Em

EM is a true movie about Bipolar. You see how the character of Amanda grows and you feel her strength. She is true what she is going through,"Amanda says some people get more pain than others" it imply s why suicide comes to play. Amanda, dominates in every scene she is in. All I could say at the last scene, she is so Brave. If you look at all the other characters they take a back seat to her. Amanda goes through her life a lot by being alone. Yet each character has learned from her presence. Bipolar has a stigma in the society today but many are extremely bright people. I find in many ways ignorance no matter how educated or successful and not want to learn of things that don't fit in their lives.

This low budget indie tells the story of a young man's love for a woman stricken with bi-polar disorder.

In a small, quiet, character based film like this performances are everything, and director Barbieri gets two very strong ones from Nathan Wetherington and Stef Willen.

There is something very personal about the way the story is told, and it manages to avoid the two obvious traps – becoming soapy or becoming clinical. Armed with a penetrating eye for framing, and a willingness to really watch what's happening on the actors'faces between the lines in almost a Bergmanesque way, there is a real intimacy in the film, as well as a haunting sense of loss. One of the better, more honest and more effecting films about mental illness and its effects I've seen.

The two characters in the film have a strong love for each other but they struggle with the shadow of mental illness. This film is very well written, usually it's hard to watch such a drama but it's balanced out with the good things in the couple's relationship and why they try so hard to make it work. This should be something everyone should see especially since most of us know someone living under these conditions. It's an honest shot of what that person encounters from day to day.

The actors are also absolutely amazing - relatively unknown, though they have more talent than any I've ever watched.

Must see.

This film is a true work of art! Predominately told with visuals it is as if you are watching a series of paintings unfold. There is a poetic minimalism to this film which is rarely seen in contemporary American cinema.

"Em" is a subtle, honest and beautiful meditation on what it is like to love someone who is mentally ill. This is not your "look at my Oscar moment" type of mental illness but rather something that is deeply truthful. There is not one manipulative or false moment in this movie which is saying a lot given the subject matter. Everything about this film operates on a visual level and the acting is no exception. The two leads are unbelievable at using subtle facial expressions to convey pivotal character beats. These types of subtle performances can be easily overlooked but this is behavioral acting at its best! Almost immediately you can see the planning and artistry that went into this film. From each shot which is meticulously framed and lit to the color progression, right down to the effectively minimal score which is carefully placed. There is an incredible attention to detail in every aspect of this film. However, this is not a film for everyone as it assumes patience and sophistication on the part of the audience. Nothing is obvious or spelled out in fact we don't even know the two main characters names until about 20 minutes into the film.

From frame one this film sets its own rules and strictly follows them making "Em" a unique and cohesive work of art!

This story forcefully reminds you of the wonder of falling in love and the reckoning that can follow. The title character is portrayed by Stef Willen. Ms. Willen brings both vulnerability and grace to the screen. She commands your attention each time she appears. Nathan Wetherington also delivers a poignant performance as Josh. Beautiful cinematography is apparent from start to finish. Film was awarded the 2008 Seattle International Film Fesitval American Cinema Grand Jury Prize. Directed by Tony Barbieri. This film garnered producers Jim Jermanok and Harry Gregson-Williams an honor at the 2009 Brooklyn International film festival for Outstanding Achievement in Production.