Las crónicas de Narnia: La travesía del viajero del alba
Lucy y Edmund Pevensie vuelven a Narnia con su primo Eustace, donde se reencontrarán con el antiguo príncipe Caspian, ahora rey. Juntos se embarcarán en la búsqueda de los 7 desaparecidos se... Leer todoLucy y Edmund Pevensie vuelven a Narnia con su primo Eustace, donde se reencontrarán con el antiguo príncipe Caspian, ahora rey. Juntos se embarcarán en la búsqueda de los 7 desaparecidos señores de Narnia, tal y como le prometieron a Aslan.Lucy y Edmund Pevensie vuelven a Narnia con su primo Eustace, donde se reencontrarán con el antiguo príncipe Caspian, ahora rey. Juntos se embarcarán en la búsqueda de los 7 desaparecidos señores de Narnia, tal y como le prometieron a Aslan.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 19 nominaciones en total
Opiniones destacadas
The film felt like they took the original story, chopped it up, then threw it in a blender with seven magical swords and some ridiculous green mist!
While the film stayed true to main themes of the story, much of the character development and purpose to each of the minor island stories was lost. Unfortunately this meant that most of the magic of the story was lost as well.
I gave the film 6 stars due to the redeeming qualities that were the stunning visuals, some excellent acting (notably by Will Poulter as Eustace), and a beautifully executed final scene.
If you haven't read the book, then you may enjoy this film immensely, but if you are a true Narnia fan, don't go in with very high expectations.
The movie doesn't really make much sense. This really bothered me since I read the books, and I was expecting something along certain lines, but the movie doesn't really follow it. The acting really wasn't all that good which was really distracting, and the dialog wasn't all that better. None of the characters except for possibly Reepacheep, and maybe Eustace when he was a dragon, were likable.
For some reason when reading reviews I keep on reading silly comments about how this movie had good visuals. This confused me greatly, because when you see the green mist for the first time it looks awful. I mean really bad. Actually the green mist looked bad in every scene. Why did it look bad? It's mainly because it wasn't integrated well into the scenes. You could tell the mist was put in badly, so when someone looks at the mist floating overhead it looks like the mist isn't even on the same plane. Since the mist was a big part of the movie, seeing it constantly really ruined it for me. The dragon was cool at some scenes, but in others didn't look too good. Now the serpent was pretty cool, but it seemed a bit cartoony, along with the dragon. That was my biggest issue is that both of the monsters in this movie look cartoony, and really bright. Now the water effects in this movie are real good, especially near the end, and when the serpent is splashing.
Probably the biggest issue in this movie was the camera. Let me tell you I have never seen camera work this bad. The scenes flowed horribly, and the camera angles were all boring. There were no dynamic camera angles, and emotional shots except for maybe one which was near the end. The camera was also really shaky. I was kind of wondering why they didn't try getting a crane, or something for moving shots. But in all of the moving shots it is someone holding the camera, and when the person holding the camera moves the camera starts rocking back and forth. This was unbearable during conversations, or sword fighting sequences.
The scenery was also a bit stale in this movie, especially in the city on the desert island place. It just seems like this movie could have no vegetation which really got old fast. The sets seemed boring, and just ordinary. Only (again) near the end did the sets get a little bit more interesting like on the ancient forest island.
IF there is one thing everyone can agree on, it's that the slave catchers battle was incredibly bad, and put together horribly. None of the people in the battle look like they are taking it seriously, and there is almost no threat. The slave capturers just run around, it doesn't seem really intense. The sword combat is pretty lousy, and their moves seem slow. So bad combat scene+bad camera really makes this scene even worse.
Now the movie didn't really explain the plot really well, so it wasn't until about the last 20 minutes of the movie did it make some sense. Still it seemed like the plot was thrown in. Why not just keep the plot of the original? I guess it wasn't good enough. Either way the movie did get much better in the last 20 minutes as well. The combat improved with a goofy looking serpent, in a well done dark mist realm that was not green mist. Though since the dark realm did have green mist in it, it started forming green figures that looks quite off. The movie does get better at the end when talking with Aslan and the nice water effects.
All in all the movie was a real let-down. This movie has almost no artistic perspective with camera shots, so the movie is overall boring to look at. The effects are good when they need to be, but they are generally bad. I feel like this is evidence that WETA must make all action movies' effects which they already do. The plot was changed, and this left the movie quite confusing. I really feel bad for having to review this movie with a low rating, but trust me, if it weren't for the final last 20 minutes, this would've been a 4/10 and I'm still arguing with myself if I should change it to that.
"The Chronicles of Narnia: The Voyage of the Dawn Treader" is a good film. It has elements for everyone to enjoy, such as clean humour, excitement, dangers and also psychological elements. The plot is straightforward and easy to understand. It is also filled with excitement, especially the battle with the dragon is quite breathtaking. The plot and the characters engage me a lot. This time, the Pevensies have matured, and hence are a lot less annoying. They even become interesting characters as they battle to overcome their own inadequacies. This subplot is aimed at adults, but it still can be understood by children at face value.
The 3D though, is a lot less thrilling than the film. Most scenes do not have noticeable 3D effects. The scenes that do have 3D are quite underwhelming. There are little scenes in the film that makes use of the 3D technology. I can safely say that watching the 2D version would be just as enjoyable than the 3D version, and you can save a few dollars by doing so.
First of all, I do not recommend anyone watching this in 3d. It is too dark and the action is just a motion blur. It's dreadful.
As for the film, there is much to enjoy with excellent visual effects, action set pieces (though ruined for me by the 3D) and a couple of stand out characters. But unfortunately there is also much to cringe at in some bouts of terrible dialogue.
The characters of Reepicheep (the kick-ass warrior mouse) and Eustace, (the obnoxious brat cousin) were the most fun with the actor playing Eustace demonstrating excellent comic timing. The relationship between them was funny and touching. And they even brought much needed zest to the action.
But alarmingly, Edmund and Lucy seem to have deteriorated as actors. Some of their emotions are too forced which is a pity. Not sure why, as I would expect them to improve with each film as did the young cast of the Harry Potter movies.
Overall, the story has surprisingly been well adapted considering not a great deal actually happens in the book. But the pacing is good, even though a little episodic. There are much more Christian analogies once again which would please many and irritate others. But I rather like all of the analogies.
I do feel however, that amongst adults, mostly those who enjoyed the Narnia books will enjoy this more than non readers of the books because the story is too bizarre even for a fantasy! But I think most children will enjoy this immensely, regardless if they read the books or not.
With better written dialogue and better handling of the child performances (namely Lucy and Edmund), this could have been a much better film but as its stands its an enjoyable enough entry in this series.
Oh and I will say it again, do not watch this in 3d.
Susan and Peter (King & Queen) have grown up now and reside in America where Narnia has no access. The teenagers Lucy (Georgie Hensley) and Edmund (Skander Keynes) who are in Britain in the midst of WW2, along with their unnerving cousin Eustace (Will Poulter) catch the moving waters in a painting in their room. Soon, the water flows into the room and in a spectacular fashion, they are underwater, only to be pulled up by Prince Caspian in front of the hull of the Dawn Treader. Welcome to Narnia! The trio are briefly introduced to the ship's crew that include the swashbuckling mouse Reepicheep and a Narnian buffalo sailor. Their initial inquiry about Narnia's state of affairs and the Dawn Treader's voyage reveal the book and film's weakness - Prince Caspian admits that there are no problems in Narnia. Peace rules the lands and barring the exploration of the farthest stretches of the waters where Aslan's country mythically exists, the ship has little to do on its voyage. Thus, they decide to go island hopping where, just on the first one, they are taken as prisoners and almost sold as slaves until a heroic rescue by the crew saves the day. It is within the walls of the prison that Prince and Edmund find out about the 7 missing lords and their magical swords. Oh and there's a LOST like smoke monster that devours boats full of slaves.
The most striking aspect about 'The Chronicles of Narnia: Voyage of the Dawn Treader' is that it lacks the mystery, build up and joy of discovery of the first movie. At the same time, it eliminates the excessive CGI and Lord of the Rings inspired battle sequences from the second installment and thus proves to be a closer- to- book adaptation. The focus is on retaining Narnia's adventures as an escape for children with funny bits that are memorable especially the endless picking of Eustace by the witty Reepicheep and the monopodial dwarfs on the island. Deeper into the story's entertaining layers, Evil tempts the protagonists in different ways and overcoming the lure is the didactic experience of C.S. Lewis' edition that is well captured by Michael Apted. Lucy's battle against her temptation to be as beautiful as her sister, Edmund's envy of Prince Caspian's position as the leader and Eustace's greed that draws him to hidden treasures are all lessons to be learnt in the battle of good v/s evil. On one hand, the white witch tempts Edmund to join the evil forces while Aslan, in his Christ like rendition guides Lucy on the right path.
The special effects involving the sea serpent in the cove are excellent and provide an ugly yet thrilling experience in 3D while the magical touches through the book of incarnations and entry to Aslan's country are simply enchanting to look at. Discovery of the 7 lords and their swords is itself a moral journey for everyone and while C.S. Lewis did brilliantly in detailing those aspects, Apted is short of time and just like all Narnian films, this one too falls short of the book's magical effect. But then again, Michael Apted is no Peter Jackson.
The climax is a sad farewell to what we were introduced to just 2 movies ago but The Silver Chair may prove to be an altogether different experience with Eustace. Will Poulter's brilliantly convincing portrayal of the annoying kid is the highlight of the film and the focus on him is a well thought out plan for the upcoming movies. Georgie Hensley IS Lucy as C.S. Lewis had once imagined and therefore, her presence is always charming. The rest of the cast could've done better with more focus on their characters had it not been for the time constraint; which, Apted has wisely been strict about. The shortest of the 3 films, yet least action packed, 'Voyage of the Dawn Treader' betters its predecessor by being closer to the book with moral implications and child-like adventures. The film is beautiful to look at but it leaves you craving for more fun, more adventure and sometimes, more heroism. It is by no means uplifting and we do miss Aslan in action at the required times. This is Aslan's shortest time on screen and that is a tragedy for the film indeed. Nevertheless, for loyal fans of Narnia, this is purely Narnian in essence but not an epic by motion picture standards.
- 7.033 on a scale of 1-10.
¿Sabías que…?
- TriviaThe drawings of the characters during the end credits are the exact drawings that appeared in the book. This is a tribute to Pauline Baynes, the series' illustrator, who passed away on August 2, 2008, at 85.
- ErroresIn Las crónicas de Narnia: El príncipe Caspian (2008), Caspian (Ben Barnes) spoke with a pronounced Spanish accent, as did the other Telmarines. In this film, Caspian now speaks with an English accent. This is done purposefully by the filmmakers, who no longer needed to match Caspian's accent to the other Telmarines, so they chose to use the actor's more realistic natural British accent. People's accents change over time in real life as well.
- Citas
Lucy Pevensie: Will you come and visit us in our world?
Aslan: I shall be watching you always.
Lucy Pevensie: How?
Aslan: In your world, I have another name. You must learn to know me by it. That was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.
- Versiones alternativasGerman theatrical version was cut by 76 seconds (primarily the end fight) to secure a "Not under 6" rating. This version was also released on DVD and 2D Blu-ray. However, the 3D Blu-ray release contains the uncut version - in 3D AND 2D.
- Bandas sonorasLangham Place (Elegie) [London Again (Suite)]
Written by Eric Coates
Performed by New Symphony Orchestra, Eric Coates Conductor
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Chronicles of Narnia: The Voyage of the Dawn Treader
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 155,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 104,386,950
- Fin de semana de estreno en EE. UU. y Canadá
- USD 24,005,069
- 12 dic 2010
- Total a nivel mundial
- USD 415,686,217
- Tiempo de ejecución1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1