Chop Shop

A friend brought me this movie and at first I was hesitating, the pace in the movie was so slow that it was admittedly boring at the beginning. But the life scenes were attractive, it's like observing than watching.

It turned out to be simply stunning throughout the film, the way how the director handled the life scenes to reflect the reality was confounding but somehow also overwhelming. It's like understanding the real life of a lively person than watching a movie.

Mr Alejandro Polanco and Miss Isamar Gonzales did their roles so well that it's more like telling us their own stories. Indeed they used their real names in the movie.

Chop Shop. Written and directed by Ramin Bahrani ( Man Push Cart). Bahrani specializes in character driven studies in naturalist style films about the sort of little people that get passed by every day, without anyone ever really noticing they are there, in New York.

These are people who have been pushed to the very fringe of society. They exist in a sort of grey world, many of them migrants whose legal status in America is appears somewhat doubtful. Where do they come from ? How did they get there ? How do they cope ? Where will they end up ? These are not feel good stories as such, but stories about survival at its most basic, day to day level.

Ale is one such street kid. He has no education and hustles anyway he can, to save money, he is also not beyond turning to petty theft. Mostly he is anxious to be reunited with his older sister. We see him in the early scenes ringing a safe house looking for her, but not having any real success. A young friend, Carlos gets him a job in a chop shop, in the shadows of Shea baseball stadium. Eventually his older sister comes to live on site with him, but he is jealous of the motives of her friends and suspicious of how she makes extra money. He dreams of buying a food van and setting up a vending business with his older sister.

Bahrani shoots all his films on location. There is nothing glossy or glossed over about them. This is life as these people have to live it, in the raw. lt is not pretty although it is never ominous, and the slightly despairing air that hangs over much of the film, is the same one that hangs over these peoples' everyday lives.

The script is also very natural and the characters are given plenty of scope and room to work in. Polanco is outstanding in the lead role, and Gonzalez gives solid support as the older sister.

This almost documentary look at an enterprising boy who lives in the body shop area outside of New York is real all the way. Real lighting. Real sound. Less editing in the whole movie than in 1 minute of most movies. And while there is very little script, there is a story. Shot in primary colors, almost all red, white, blue and yellow, we get a real sense of the life of a boy who is making something from nothing. He has a place to live that he makes his own, has a good job, and is trying to bring his sister into his little universe. The people in the chop shop area also give us a look at this culture which I didn't know about. They mostly seem decent and pay Ale what seems like daily, seeming truly concerned about his well being. The actor (I think) playing Ale says more with one facial expression than one can imagine. This reminded me what a true small movie can accomplish. It shows what kids are capable of, even without much support and love. Definitely recommend.

I love gritty drama films. Especially those that include a coming of age story. This poignant film by director Ramin Bahrani and writer Bahareh Azimi showcases the struggle of a Latino street orphan to make life better for himself and his sister. Ale, played wonderfully by Alejandro Polanco in his first staring role, finds a job working for a local mechanic doing odd jobs. He finds out that his sister is doing some things on the side for money that aren't, well, "respectable". His portrayal was very realistic and at times it seemed like I was watching a documentary.

There isn't much of a plot here, but you can't help but to appreciate the performances. The two leads, Polanco and Isamar Gonzales (Ale's Sister) were found at a local school with no prior acting experience or study. Finding that out post viewing made me appreciate their "chops" even more so. Also, most of the extra's were just people milling around their normal lives in Queens. This is why this type of film is labeled as "neo-realism" and why it was such a successful production.

The setting of the film by itself is a character of the movie. Shot in Willets Point, Queens in New York, this IS the real deal. Bahrani mentions in an interview with Alt Film Guide that "...I am making films about how the majority of people in this world live, and we must also accept that this majority is utterly ignored by Hollywood and Independent film..." So true he is. The gritty real background of Chop Shop pulls the audience even more into the performances of the actors. Allowing the director to "...direct without directing." as he mentions in the same interview.

Being that there is not much of a plot in this movie, one has to ask why? Was there a reason the writers chose to concentrate on a "section" of time in this boys life? Yes, it was to show that in real life things happen, secrets are revealed and life goes on. I appreciated the fact that this was just a snippet of what Ale's existence is really like. We don't know if he gets out of the slums or if his sister succeeds in a more productive endeavor. What we do know is that life is hard, and sometimes you have to do what you have to do to survive. The situations presented in this film were shown without a filter so to speak. Ramin Bahrani did a wonderful job giving us a glimpse into the street life so many children are part of today.

Cinematographer Michael Simmons, who also worked on "Man Push Cart" the directors first film, was outstanding. He moved the camera a lot, but it was to the benefit of the viewer in my opinion. We weren't concentrated on one central character, we were distracted by the goings on around the dialog on screen, much like it would be in real life. The production team filmed using the High Definition Sony F900 then blew up the final product to 35mm. It was a good decision and gave the film that gritty, documentary feel the director was going for.

I really enjoyed this little slice of life from Queens. It was something I haven't really seen before so that was refreshing. I've bumped this up to a 4/5 due to the striking performances of the actors. Initially I would have given a 3/5 due to the fact that with all of the films positive points, it was still a little boring. If you are looking for a stylized extravagant production with a happy ending, you may want to look elsewhere. For those looking for an experience unlike many out there, this one is for you.

Chop Shop, the second feature from Ramin Bahrani, is a rare breed. It is an American film that tells a story not usually found in American cinema, the story of the of a minority living in poverty. It is a work of simple beauty. Shot on location in Queens, New York in the shadows of Shea Stadium, Chop Shop is neo-realism to the core. Featuring a cast of non-actors, it has more in common with Vittorio De Sica's classic Bicycle Thieves than anything made in the United States. There is no score or soundtrack, all the music and sounds are diagetic. Watching it feels like watching a great foreign film, it takes us to another world because it is so uncommon to see. However this other world is not post-World War II Rome or Istanbul or New Delhi, it is contemporary New York City.

Bahrani tells the story of Alejandro (Alejandro Polanco), better known as Ale. He is a 12-year-old Latin-American kid with no parents or family unit to watch after him. He lives in a tiny room upstairs in the auto shop that he also works at. He shares the same bed with his teenage sister Isamar (Isamar Gonzales). Neither of them have made it passed second grade. Ale, though young, is tough and mature. He acts as the head of the small family. He hooks his sister up with a job, and he himself does anything he can to make a buck when not working at the chop shop. He sells bootleg DVDs on the streets and candy in subways. He searches for scrap auto parts and sells them to the many auto shops lining the street where he lives.

Alejandro is heartbroken when he learns his sister is working nights as a prostitute. He himself becomes progressively disinterested in abiding by the law. He begins to steal, first car parts and later wallets. Like Antonio, the desperate protagonist in Bicycle Thieves, we cannot blame Ale for becoming a thief. It is merely survival. Ale and Isamar save up in hopes of buying a food vending van for $4,500. They see the van as their way out, and there is much optimism. However, as is usually the case in neo-realism, we know this will only lead to disappointment.

Polanco's riveting performance is what gives legitimacy to Chop Shop's realism. Here is a 12-year-old character that needs to be believably independent and vulnerably naive. Whether he is directing cars to the shop, selling movies and Snickers bars or playing with his sister in their scanty room, it is authentic.

Chop Shop is a sobering reminder that not all American children grow up in a land of opportunity. Ale's lifestyle is what many in middle-class white America consider 'third world'. They act cognizant the poverty and deprivation in foreign lands while sipping their coffee and reading the New York Times on Sunday morning, but make themselves blind to it on their own streets. Once you watch Chop Shop, you will think differently of the kids peddling candy on the subway.

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