CALIFICACIÓN DE IMDb
5.1/10
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TU CALIFICACIÓN
Una función de medianoche de una película de terror de principios de los años 70 se convierte en un caos cuando un asesino sale de la película y ataca al público.Una función de medianoche de una película de terror de principios de los años 70 se convierte en un caos cuando un asesino sale de la película y ataca al público.Una función de medianoche de una película de terror de principios de los años 70 se convierte en un caos cuando un asesino sale de la película y ataca al público.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
Jim Mahoney
- Bobby
- (as James Michael Mahoney)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Midnight Movie" is the type of movie that I love to come across because it seems to rare these days to find a movie like it. First, it is a pure slasher flick through and through. There is no tongue-in-cheek horror or comedic undertones that seem so prevalent in a lot of today's horror. More importantly, it plays out like a 80's slasher film and captures the spirit and essence of 80's style horror perfectly.
The film centers around the first showing of a horror film called "The Dark Beneath," since several people were murdered while watching the film. Only a handful of people show up for the showing, including the boyfriend and a couple friends of the high-school aged theater manager, a redneck, motorcycle riding couple, and a couple of cops who think the film's director may show up to cause some trouble. The film shown on screen is a 70's style "Texas Chainsaw Massacre" type film about a group of friends who experience car trouble and seek help at creepy farmhouse, only to be butchered by a killer in a creepy mask whose weapon of choice is a sharp, spiral tool. Somehow, though, the killer is able to transfer himself out of the screen and begins stalking and killing the movie-goers.
The Good: The film looks great. It is competently directed and in lesser hands the whole movie-within-a-movie element could have been a real mess. The killer is pretty cool as well, and definitely reminded me of a Michael Myers, Jason, or Leatherface type killer. My only qualm with him is the weapon of choice, which does manage some good kill scenes, but becomes boring, repetitive, and not at all intimidating. As I mentioned,the film really has the classic slasher vibe going on and is quite effective. Once the action gets going, it is truly a fun ride and doesn't let up until the last frame. There are also some surprises in who lives/dies that took me by surprise, which is always a good thing in a slasher because generally they are so predictable with who lives/dies. Though it initially turned me off, I actually ended liking that there were so few characters in the film because it allowed us to get to know each of them a tad more. I was actually upset to see a couple of them get offed.
The Bad: The acting is a mixed bag. I know it is nit-picky, but the film REALLY could have done WITHOUT the younger brother character. First, the kid is a bad actor, second, his presence serves absolutely zero purpose and actually becomes a distraction to the plot. There is also no real backstory to the killer and why/how he is able to come out of the screen and kill in real life. Some parts were indeed cheesy, particularly the opening scene with the film's director in a mental institution.
Overall, this is a decent horror film and certainly one of the better DTV slashers I have seen in awhile. Everything about the film looks great and it is always refreshing to see a contemporary slasher film successfully pay homage to early genre films.
My Grade: B+
The film centers around the first showing of a horror film called "The Dark Beneath," since several people were murdered while watching the film. Only a handful of people show up for the showing, including the boyfriend and a couple friends of the high-school aged theater manager, a redneck, motorcycle riding couple, and a couple of cops who think the film's director may show up to cause some trouble. The film shown on screen is a 70's style "Texas Chainsaw Massacre" type film about a group of friends who experience car trouble and seek help at creepy farmhouse, only to be butchered by a killer in a creepy mask whose weapon of choice is a sharp, spiral tool. Somehow, though, the killer is able to transfer himself out of the screen and begins stalking and killing the movie-goers.
The Good: The film looks great. It is competently directed and in lesser hands the whole movie-within-a-movie element could have been a real mess. The killer is pretty cool as well, and definitely reminded me of a Michael Myers, Jason, or Leatherface type killer. My only qualm with him is the weapon of choice, which does manage some good kill scenes, but becomes boring, repetitive, and not at all intimidating. As I mentioned,the film really has the classic slasher vibe going on and is quite effective. Once the action gets going, it is truly a fun ride and doesn't let up until the last frame. There are also some surprises in who lives/dies that took me by surprise, which is always a good thing in a slasher because generally they are so predictable with who lives/dies. Though it initially turned me off, I actually ended liking that there were so few characters in the film because it allowed us to get to know each of them a tad more. I was actually upset to see a couple of them get offed.
The Bad: The acting is a mixed bag. I know it is nit-picky, but the film REALLY could have done WITHOUT the younger brother character. First, the kid is a bad actor, second, his presence serves absolutely zero purpose and actually becomes a distraction to the plot. There is also no real backstory to the killer and why/how he is able to come out of the screen and kill in real life. Some parts were indeed cheesy, particularly the opening scene with the film's director in a mental institution.
Overall, this is a decent horror film and certainly one of the better DTV slashers I have seen in awhile. Everything about the film looks great and it is always refreshing to see a contemporary slasher film successfully pay homage to early genre films.
My Grade: B+
I was privileged to see the screener of this one, and came away quite satisfied at what I had seen.
I grew up on horror movies and usually find the gory ones to be nothing more than gratuitous blood-letting, but this one really had me involved. Don't let the first few minutes fool you, this is top quality. What starts out like a B-movie from the 60's soon becomes an engrossing mystery as you try to figure out what is happening, and then keeps you riveted as you start to wonder if the characters will figure it out in time. Unlike most horror movies, Midnight Movie had me caring about the characters. They became real people, not just targets of the horror.
I grew up on horror movies and usually find the gory ones to be nothing more than gratuitous blood-letting, but this one really had me involved. Don't let the first few minutes fool you, this is top quality. What starts out like a B-movie from the 60's soon becomes an engrossing mystery as you try to figure out what is happening, and then keeps you riveted as you start to wonder if the characters will figure it out in time. Unlike most horror movies, Midnight Movie had me caring about the characters. They became real people, not just targets of the horror.
Sure, it's B-Grade, the killer's costume is awful and the acting isn't particularly good. But why do we need any of that in a slasher? Since the days of Scream the slasher has been my favorite sub-genre, and finding fresh new entries can be hard. That's why I was delighted to discover Midnight Movie.
The film takes it's time establishing characters and showing off it's creepy story. Speaking of which is quite interesting.
When things do pick up, they never stop coming. The gore is delightfully over-the top and the slightly stupid characters make for speedy, fun deaths. Unlike many others, I had no irks with the killer's weapon and thought the setting was brilliant.
However, MM is not for the feint of heart. Beforementioned gore and a helping of scary atmosphere and set pieces make things rather horrifying for the typical slasher fan. So proceed with caution, oh weak stomached viewers.
All in all, MM is fresh, inventive and delightfully insane. Everything you could ask for in a slasher.
The film takes it's time establishing characters and showing off it's creepy story. Speaking of which is quite interesting.
When things do pick up, they never stop coming. The gore is delightfully over-the top and the slightly stupid characters make for speedy, fun deaths. Unlike many others, I had no irks with the killer's weapon and thought the setting was brilliant.
However, MM is not for the feint of heart. Beforementioned gore and a helping of scary atmosphere and set pieces make things rather horrifying for the typical slasher fan. So proceed with caution, oh weak stomached viewers.
All in all, MM is fresh, inventive and delightfully insane. Everything you could ask for in a slasher.
It's 'count the cliché' time with Midnight Movie, a derivative supernatural slasher which looks and feels just like any one of a hundred other films you might find clogging up the horror section in your local rental outlet.
Undemanding teen audiences may possibly enjoy this film's easy-on-the-eye cast, MTV-style editing and some unexceptional gore, but seasoned horror fans will no doubt find themselves rolling their eyes and groaning in disbelief at what amounts to nothing more than yet another admittedly-slick-but-totally-logic-free piece of popcorn horror packed with cookie-cutter characters, cheap scares, unanswered questions and glaring plot-holes.
The story, for what it's worth, goes something like this: five years after horror director Ted Radford disappears from a lunatic asylum, leaving 70 dead in his wake, a cinema decides to present a midnight screening of his cult movie The Dark Beneath. Before you can say 'surely Radford doesn't emerge from his film to kill members of the staff and audience', Radford emerges from the film to kill members of the staff and audience. Yawn!
Glossing over such trivial details as exactly how the director achieves his magical return to life and why he is so obsessed with scaring people in the first place, the weak script concentrates instead on presenting a myriad of predictable scenes in which the scared occupants of the cinema at first attempt to escape, but then begin to fight back.
Midnight Movie hits a 'cliché all-time-high' when it is revealed that the killera bargain-basement Leatherface wannabe armed with a custom-built corkscrewcan only hurt those who are afraid of him (gack!). At this point, the script becomes completely nonsensical, with final survivor Bridget (Rebekah Brandes) drawing on past painful experiences to help her overcome her fear, and trying to save her brother from within the movie.
Go see this if your idea of a good horror film is a Saw sequel or a remake of something 'old'. You'll probably enjoy it.
Undemanding teen audiences may possibly enjoy this film's easy-on-the-eye cast, MTV-style editing and some unexceptional gore, but seasoned horror fans will no doubt find themselves rolling their eyes and groaning in disbelief at what amounts to nothing more than yet another admittedly-slick-but-totally-logic-free piece of popcorn horror packed with cookie-cutter characters, cheap scares, unanswered questions and glaring plot-holes.
The story, for what it's worth, goes something like this: five years after horror director Ted Radford disappears from a lunatic asylum, leaving 70 dead in his wake, a cinema decides to present a midnight screening of his cult movie The Dark Beneath. Before you can say 'surely Radford doesn't emerge from his film to kill members of the staff and audience', Radford emerges from the film to kill members of the staff and audience. Yawn!
Glossing over such trivial details as exactly how the director achieves his magical return to life and why he is so obsessed with scaring people in the first place, the weak script concentrates instead on presenting a myriad of predictable scenes in which the scared occupants of the cinema at first attempt to escape, but then begin to fight back.
Midnight Movie hits a 'cliché all-time-high' when it is revealed that the killera bargain-basement Leatherface wannabe armed with a custom-built corkscrewcan only hurt those who are afraid of him (gack!). At this point, the script becomes completely nonsensical, with final survivor Bridget (Rebekah Brandes) drawing on past painful experiences to help her overcome her fear, and trying to save her brother from within the movie.
Go see this if your idea of a good horror film is a Saw sequel or a remake of something 'old'. You'll probably enjoy it.
"Midnight Movie" (2008) is a horror film directed by Jack Messitt that takes audiences on a chilling journey into the world of cinema. The story follows a group of people attending a midnight screening of a cult horror film called "The Dark Beneath," only to find themselves trapped inside the theater with a malevolent entity that has escaped from the movie.
One of the most intriguing aspects of the film is its metafictional premise, blurring the lines between reality and fiction as the characters become unwitting participants in the very movie they are watching. As the supernatural entity begins to pick them off one by one, the tension and suspense escalate, keeping viewers on the edge of their seats.
The film cleverly pays homage to classic horror tropes while adding its own unique twist to the genre. It features inventive kills, creepy atmosphere, and a sense of dread that permeates every scene. The use of practical effects and practical sets adds to the authenticity of the horror, creating a visceral and immersive experience for audiences.
While "Midnight Movie" may not offer groundbreaking storytelling, it succeeds in delivering a fun and entertaining ride for fans of the horror genre. It's a nostalgic throwback to the days of midnight movie screenings and communal experiences in the cinema, reminding us of the power of film to both entertain and terrify. Overall, it's a worthwhile watch for horror enthusiasts looking for a dose of spooky thrills.
One of the most intriguing aspects of the film is its metafictional premise, blurring the lines between reality and fiction as the characters become unwitting participants in the very movie they are watching. As the supernatural entity begins to pick them off one by one, the tension and suspense escalate, keeping viewers on the edge of their seats.
The film cleverly pays homage to classic horror tropes while adding its own unique twist to the genre. It features inventive kills, creepy atmosphere, and a sense of dread that permeates every scene. The use of practical effects and practical sets adds to the authenticity of the horror, creating a visceral and immersive experience for audiences.
While "Midnight Movie" may not offer groundbreaking storytelling, it succeeds in delivering a fun and entertaining ride for fans of the horror genre. It's a nostalgic throwback to the days of midnight movie screenings and communal experiences in the cinema, reminding us of the power of film to both entertain and terrify. Overall, it's a worthwhile watch for horror enthusiasts looking for a dose of spooky thrills.
¿Sabías que…?
- Trivia2 years after its DVD release in 2008, director Jack Messitt got the chance to do a revised version of the movie. According to Messitt, production company Bigfoot Entertainment was so impressed with the DVD sales that they eventually gave him more money to update the movie with new scenes and better special/sound effects. The new version was released as "Midnight Movie: Killer Cut" on DVD in 2011.
- ErroresIn the theatre, Babe is seated directly to Harley's right. However, when Harley throws popcorn at Mario, and again later when he yells at the teens to shut up, that seat is empty.
- Créditos curiososYou see flashes of images of the killer as the credits roll by. The credits are slanted giving it the feeling its being played on a big screen.
- Versiones alternativasThe originally released version (2008) runs 89 minutes. Three years later, an 82-minute "Killer Cut" was released on home video. This new version promised that "Jack Messitt's award winning horror film can finally be seen as it was intended. With new and enhanced visual effects, never before seen footage and extended scenes".
- ConexionesFeatured in Vampires (2010)
- Bandas sonorasTragic Thing
Written by Joey Hanna and Brian Dennis
Performed by Joey Hanna and Brian Dennis
Copyright Joey Hanna
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Detalles
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Tiempo de ejecución
- 1h 22min(82 min)
- Color
- Relación de aspecto
- 1.85 : 1
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