Los mejores chefs británicos compiten entre sí y son puntuados por un panel de jueces aclamados por la oportunidad de cocinar un plato de un banquete de cuatro cursos.Los mejores chefs británicos compiten entre sí y son puntuados por un panel de jueces aclamados por la oportunidad de cocinar un plato de un banquete de cuatro cursos.Los mejores chefs británicos compiten entre sí y son puntuados por un panel de jueces aclamados por la oportunidad de cocinar un plato de un banquete de cuatro cursos.
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Great show but about time Mathew retired. His inane comments and so called humour is just boring. Time to get fresh blood.
There are signs of strain, if not desperation, at the BBC, as it fails to come up with hit new entertainment formats. As a result, things like this and Spelling Bee (which actually looked as though it had been retired) are being bumped up to more prominent positions, though they are themselves already pretty tired shows.
The format changes deemed to make this suitable for prime time have not done it any favours. For a start, an hour of it is far too much; and Susan Calman, installed as presenter where there had been none before, is totally superfluous and (therefore) just irritating. At one point, because someone had been appointed as 'veteran' mentor despite being unable to eat fish, we had a ludicrous situation where no fewer than three people - one per contestant - were hovering annoyingly around the kitchen and getting in the chefs' way.
I thought children's literature would be a welcome relief from the sanctimonious themes of recent years with all those heroes, but it appears political correctness is now too deeply ingrained to be removed. The chefs - few of whom give the impression of having read any books - seem to expect applause if they produce a dish representing racial harmony, or dyslexia, even if it's horrible; and the Scots in particular think it a great thing to use any ingredient from Scotland no matter how revolting everybody finds it. Efforts to make the contestants more 'diverse' routinely end in early failure. Then we were treated to a tirade from Cressida Cowell about school libraries which was as woolly a piece of thinking as you could want.
The portions are getting vanishingly small (steak with one chip - ONE!!); but perhaps it doesn't matter as few of the chefs produced anything that looks like it would be worth eating. So many of them are about technique and concept, and you wonder whether they really understand what it is to *enjoy* a meal.
It's not quite a dead horse, yet, but this extra flogging isn't doing it any good.
2021: the reappearance of things like this and Masterchef far less than a year after the previous series shows that they only continue to be flogged harder. GBM has another improvement for the worse in the replacement of Susan Calman (who is perhaps too busy having grand days oot) with the self-important though entirely unqualified Andi Oliver, who insists on chirping up with her own contribution after the mentor has delivered his judgement - an infuriating habit. And she in turn has been replaced as judge by Rachel Khoo, another entirely undeserving case and one of the most irritating people in TV. I suppose we should be grateful that we still have two of the original judges; but, truth be told, they don't play a big part in the show as it now is.
The format changes deemed to make this suitable for prime time have not done it any favours. For a start, an hour of it is far too much; and Susan Calman, installed as presenter where there had been none before, is totally superfluous and (therefore) just irritating. At one point, because someone had been appointed as 'veteran' mentor despite being unable to eat fish, we had a ludicrous situation where no fewer than three people - one per contestant - were hovering annoyingly around the kitchen and getting in the chefs' way.
I thought children's literature would be a welcome relief from the sanctimonious themes of recent years with all those heroes, but it appears political correctness is now too deeply ingrained to be removed. The chefs - few of whom give the impression of having read any books - seem to expect applause if they produce a dish representing racial harmony, or dyslexia, even if it's horrible; and the Scots in particular think it a great thing to use any ingredient from Scotland no matter how revolting everybody finds it. Efforts to make the contestants more 'diverse' routinely end in early failure. Then we were treated to a tirade from Cressida Cowell about school libraries which was as woolly a piece of thinking as you could want.
The portions are getting vanishingly small (steak with one chip - ONE!!); but perhaps it doesn't matter as few of the chefs produced anything that looks like it would be worth eating. So many of them are about technique and concept, and you wonder whether they really understand what it is to *enjoy* a meal.
It's not quite a dead horse, yet, but this extra flogging isn't doing it any good.
2021: the reappearance of things like this and Masterchef far less than a year after the previous series shows that they only continue to be flogged harder. GBM has another improvement for the worse in the replacement of Susan Calman (who is perhaps too busy having grand days oot) with the self-important though entirely unqualified Andi Oliver, who insists on chirping up with her own contribution after the mentor has delivered his judgement - an infuriating habit. And she in turn has been replaced as judge by Rachel Khoo, another entirely undeserving case and one of the most irritating people in TV. I suppose we should be grateful that we still have two of the original judges; but, truth be told, they don't play a big part in the show as it now is.
Other than Prue, the final judges are generally rubbish. The camerawork, preliminary judging, cooking, cooking quality, gamesmanship, intimacy of the kitchen are all above average.
I am just shocked by the companions to Prue's role.. they should appreciate the work, the use of the ingredients and the taste/ presentation. They just seemed more interested in being noticed than being fair. Having seen judging on master chef professional - I am just shocked.
But the show is worth watching except for the final judging.
Oh I now have 61 characters left so I have to keep on typing for a little bit.
I am just shocked by the companions to Prue's role.. they should appreciate the work, the use of the ingredients and the taste/ presentation. They just seemed more interested in being noticed than being fair. Having seen judging on master chef professional - I am just shocked.
But the show is worth watching except for the final judging.
Oh I now have 61 characters left so I have to keep on typing for a little bit.
Actually me wife and i love the show, with reservations. We love food and we love britain. We are only on episode 37 of season 5, but if what we have seen is representative, it certainly could be better. Most of the british food shows include TODAY'S british, many of east indian, asian, and west indian/african heritage, and almost all of all of them include interational cusine--i would argue that anglo-indian cusine IS british).
How much lamb and mutton can be offered--NEVER curried, by the way? Not to mention rabbit, rabbit, and more rabbit, every now with pigeon or quail. Why never a partridge? Or a pear (tree)? If you like rhubarb and stawberries for your pud, this is the place.
The judging is incredibly inconsistent, bordering on insane, from the chef-judges tp prue and her bookends. Their explanations are consistently ridiculous, but otherwise, always inconsistent.
But selection and preparation are pretty well covered and we really enjoy the chefs' evaluations of each others' dishes.
Wimpering slobbering over elderly twit prince charles--to serve him is apparently a big attraction for the chefs--begins each episode and is constantly brought up as if it had some holy meaning. A hoot to us.
Hey! There's a quarantine on and not much new. If you like food and love the british, it aint bad, innit?
How much lamb and mutton can be offered--NEVER curried, by the way? Not to mention rabbit, rabbit, and more rabbit, every now with pigeon or quail. Why never a partridge? Or a pear (tree)? If you like rhubarb and stawberries for your pud, this is the place.
The judging is incredibly inconsistent, bordering on insane, from the chef-judges tp prue and her bookends. Their explanations are consistently ridiculous, but otherwise, always inconsistent.
But selection and preparation are pretty well covered and we really enjoy the chefs' evaluations of each others' dishes.
Wimpering slobbering over elderly twit prince charles--to serve him is apparently a big attraction for the chefs--begins each episode and is constantly brought up as if it had some holy meaning. A hoot to us.
Hey! There's a quarantine on and not much new. If you like food and love the british, it aint bad, innit?
Used to watch a lot at the beginning, even if I found the judges pompous and arrogant most of time. The food could be pretentious but still you knew what to expect.
As years go on, they pick these themed banquets and the chefs seem to have some story that doesn't reflect their cooking. As a previous reviewer said re the childrens literature theme, some of it was just too off-topic.
Don't know why we need a 'host' and a mentor - the mentors have usually been there themselves or have enough presence to get their ideas across to the contestants and the judges. Too much distraction and chefs being late to the pass.
As years go on, they pick these themed banquets and the chefs seem to have some story that doesn't reflect their cooking. As a previous reviewer said re the childrens literature theme, some of it was just too off-topic.
Don't know why we need a 'host' and a mentor - the mentors have usually been there themselves or have enough presence to get their ideas across to the contestants and the judges. Too much distraction and chefs being late to the pass.
¿Sabías que…?
- TriviaOn Saturday, 2nd November 2019 the British Broadcasting Corporation announced that they have commissioned a 15th series of the programme to be aired in Spring 2020. Scottish comedian Susan Calman will take over presenting duties for series 15, the format has been tweaked and will feature more chefs and more dishes. The theme for series 15 will be iconic food from children's literature.
- ConexionesFeatured in Breakfast: Episode dated 12 June 2010 (2010)
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By what name was Great British Menu (2006) officially released in India in English?
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