Big B

A perfect a remake for the Hollywood movie Four Brothers released on 2005. And consider as the Best stylish movie of Malayalam. This movie was an average box office hit. But later after the release of the DVD/ Home screen it become a huge Trent and made Mammmootty's Character Bilal as the most fan following character in Malayalam. The fire is still on, that's why the announcement of Big-B's upcoming sequel "Bilal". The big waiting is still continuing.

MASTER piece in terms of technical perfection!! The movie tells the story of 4 brothers who reunited after their mothers (they 4 are adopted sons)death and decides to avenge her death.The 4 brothers are lead by Big B-Bilal-Played by mammooty.

The story is this simple! But the action scenes are really adrenaline pumping!The camera and direction are excellent! Congrats to the new director Amal Neerad (he did camera for Mamooty's movie BLACK directed by Renjith) All action scenes are simply perfect.The chase,the gunfights,climax fights are just amazing! Dialogues are very short and to the point.Great dialogue delivery my Mammootty! He once again proved his ability to do roles like this.Though a similar attempt was made in BLACK, Big B stands far ahead of Black.

Songs are also excellent.Listen it to 2-3 times and you will fall in love!

Worth seeing thrice!! (in a dts theatre)

There are some rare happenings in the the history of literature and films.A sequel, which is better than the original, is one such instance,both in terms of film and literature.A remake which is better than original is another such instance. Big B, the Malayalam film is a film of this category.

There are certain sequels which diminished the original.Huckleberry Finn in novel , and Gofather II in film etc.Big B , which is a remake of John Singleton's FOUR BROTHERS is a better film, in terms of its cultural placement, technical brilliance and action sequences.The film is free from the religious and caste politics of usual Malayalam movies.Or it must be said that it is a deliberate answer to the upper class films of Shaji Kailas -Renjith group, the film being clearly posited on the side of minorities.

In a land where the moustache twirling heroes boasts of their patrimony,here four adop0ted children arrives to revenge the death of their foster mother.Aptly, the positing of Sayip Tony as a villain adds to the post colonial dimension of the film.(Remember Vinayakan's dialogue:"Our fathers were here in the scene before you and your fathers alighted this shore".

Usually Malayalam films have the character of the writer and not of the director.But here Amal shows his mettle: The funeral sequence is an example.What the writer can give is only this:RAIN.THE FUNERAL.BILAL COMES. Watch how Amal pictures this.

The film has a captivating local color of FORT KOCHI.Local color is something that malayalam film makers pay little attention.In these times when Malayala, film often tells the story of an unidentified village in Kerala-tamilnadu border, BIG B really refreshes us with its COCHIN flavor.

The real value of the film will only be recognized by a well-informed posterity, it seems.BIG B seems to be one of the rare commercial films of this decade that will be watched by the audience of future far decades to come....

The plot is fine. The standard basis for revenge is elevated by the community icon whose brutal murder starts the ball rolling. Her avenging angels are nobly motivated, and led by a classic antihero hero. The bad guys collectively possess all the political and financial corruption one expects, plus the toughest among them reeking of pure psycho sadism.

But somewhere between the director and editor the production went awry. Too many closeups on faces, even during action sequences, that killed the essential context for what we're seeing. In a gun battle we should be able to tell who's shooting whom, and where the shots are coming from. They failed badly on that element. Fast cuts during fights weakened the impact of those moments.

Those who don't need English subtitles were lucky to enjoy much better dialog than I got watching on Netflix. I'm used to deficiencies in translations from Indian cinema, but this gave us a much larger gap between what characters must have been saying and what I was reading. How hard can it be to find fully bilingual people to do these gigs properly? Hack jobs like this are an insult to the hard work of all the writers, actors and crew who delivered a better film than I was able to experience.

Just watch Four brother way better. Mammootty looks way too old for the role. Mother and son almost same age. They should've pick someone else for the roll. Actions look too fake and slow. Nowhere near close to four brothers.