CALIFICACIÓN DE IMDb
6.1/10
79 k
TU CALIFICACIÓN
Un mercenario sin piedad renuncia a la violencia cuando descubre que su alma se dirige al infierno. Intenta redimirse cuando una joven es secuestrada y su familia asesinada por un hechicero.Un mercenario sin piedad renuncia a la violencia cuando descubre que su alma se dirige al infierno. Intenta redimirse cuando una joven es secuestrada y su familia asesinada por un hechicero.Un mercenario sin piedad renuncia a la violencia cuando descubre que su alma se dirige al infierno. Intenta redimirse cuando una joven es secuestrada y su familia asesinada por un hechicero.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Christian Dunkley-Clark
- Lieutenant Malthus
- (as Christian Michael Dunkley Clark)
Samuel Roukin
- Marcus Kane
- (as Sam Roukin)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
'Solomon Kane' does twice as much with half the budget of similar genre films such as 'Van Helsing', 'Season of the Witch' and the recent 'Conan the Barbarian' (Which, like 'Solomon Kane', is based on a character created by Robert E. Howard). Unfortunately, doubling up those films still only adds up to average.
For a while it feels as if 'Solomon Kane' might actually be something special. Anchored by James Purefoy (channeling Hugh Jackman), and supported by strong performances from Rachel Hurd-Wood and the late Pete Postlethwaite, the first act firmly establishes a character and stakes that we care about. But around the half way point it begins to run out of steam, settling for generic genre conventions executed with little of the flair and none of the human focus evidenced earlier in the film.
'Solomon Kane' had all the pieces to be something special. That it ends up merely being a serviceable time-waster is ironically more frustrating than if it were simply a bad film.
For a while it feels as if 'Solomon Kane' might actually be something special. Anchored by James Purefoy (channeling Hugh Jackman), and supported by strong performances from Rachel Hurd-Wood and the late Pete Postlethwaite, the first act firmly establishes a character and stakes that we care about. But around the half way point it begins to run out of steam, settling for generic genre conventions executed with little of the flair and none of the human focus evidenced earlier in the film.
'Solomon Kane' had all the pieces to be something special. That it ends up merely being a serviceable time-waster is ironically more frustrating than if it were simply a bad film.
a character. with a coherent story who reflects his transformation. fragments of a form of Middle Age - social aspects, people, sufferance. a vulnerable hero. fantasy. and fight scenes who are parts not axis for film. for the fans of genre or for simple viewer, Solomon Kane is different by many other films from the same genre of the last decade. because the story is not a pretext for the statue of the lead character. because the black and white are mixed in inspired manner to give a fantasy precise dose of realism. because the historical references - the Dutch costume of Solomon Kane , first - are good points for a seductive story about a mission and about noble duty. so, an interesting film.
If you took the time to find it, then you wont be disappointed with this solid, old fashioned sword and sorcery movie.
The tales of Solomon Kane have been around longer than most, the character first appearing in mass market print back in the late twenties, but they've not been filmed. Many others, borrowing from it have been filmed so you will be quite familiar with the twists and turns having seen them elsewhere. The saving grace here is that it's all done quite well. James Purefoy is every part the tortured warrior and it's good to see Max Von Sydow and the legend that is Pete Poslethwaite up on the big screen. It's a creepy, dark movie at times and the extra effort they've put into the set design and cinematography really helps to set the scene. The story nips along to a satisfying conclusion. The fight choreography is very well done and FX are good as well.
The tales of Solomon Kane have been around longer than most, the character first appearing in mass market print back in the late twenties, but they've not been filmed. Many others, borrowing from it have been filmed so you will be quite familiar with the twists and turns having seen them elsewhere. The saving grace here is that it's all done quite well. James Purefoy is every part the tortured warrior and it's good to see Max Von Sydow and the legend that is Pete Poslethwaite up on the big screen. It's a creepy, dark movie at times and the extra effort they've put into the set design and cinematography really helps to set the scene. The story nips along to a satisfying conclusion. The fight choreography is very well done and FX are good as well.
I was familiar with the 'Solomon Kane' character before I watched this film, both from the original stories and the Marvel Comics incarnation of the 1970s. The film is based on Robert E. Howard's creation, not on any later story and is all the better for it. The characters and their actions are believable, the atmosphere is great and the special effects are fine. There are copious amounts of sword play as well as sorcery - something that other R. E. H. adaptations in film have been sadly missing (notably 'Conan the Barbarian'). Michael J. Bassett manages to make an exciting film out of what could have been just another good-versus-evil story. Recommended for all fans of gritty fantasy.
The film is one of those things that you immediately "feel" it is wrong. No known actors except old guys like Max von Sydow, who get a small role anyway, an almost unknown lead character and a lot of attitude, like the movie is taking itself really seriously. Most of this kind of movies end up as pretentious flops.
Solomon Kane, however, did not. It was a reasonable movie, given the low production values and the video game like story. The thing is, the people working on it obviously made an effort. Strangely enough, it seems this sort of effort is what lacks in many films these days, even high budget ones, so this lifts Solomon Kane quite a lot.
Unfortunately, the film was not great. It was, I feel, the best they could do under the circumstances, and I applaud that, though. Better than The Book of Eli, but still the same superheroy feeling.
Solomon Kane, however, did not. It was a reasonable movie, given the low production values and the video game like story. The thing is, the people working on it obviously made an effort. Strangely enough, it seems this sort of effort is what lacks in many films these days, even high budget ones, so this lifts Solomon Kane quite a lot.
Unfortunately, the film was not great. It was, I feel, the best they could do under the circumstances, and I applaud that, though. Better than The Book of Eli, but still the same superheroy feeling.
¿Sabías que…?
- TriviaTo prepare for the role of Solomon Kane, James Purefoy read the entire oeuvre of Robert E. Howard as well as researching extensively the lifestyle and attitudes of Puritans.
- Errores(at around 1 min) In the film, ships are shown flying the British Union Jack flag with the caption "North Africa: 1600". However, the first variant of the Union Jack (the one shown) wasn't used until 1606, with the current version of the flag not seen until 1801.
- Citas
Solomon Kane: If I kill you, I am bound for hell. It is a price I shall gladly pay.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Chiến Binh Thế Kỷ
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total a nivel mundial
- USD 19,652,185
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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