Imagination

I like to think I can appreciate visual art and modern art, but not in a feature film like this. I like good movies with compelling characters and a riveting story, and this had neither.

Artistic sequences were interesting for a few seconds, but I felt like they dragged on for WAY too long. The filmmakers needed an outsider to serve as editor because some of these scenes, even ones without art or special effects, went on way too long. There is one scene with the doctor tossing and turning in the white sheets of his bed for what seems like five minutes.

The acting is horrible. I was very distracted because the adult actors did not bring any realism to their emotions, which should have been compelling considering the circumstances of raising children with asperger's syndrome. Instead, it was extremely flat and stilted, and none of the character's feelings or emotions were conveyed to me in any way that made me care about the characters.

Some people will like this film, but I don't think they will like it for its story or as a feature film. I was very disappointed and extremely bored throughout, which I found surprising because usually I am easily pleased.

Brothers Eric and Jeffrey Leiser bring us the story of two twin girls who have Asperger's syndrome, where they are highly introverted and socially awkward, but have strong imaginations guided by "the white fawn", whatever that might be. Dr. Reineger has a fascination with these girls and seeks to find some answers.

This film has one weak point and one strong point. The weak point is the acting. The two main characters, besides the girls, just do not impress me at all. Courtney Sanford (mother Janice Woodruff) forces her lines out, and Ed K. Gildersleeve (Dr. Reineger) doesn't do much better. The plot is very thin, and their navigation through it with words is like a canoe lost at sea... it's going somewhere, but certainly not from the actors' control.

The strong point is the imagination and animation throughout the picture. Clay, food, paint and any other medium found is used in this movie, with more or less consistently beautiful results. Had they wanted to, the Leisers could have simply filmed these segments, added a few more and called it art. They were the highlight of the picture.

This movie was picked up and rented on a whim, something that may be a little bit risky... but in this case, it opened my eyes to a film I would likely never had seen otherwise, presenting a style I never before would have imagined. Not a comedy, not a drama... just pure imagination on film.

visionary indie artfilm offers disjointed scenes of great imagination: "Imagination" is bold and excellent personal spiritual art; many sights and sounds are utterly magical and memorably symbolic. However this doesn't mean the film can satisfy commercial standards, or even that many art house audiences will be able to enjoy it. The hauntingly original animation and varied dreamlike music, which complement each other well and remain sincerely accessible throughout, do ensure a certain level of general appreciation. Students of film will admire techniques combining stop motion puppets, drawn animation, time lapse, and more. It's the other problems that will push away mainstream viewers, including amateurish live acting (poor casting decisions were clearly made, though the girls are sweet and the psychiatrist is passable), naive non-credible scripting (much better dialogue was needed to set up a doctor who gets custody of recently orphaned special-needs children in an stark alienating lab), and unimpressive uneven cinematography. Truly the soul doesn't care about such flaws and limitations, since spiritual growth is all about sincerity and hitting the high points, which this film has in abundance. There are scenes that will stay with you, especially those set in the mythic woods of eyed trees that was previously released in a stand-alone short called "Forest". Unlike Hollywood, the soul cares about quality rather than quantity. If an artwork has even just an audience of one that is deeply touched, then it will resonate to endure and change the universe forever. In this regard, Imagination is tremendously successful.

This film is about the unbounded dreams and imagination of two twin sisters, one is blind while the other has Asperger's Syndrome.

I was hoping for a touching drama about people with disabilities, how parents deal with it, how the children express themselves, being happy despite the circumstances etc. It turns out that none of my expectations were met. Instead, "Imagination" turns out to be an imaginative and artistic piece that belongs more to a modern art museum than the big screen. It looks more like a collage of artistic slips stitched together. There is really no plot, as the so called plot only serves as the backdrop of the artistic clips.

If you like modern art, then you will appreciate this film. If not, you will find it a big mess and a waste of time.

Imagination seems to be about learning the secrets of heaven and nature. Starring are identical twin sisters, one who is going blind and the other who suffers from a type of autism called Asperger's syndrome. The premise is that together they have a special gift that enables them to rise above their physical disabilities and collectively escape reality into a realm of their imagination. It is when the film moves into the stop-motion animated worlds that I thoroughly enjoyed this movie. It is through Eric Leiser's many animation techniques that the two girls connect with a spiritual force/deity and ascend from their limited reality into something much greater and more magical. Which is somehow related to an albino fawn. Regarding their clueless parents, the twin girls say, "They forgot what it means to dream."

I think the Leiser Brothers could, in the future, turn in amazing works along the lines of Michel Gondry's Eternal Sunshine of the Spotless Mind (2004) and The Science of Sleep (2006). They obviously are a talented duo. Alternatively, they could focus their film-making in the world of animation, à la Jan Svankmajer or the Brothers Quay, which is this film's obvious strength.