CALIFICACIÓN DE IMDb
7.6/10
4.8 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe story of the Australian exploitation genre cinema of 1970s and 80s.The story of the Australian exploitation genre cinema of 1970s and 80s.The story of the Australian exploitation genre cinema of 1970s and 80s.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
FILE THIS ONE UNDER.... "DIFFERENT"!
BUT BEFORE DIVING IN: Let us FOCUS on the Title's Content & Context!
If you like Quentin Tarantino, you'll simply Love NOT QUITE HOLLYWOOD! There are many contributing/participating narrators, but Tarantino has, by far, the most ON-SCREEN time. (Storyline Blurb doesn't even mention his crucial participation!)
This extremely entertaining and informative low-budget documentary traces the revival of the Australian film industry, which all but died at the mid-30's Pacific onset of WWII, from its fledgling late 60's re-birth, through its multi-faceted heyday in the 70's and early 80's.
Initially, HOLLYWOOD seemed determined to go in the direction of a soft-core documentary, but this was only during the initial 20 to 25 minutes.
In the early and mid-70's, the AUSTRALIAN industry saw nudity and sex as an easy road to making big Aussie Dollars! Be forewarned, however... There's a LOT of frontal nudity and some mildly simulated sex during this opening segment! So probably better for viewers 16 or over!
Throughout, CLIPS from SCORES of films appear, some from movies considered rather mainstream like MAD MAX and RAZORBACK, but the vast majority are from obscure cult classics like '78's PATRICK and '79's LONG WEEKEND, or totally unknown, never released in the U. S. or on DVD, titles like The CHAIN REACTION-'80 and MANGO TREE-'77.
HOLLYWOOD is truly a veritable treasure trove of early Aussie Titles! I'm not the BIGGEST Tarantino fan on the planet, but most of his films are, I reluctantly admit, GREAT!
On a PERSONAL level; he's one of my favorite famous people. Talk about not being affected by fame! He's a joy to watch! Despite being in his mid-40's, he's the same rather nerdy, little-kid-at-heart, goof-ball genius he was when he burst onto the entertainment scene nearly 25 years ago, God Bless him!
An ABSOLUTE Must See for ALL "GENRE" and History of Cinema Buffs!
9*********.....ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
BUT BEFORE DIVING IN: Let us FOCUS on the Title's Content & Context!
If you like Quentin Tarantino, you'll simply Love NOT QUITE HOLLYWOOD! There are many contributing/participating narrators, but Tarantino has, by far, the most ON-SCREEN time. (Storyline Blurb doesn't even mention his crucial participation!)
This extremely entertaining and informative low-budget documentary traces the revival of the Australian film industry, which all but died at the mid-30's Pacific onset of WWII, from its fledgling late 60's re-birth, through its multi-faceted heyday in the 70's and early 80's.
Initially, HOLLYWOOD seemed determined to go in the direction of a soft-core documentary, but this was only during the initial 20 to 25 minutes.
In the early and mid-70's, the AUSTRALIAN industry saw nudity and sex as an easy road to making big Aussie Dollars! Be forewarned, however... There's a LOT of frontal nudity and some mildly simulated sex during this opening segment! So probably better for viewers 16 or over!
Throughout, CLIPS from SCORES of films appear, some from movies considered rather mainstream like MAD MAX and RAZORBACK, but the vast majority are from obscure cult classics like '78's PATRICK and '79's LONG WEEKEND, or totally unknown, never released in the U. S. or on DVD, titles like The CHAIN REACTION-'80 and MANGO TREE-'77.
HOLLYWOOD is truly a veritable treasure trove of early Aussie Titles! I'm not the BIGGEST Tarantino fan on the planet, but most of his films are, I reluctantly admit, GREAT!
On a PERSONAL level; he's one of my favorite famous people. Talk about not being affected by fame! He's a joy to watch! Despite being in his mid-40's, he's the same rather nerdy, little-kid-at-heart, goof-ball genius he was when he burst onto the entertainment scene nearly 25 years ago, God Bless him!
An ABSOLUTE Must See for ALL "GENRE" and History of Cinema Buffs!
9*********.....ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
as a lover of 'Ozploitation" films from way back, (hell im a card carrying member of the Turkey Shoot fanclub hahha) to say that Not Quite Hollywood was going to be essential viewing is quite an understatement. And so i finally made the 3 hour trek to Melbourne to see this thing and all i can say is WOW! Mark Hartley has done good with what was available to him, however there were a few other films that never got a mention that are quite vital to the "ozploitation" story.
To my knowledge COSY COOL was the first independent Aussie exploitation film, and it never even got a mention! (admitedly its not a really great "film", but is still an interesting watch).
1979 slasher flick ALISON'S BIRTHDAY never received a mention either, and quite crucially RUNNING ON EMPTY is only shown in a collage of car crashes, but nothing is said about it at all. And don't even get me started on the absence of genuine classics like STIR, THE MONEY MOVERS, LAST OF THE KNUCKLEMEN.
However it all really comes down to time. 2 hours is only really long enough to just skim the surface, which is what NQH does, and does a commendable job of it.
In my eyes there are only 2 problems with NQH, one which is inevitable.. it has to end sometime. The second is why does everyone hate Turkey Shoot so bloody much? It is a genuine classic and is definitely one of the most entertaining films to come out of Australia! In summary a commendable effort and hopefully we will get all of these films appearing on DVD (and yes i already know that most of them are)
To my knowledge COSY COOL was the first independent Aussie exploitation film, and it never even got a mention! (admitedly its not a really great "film", but is still an interesting watch).
1979 slasher flick ALISON'S BIRTHDAY never received a mention either, and quite crucially RUNNING ON EMPTY is only shown in a collage of car crashes, but nothing is said about it at all. And don't even get me started on the absence of genuine classics like STIR, THE MONEY MOVERS, LAST OF THE KNUCKLEMEN.
However it all really comes down to time. 2 hours is only really long enough to just skim the surface, which is what NQH does, and does a commendable job of it.
In my eyes there are only 2 problems with NQH, one which is inevitable.. it has to end sometime. The second is why does everyone hate Turkey Shoot so bloody much? It is a genuine classic and is definitely one of the most entertaining films to come out of Australia! In summary a commendable effort and hopefully we will get all of these films appearing on DVD (and yes i already know that most of them are)
Fantastic! A great documentary focusing on a long unsung faction of cult cinema known as Ozploitation. Tarantino features heavily as an expert of the genre. As an Australian, it's scary watching how a foreigner could have so much knowledge and enthusiasm for films that have been almost purposely forgotten in their own homeland.
Like any good documentary, it's a real eye opening experience to get an insight into the lost world of blood, bikers and boobs. The directors, actors and those influenced (Greg McLean (Wolf Creek/Rouge), James Wan and Leigh Whannell (Saw)) share the stories of a fledgling film industry that embraced a Guerrilla style of film-making that stuck it to the stuffy cinema elite that wished they would disappear.
An absolute must watch for anybody who thinks they're an expert on cult/trash cinema.
Like any good documentary, it's a real eye opening experience to get an insight into the lost world of blood, bikers and boobs. The directors, actors and those influenced (Greg McLean (Wolf Creek/Rouge), James Wan and Leigh Whannell (Saw)) share the stories of a fledgling film industry that embraced a Guerrilla style of film-making that stuck it to the stuffy cinema elite that wished they would disappear.
An absolute must watch for anybody who thinks they're an expert on cult/trash cinema.
Thoroughly enjoyable - a few notes I made afterwards follow, including quotes from my wife First section of the movie covered how the new R-rating allowed an explosion in the Australian film industry. Specifically, as much nudity ( boobs, pubes, and tubes ) as the filmmakers could squeeze in...
"And here was me thinking Australian film in the 70s was prudish." On John Holmes rather, ah, prominent role in the doco - Australia's first exposure to him ( or possibly the other way around )
"Wouldn't his head implode when he got an erection?" and about paying to see the movies covered
"We're supporting the Australian film industry!"
"Given that quite a few of those movie were made to *lose* money...." The stories about the incredibly lax safety procedures at these flicks were pretty alarming. Take just one example from Mad Max ( where the head stuntman arrived on his first day with one limb already broken! ).
Do you recall the shot in that movie, from the motorcyclist's POV, where the bike is screaming along the highway and the odometer is hitting 180? The director got that shot by leaning over the motorcyclist's shoulder with a camera. Helmet? Hell no - protective equipment is for sane people.
Tarantino's excited fan-boy bouncing was amusing.
Regarding one of the very few movies they covered that I actually recall seeing ( I may well have seen more but have protected myself by blanking the memory ) - Razorback. I wonder if this movie is the reason my old D&D group would blithely deal with a pack of animated skeletons, but leg it for the nearest tree when an ordinary wild boar showed up? Also - The Return of Captain Invincible? Australia made a superhero musical? All I can say is that Australia made some amazingly bad movies, *that actually managed to get theatrical release*. Still, it made me miss the old days of drive-in cinema, even if the only one I recall seeing at such a cinema was Death Race 2000 ( the exploding baby scene - which I still find hugely funny).
If you have any interest in Australia's contribution to cinematic immortality, you have to see this documentary :D
"And here was me thinking Australian film in the 70s was prudish." On John Holmes rather, ah, prominent role in the doco - Australia's first exposure to him ( or possibly the other way around )
"Wouldn't his head implode when he got an erection?" and about paying to see the movies covered
"We're supporting the Australian film industry!"
"Given that quite a few of those movie were made to *lose* money...." The stories about the incredibly lax safety procedures at these flicks were pretty alarming. Take just one example from Mad Max ( where the head stuntman arrived on his first day with one limb already broken! ).
Do you recall the shot in that movie, from the motorcyclist's POV, where the bike is screaming along the highway and the odometer is hitting 180? The director got that shot by leaning over the motorcyclist's shoulder with a camera. Helmet? Hell no - protective equipment is for sane people.
Tarantino's excited fan-boy bouncing was amusing.
Regarding one of the very few movies they covered that I actually recall seeing ( I may well have seen more but have protected myself by blanking the memory ) - Razorback. I wonder if this movie is the reason my old D&D group would blithely deal with a pack of animated skeletons, but leg it for the nearest tree when an ordinary wild boar showed up? Also - The Return of Captain Invincible? Australia made a superhero musical? All I can say is that Australia made some amazingly bad movies, *that actually managed to get theatrical release*. Still, it made me miss the old days of drive-in cinema, even if the only one I recall seeing at such a cinema was Death Race 2000 ( the exploding baby scene - which I still find hugely funny).
If you have any interest in Australia's contribution to cinematic immortality, you have to see this documentary :D
Best documentary I've seen this year. It feels as if these films have been swept under the carpet by a film industry which is overprotective of its image. The Australian film industry is so very narrow-minded and so it is great to see a documentary which has been so brilliantly edited but also used along with the great characters of the industry through the 70's and 80's who make this possible multiple movie preview so entertaining. There is a good mix of local and international actors/producers/directors and there is also contradictory comments and varying disagreements which merely adds to the movie myths. This film is also refreshing as it harks back to a time when the business was far from a business and less stringent with the absence of governing bodies which equates to many broken bodies and lots of bodies on show in terms of nudity. These films make me proud to be Australian. Thank you Mark Hartley. Now will someone just release them on DVD!!
¿Sabías que…?
- TriviaInterviewees include Jamie Lee Curtis, Dennis Hopper, George Lazenby, George Miller, Quentin Tarantino, Stacy Keach, Roger Ward, and Barry Humphries.
- ErroresAntony I. Ginnane proudly claims that he got the services of "Joseph Cotten, Academy Award winner!" for El sobreviviente (1981). Joseph Cotten was never even nominated for an Academy Award.
- Citas
John D. Lamond: I'm told I treat women like a sex object, and I suppose it's true, cause I ask for sex and they object.
- ConexionesEdited into Road Games: Not Quite Hollywood Interviews (2008)
- Bandas sonorasShadow Boxer
Written by John Brewster, Doc Neeson, and Rick Brewster (as Richard Brewster)
Performed by The Angels
Courtesy of Albert Productions
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- How long is Not Quite Hollywood: The Wild, Untold Story of Ozploitation!?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Не совсем Голливуд: Потрясающая, нераскрытая история австралийского эксплуатационного кино
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 21,152
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,694
- 2 ago 2009
- Total a nivel mundial
- USD 180,957
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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