Río helado

How extraordinary to find a forty-something actress you've never seen or heard about before and being blown away by her. Her name is Melissa Leo and I believe she is here to stay. She gives the most powerful performance I've seen all year. She managed to slip into my subconscious and I find myself thinking about her (about her character) as I do someone I truly care about. That in itself is a major achievement. A first time director, Courtney Hunt, gives this character and this actress a remarkable space to breath and grow. The gelid landscape envelopes the desolate story but there is a human warmth devoid of sentimentality that makes "Frozen River" a welcome rarity. Moving, suspenseful, not to be missed.

Reminded me Ridley Scott's Thelma&Louise(1991), this film debut of director and writer Courtney Hunt delivers us a compulsory participation of the two opposite characters. Melissa Leo and Misty Upham perform two innocent and mature women driven into the crime world after desperation.

Frozen River carries a vital independent spirit that even though the value of contents of the film is so unassuming, it brings in both sentimental and intellectual prestige. Directing, editing and storytelling are so plain. Cinematography, lights and sound work, score are out-of-service. There is absolutely no cinematic aspect but the theme. Since it's an independent production we primarily come across to a thorough presentation of this theme. It has been worked up so effectively and is as plausible as a documentary.

A great commitment and well-created atmosphere by Courtney Hunt. All actors have done a good job. Might feel boring if not seen for personal view.

Life ain't easy for Ray. She may have had it good, but now she's got it rough. Two kids. Gambling runaway husband. Working at the Yankee Dollar. On the icy brink of the unforgiving upstate New York wilderness. Living in a trailer. The best thing she can even think of is a bigger trailer. Bottles on bottles of bubble bath she may never open hold the promise of better days that may never break. That's how bad it is. Along comes Lila. In many ways, she has it even worse than Ray: living in an even tinier trailer, estranged from her family, bad eyes, out of work. But she is also a small-time player in the well-oiled trafficking industry, bringing aliens into the US from Canada. Desperate for a little extra cash to buy that bigger trailer, Ray gets involved. At first sight, writer-director Courtney Hunt's debut is as depressing as they come. But beneath rough surfaces, there is also hope. In fact, the many acts of love and kindness are all the more surprising given how hard life is on these people. Just when you think they hit rock bottom, a bona fide miracle comes their way. Says Lila: "That wasn't me. That was the hand of the creator." It may be a broken Halleluja, but it's a Halleluja all the same. - Fine performances all around. Sundance and Hamburg Film Festival winner.

Frozen River never even gets close to something of a positive tone. The movie is about a mother of two having her husband abandon them on 10 days before Christmas. To make matters worse the family is in dire straits needing money. As a result Melissa Leo, who plays the mother, begins to smuggle illegal immigrants across the border to make money.

Melissa Leo's performance in this movie is very good but hard to watch. The movie is tough and shows poverty in American and in Indian reservations continuously. Her performance showed the desperation of a single mother and the price she will pay to get what she needs.

The writing and directing of the movie was executed very well but I couldn't help but just have a bad feeling after the movie. I'm fine with negative movie but there seemed to be almost no hope for anyone in this film. Some stretches were of the film were dragging on but still a good film. If your in the mood watch this movie.

I caught a viewing of this tonight at the fantastic Traverse City Film Festival. The film was really fantastic. It is an indie flick very reminiscent of David Gordon Green's work (George Washington, All the Real Girls, etc) in pacing, cinematography, and the depth of character the director is able to elicit with profound minimalism. The plot centers around a Mohawk coyote who smuggles illegals across the St. Lawrence in the winter by driving back and forth between the Canadian and US segments of the Mohawk Reservation. The Mohawk are one of the few tribes that issue their own passports and directly challenge federal authority to regulate their border. Because the reservation covers areas in both nations there isn't much either side can do. For the Mohawk, sovereignty has real meaning, and they protect it fiercely.

The main character (aside from the Mohawk woman) is a white woman living in the area who's husband is a degenerate gambler and has taken off with the money she had saved to get them a new modular home. We never meet him, but nevertheless are given a good portrait of his and the family's struggles with his addiction. She needs $4k fast, stumbles into this smuggling business quite unexpectedly and decides its her only hope to avoid homelessness for herself and two kids. It's suspenseful, introspective, and the acting is top notch by everyone. I also loved how it provided a glimpse into one part of Indian Country few people even know exists, and treats the Indians as people rather than victims or otherwise attempts to cajole the audience into feeling something for them. They are just people. Just like us.

Highly recommended.