very long-winded

A long drawn-out tale of a father bringing his dysfunctional family together at Christmas after Mom is diagnosed with a rare form of cancer. The actors are in fine form, and the situations are realistic, but there is scene after scene of bones to pick, icy silence, and family members constantly telling each other (over and over) how much they like don't them. In addition, all of the characters have individual scenes with each other: mother and son, mother and daughter, mother and son's girlfriend, father and cousin, father and daughter, grandson and.... etc., etc., etc. I had some head-scratching moments too where major insults and fights in which I expected a full dramatic blow-up were met with a smirk or complete indifference. If it were slashed in half, (well, at least by a third), this film could have been just as effective.

FrenchEddieFelson

A fireworks of benevolence and happiness

A plethora of awesome actors in perfect symbiosis, refined dialogues, a sense of humor very dark and even cynical, jubilant duels between brothers and sisters, a surrealistic conversation (a kind of 'I love you, neither do I') between a mother and her son, probabilistic calculations on life expectancy, ... It is a real delight but definitely not a Christmas tale. I loved this atypical, dysfunctional and weird family!

8emeiserloh

Another brilliant French film

This one, however, is not for everyone. Most people will probably not only have trouble with its length, but its style, as well. Both as wild as it is imaginative, this film is like a post-modern jazz score, mixing elements from a variety of cinematic styles that are jarring (at times), but always interesting to behold. And as long as the film is, it always keeps moving and changing before our very eyes. What makes its odd stylistic combinations work is the compelling depths of its explorations into family and the bonds the unite, or divide us. Like and The Royal Tennenbaums, with a nouvelle vague twist, the film is not only full of odd combinations of image and music, but seems to jump from one film to another from scene to scene, as if each character or emotional quality (from light comedy to serious drama) were each receiving its own rendering. At times, the characters turn and speak directly to the camera. The filmmaker also intercedes by providing chapter headings and keyhole views, but, somehow, what could have become a cacophony of chaos, turns into a wonderment of cinema that any real cinephile will be amazed to behold and want to experience again....

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Trivia
The Fields Medal, noted as having been won by Elizabeth's husband, is a medal given to a mathematician under 40 who has made a major contribution to the study of Mathematics. Fields Medals are awarded every four years to up to four mathematicians.

Errores
The opening narration notes that Joseph was born in 1965, and that he died at age 6. However, we later see that his headstone gives 1968 as his year of death.

Citas
Sylvia - Ivan's wife: When did it happen?
Simon - Junon's nephew - the painter cousin: What do you mean?
Sylvia - Ivan's wife: I want details. She mentioned a decision you all made. Tell me where and when. Was it here?
Simon - Junon's nephew - the painter cousin: Easter vacation, 1991. At the community centre. You were next door.
Sylvia - Ivan's wife: I remember. Is Ivan aware of this?
Simon - Junon's nephew - the painter cousin: It's history.
Sylvia - Ivan's wife: Was Ivan with you? Or did you and Henri decide our fate behind his back?
Simon - Junon's nephew - the painter cousin: Ivan was there.
Sylvia - Ivan's wife: What did you say?
Simon - Junon's nephew - the painter cousin: Henri and I were talking about you. Guy talk. Ivan was quiet, smiling. Then he said, "If I don't get her, I'll never get over it."
Sylvia - Ivan's wife: What did you reply?
Simon - Junon's nephew - the painter cousin: I can't remember. "She's right for you."
Sylvia - Ivan's wife: Exactly! The exact words!
Simon - Junon's nephew - the painter cousin: "Take her, she's yours."
Sylvia - Ivan's wife: I'm not to be given, like a camel or a goat.
Simon - Junon's nephew - the painter cousin: I didn't give you. I was 27. An idiot. I was hollow. Still am.
Sylvia - Ivan's wife: Did you love me?
Simon - Junon's nephew - the painter cousin: Yes.
Sylvia - Ivan's wife: Do you love me?
Simon - Junon's nephew - the painter cousin: Yes.
Sylvia - Ivan's wife: Scumbag! You're part of the game! By choosing for me, you played.
Simon - Junon's nephew - the painter cousin: I was right. Ivan loved you infinitely.
Sylvia - Ivan's wife: It's your love that was infinite. You played my hand and you cheated. Now I'll never know my life. It's not mine. I wasn't free to prefer Ivan.
Simon - Junon's nephew - the painter cousin: Henri was there, too.
Sylvia - Ivan's wife: It's not the same. You really love me. Henri wanted sex, and got it. For 10 years, you've had no life. You're pathetic in your studio. You don't talk. You're sad. You spend Sundays doing the dishes, stealing glances, avoiding my kids. You're a failure, clinging to the Vuillards. You never got over me.