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7.0/10
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TU CALIFICACIÓN
Un hombre y su esposa son presionados al límite cuando los padres biológicos de su hijo adoptivo intentan recuperar su custodia.Un hombre y su esposa son presionados al límite cuando los padres biológicos de su hijo adoptivo intentan recuperar su custodia.Un hombre y su esposa son presionados al límite cuando los padres biológicos de su hijo adoptivo intentan recuperar su custodia.
- Dirección
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- 20 premios ganados en total
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Opiniones destacadas
A relatively low budget but extremely good drama. This could have turned into a standard melodrama but is elevated far beyond this by an intelligent and believable script.
The real stars though are the actors who are all terrific. Barry Pepper has always been a favourite of mine and he excels himself in this role but there are no weak links in this film. A special mention must go to the actor playing the little boy, Maxwell Perry Cotton who is utterly convincing as the frightened and confused little boy. It was one of the best performances from a young actor I have ever seen.
The film does flag a little towards the end but finishes on an emotional high. I rarely watch films twice in a short period of time but I did with this one and enjoyed it just as much second time round. Recommended.
The real stars though are the actors who are all terrific. Barry Pepper has always been a favourite of mine and he excels himself in this role but there are no weak links in this film. A special mention must go to the actor playing the little boy, Maxwell Perry Cotton who is utterly convincing as the frightened and confused little boy. It was one of the best performances from a young actor I have ever seen.
The film does flag a little towards the end but finishes on an emotional high. I rarely watch films twice in a short period of time but I did with this one and enjoyed it just as much second time round. Recommended.
I just watched this movie and had a hard time keeping a dry eye. The sad truth is there are cases similar to this going on in family court everyday..maybe not as extreme as this one (most kids are less than 6 years old) but fights between bio parents, foster parents and adoptive parents go on every day. This is an adoptive parents nightmare. I thought the performances by all were solid and very believable. The kid that played Joey is so cute and a good little actor. I really do not understand how people can bash this movie. They must not be adults, or parents for that matter. The subject matter is very surreal and let me tell you, I would have done the EXACT same thing as the adoptive parents did in this movie.
There were so many things to like about this movie and so many talking points.
While the movie was a little too stereo typed for my liking, stereo types exist for a reason.
I thought the Porter side of the story was extremely well done. Wendy Porter played the abused wife brilliantly, acting as abused and battered women often do.
I was perplexed as to why Wendy would want her biological son to live with her though. Perhaps the fact that her husband wanted the boy influenced her. After all, what is in the best interest of the child? What they went through with the boy, and their experiences was so well done it was very difficult to watch.
The Campbell's were the boy's adoptive parents and they were portrayed as such the perfect family, that you couldn't help but want the boy to stay with them. I found the way they acted, especially the way Holly Campbell reacted was a little too unrealistic but then again, I've never been in the position of potentially losing my child.
This is a powerful movie. Definitely one to stir the emotions.
While the movie was a little too stereo typed for my liking, stereo types exist for a reason.
I thought the Porter side of the story was extremely well done. Wendy Porter played the abused wife brilliantly, acting as abused and battered women often do.
I was perplexed as to why Wendy would want her biological son to live with her though. Perhaps the fact that her husband wanted the boy influenced her. After all, what is in the best interest of the child? What they went through with the boy, and their experiences was so well done it was very difficult to watch.
The Campbell's were the boy's adoptive parents and they were portrayed as such the perfect family, that you couldn't help but want the boy to stay with them. I found the way they acted, especially the way Holly Campbell reacted was a little too unrealistic but then again, I've never been in the position of potentially losing my child.
This is a powerful movie. Definitely one to stir the emotions.
LIKE DANDELION DUST is a very small scaled film about a very large subject: adoption and the struggles that at times are associated between birth parents and adoptive parents. Adapted from Karen Kingsbury's popular novel by Stephen J Rivele and Michael Lachance and directed with sensitivity and fine pacing by Jon Gunn, the film succeeds primarily because of the exceptional acting on the part of the acting by Mira Sorvino and Barry Pepper.
Blue collar worker Richard 'Rip' Porter (Barry Pepper) is an alcoholic with anger management problems and as the film opens he is arrested for beating his wife Wendy (Mira Sorvino) and imprisoned for seven years. Simultaneously we meet the wealthy Jack Campbell (Cole Hauser) and his wife Molly (Kate Levering) who are playing with their six year old son Joey (Maxwell Perry Cotton) and interacting with Molly's sister Beth (Abby Brammell) and husband Bill (Kirk B.R. Woller) who are suggesting that Joey, being adopted, should be brought up in the church: there is conflict as Beth seems to feel Molly isn't caring correctly for Joey since he is adopted!
Rip is released form prison and is clean from his alcoholism and anger management problems and Wendy confesses that when Rip was incarcerated she had been pregnant and because of Rip's problems she put her newborn son up for adoption, having her mother sign for Rip. Rip is shocked with the news and at once wants to get his son back. An adoption agency is consulted in the person of Allyson Bower (L. Scott Caldwell) who is placed between the Porters and the Campbells in making the decision as to where Joey should be. Because of the forged adoption papers Joey is still the child of the Porters and they fight the Campbells for custody. Joey is in the middle and with Allyson's guidance tries to adapt to his birth parents on planned visits while the Campbells try every avenue to retain their beloved Joey. How the game is played includes errors on the parts of both sets of parents but the situation is finally resolved in a very touching manner.
Sorvino and Pepper are brilliant in their roles as the beleaguered Porters. The reason the film works as well as it does is the fact that the good and bad aspects of human behavior on the part of all the characters in the film is balanced. It is a realistic look at what appears on the surface to be polar opposite couples - and in the middle is the very finely tuned performance of little Maxwell Perry Cotton. This is a film that tugs a bit heavily on the heartstrings, but for anyone who has been involved in an adoption problem it will ring true.
Grady Harp
Blue collar worker Richard 'Rip' Porter (Barry Pepper) is an alcoholic with anger management problems and as the film opens he is arrested for beating his wife Wendy (Mira Sorvino) and imprisoned for seven years. Simultaneously we meet the wealthy Jack Campbell (Cole Hauser) and his wife Molly (Kate Levering) who are playing with their six year old son Joey (Maxwell Perry Cotton) and interacting with Molly's sister Beth (Abby Brammell) and husband Bill (Kirk B.R. Woller) who are suggesting that Joey, being adopted, should be brought up in the church: there is conflict as Beth seems to feel Molly isn't caring correctly for Joey since he is adopted!
Rip is released form prison and is clean from his alcoholism and anger management problems and Wendy confesses that when Rip was incarcerated she had been pregnant and because of Rip's problems she put her newborn son up for adoption, having her mother sign for Rip. Rip is shocked with the news and at once wants to get his son back. An adoption agency is consulted in the person of Allyson Bower (L. Scott Caldwell) who is placed between the Porters and the Campbells in making the decision as to where Joey should be. Because of the forged adoption papers Joey is still the child of the Porters and they fight the Campbells for custody. Joey is in the middle and with Allyson's guidance tries to adapt to his birth parents on planned visits while the Campbells try every avenue to retain their beloved Joey. How the game is played includes errors on the parts of both sets of parents but the situation is finally resolved in a very touching manner.
Sorvino and Pepper are brilliant in their roles as the beleaguered Porters. The reason the film works as well as it does is the fact that the good and bad aspects of human behavior on the part of all the characters in the film is balanced. It is a realistic look at what appears on the surface to be polar opposite couples - and in the middle is the very finely tuned performance of little Maxwell Perry Cotton. This is a film that tugs a bit heavily on the heartstrings, but for anyone who has been involved in an adoption problem it will ring true.
Grady Harp
After reading the Karen Kingsbury novel that the movie 'Like Dandelion Dust' was based on, I was very much looking forward to watching it. However, I was disheartened to see that there was no mention of Christ Jesus at all in the movie. The whole premise of the story in the novel was to show that faith in Jesus and prayer will overcome all odds. Instead, the movie portrayed Christians as righteous and overbearing. And that making wishes on dandelions works better than prayer. The movie also left out a lot of detail that although made it work, I felt that it rushed the story. I understand that when you sell the rights to your novel, the movie producer has the right to change certain aspects of it, but I'm disappointed that Ms. Kingsbury would allow the removal of faith in Christ.
On a positive note, I found the acting very good, especially by Mira Sorvino and Cole Hauser and I was impressed with Maxwell Perry Cotton as little Joey Campbell. I had a good cry throughout the movie. Would still recommend to others.
On a positive note, I found the acting very good, especially by Mira Sorvino and Cole Hauser and I was impressed with Maxwell Perry Cotton as little Joey Campbell. I had a good cry throughout the movie. Would still recommend to others.
¿Sabías que…?
- TriviaThe scene where Berry Pepper's character, Rip, is bitten by his dog was not part of the script until the dog decided to improvise it. Berry Pepper was actually bitten by his fellow actor, the dog.
- ErroresIn the kitchen scene after Rip Porter smashes his empty bottle and gets consoled by Wendy, the positions of his head and of their hands around each other's heads change too suddenly between the subsequent shots while lines are being spoken across the cuts.
- Citas
Wendy Porter: There is one thing that - -- that you could do for me. I would like Joey to know that he has two mothers: one that loved him so much that she couldn't let him go, and one that loved him so much that she had to.
- Bandas sonorasThe Lord Bless You and Keep You
Words and Music by Peter C. Lutkin
Performed by Coral Ridge Presbyterian Church Chancel Choir
Choir directed by John L. Wilson
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Như Hoa Bồ Công Anh
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 352,810
- Fin de semana de estreno en EE. UU. y Canadá
- USD 77,960
- 26 sep 2010
- Total a nivel mundial
- USD 352,810
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Like Dandelion Dust (2009) officially released in India in English?
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