Cheeni Kum

At the point in this romantic comedy where they are definitely getting interested in each other, Amitabh Bachchan and Tabu are sitting on a bench in a park in London, and she tells him animatedly to run to a tree across a meadow and touch it and run back. It's the kind of thing you tell a little boy to do -- a brilliant touch that captures so much of what's good about the movie: their fresh dynamic, her self-possessedness, his readiness, if reluctant, to step out of a somewhat ossified "grownup" character. I think you'd be sorry if you missed this, supposing you had a way of finding out what you'd missed.

I don't think light romantic comedy is easy to do - at all - and this movie does it very well -- there's not a sloppy or wince-inducing moment . Moreover there's the pleasure of a love story between grownup characters, an especially rare pleasure. Tabu and AB are really good together - it's nice to see them both matched in terms of their size, for one thing, and Tabu emanates the kind of intelligent, self-confident, unsentimental, serious young woman who often is happiest with an older man -- like Jo in Little Women.

Story takes place in both London and Delhi, which is fun. As everyone who's seen the previews knows, AB is an irritable and perfectionistic chef of 64 who owns a very successful restaurant, realistically filmed and with a pleasing cast of comic minor characters. He meets Tabu, a 34 year old visitor from India, via a character-establishing quarrel when she sends back a dish. And eventually there's her father in Delhi to deal with.

AB lives with his 90-year-old mother (Zora Seghal, she's the grandmother in most movies) and one of the great things about the movie is their totally mutually insulting relationship -- she is a horrible cook and he is very mean and funny about it; she watches wrestling and Sex and the City or something on TV all day and nags him to go to a gym. This is delightful in an Indian movie, as relief from the standard Mataji of the brimming-over compassionate gaze -- and we also unexpectedly see his deep reliance on her, and her availability, when something very distressing happens to him.

Alongside the AB-Tabu story is the story of AB's relationship with a little girl next door who has leukemia. She gives him advice and he promises her the "adult dvds" she wants to watch. And the scene where he goes into the video store and demands "adult dvds that are suitable for small children" is the kind of thing this movie excels at.

The presence in the story of people of all ages, from little girl to 90-year-old Mother, as well as Tabu's father who is younger than AB and thinks of himself as elderly (and carries on to AB about how AB is so-lucky to have been "old enough to see Gandhi-ji") -- all of them written as anti-stereotypes -- makes a very nice philsophical background score about life, love, and mortality.

I like the actual music a lot too - no "singing" by characters, but some nice scored passages that won't leave you, if Bollywood is your home, feeling exiled.

This movie is a novelty for India, a movie comprising mostly of intelligent, dialogue based humour rather than on situations (like Khosla ka Ghosla) or slapstick (most of the other Hindi movies that pretend to be comedies). Amitabh Bachchan is a crabby 64 year old chef / owner of an Indian restaurant in London. The first half depicts the growing relationship between himself and Tabu, a 34 year old woman from Delhi in London on a holiday. The second half primarily depicts Tabu's 58 year old father, Paresh Rawal's viewpoint on the relationship. There – that's it as far as the story goes…nothing more, nothing less… The true brilliance of the movie lies in the life / spark infused in even the simplest of situations or the simplest of characters. Whether it's the interaction amongst the chef's in the restaurant, the waiter hilariously nicknamed Colgate because of his protruding teeth and the jokes at their expense ('Iske Liye Dimaag Ki Zaroorat Hai, Daant Ki Nahin', he is gently admonished on one occasion), the Sardarji pharmacist and Amitabh's interactions with him, Amitabh's mom's fascination with the gym in the face of her sons obvious reluctance to go anywhere near it, his acerbic comments on his mom's cooking ('yeh Tihar Jail Waali Dal ?'), Paresh Rawal's love of cricket and Gandhism. I can go on and on. I was in near-hysterical splits on no less than 10 occasions. I'm still laughing as I remember some of the jokes….

And I haven't even mentioned Amitabh and Tabu – their running joke around the umbrella, the ruthless way she teases him the first time he tries to ask her out, their almost every conversation was beautifully constructed. The movie also captures amazingly well the highs and lows of falling in love. Will she come or wont she ? Will she say yes ? The mood swings, the heartache and the sheer exhilaration and joy when its all OK, when you're with your newfound love.

I think one of the casting coup's of the movie was Tabu. I watched this movie with a school friend of mine (Prashant) and we discussed her at length after the movie. The parts of the conversation I can print here involved her sheer beauty, her classic features (high cheekbones, eyes) and her subtleness…her understated yet enigmatic presence. She brings reality and a certain mystique to her character, makes acting seem so easy. I don't think there is another Bollywood actress who could have done justice to her role.

However, this doesn't detract in any way from any of the other performances in the movie. Everyone was excellent – from Amitabh to Paresh Rawal to each chef / waiter in the restaurant, Amitabh's neighbour and his daughter (a nice sub-plot here and at last we get a real child who talks like today's kids actually do, unlike the saccharine mumblings of the girl in TaraRumPum). The music, with the title song playing constantly in the background, the settings (even Qutab Minar looks beautiful in the movie), everything, like spices, enhance the brilliance of the dialogue.

Take a bow, Mr Balki (an ad maker and first time director). The entire audience gave a standing ovation when the movie ended. Is movie main kuch bhi kum nahin tha !

The title exactly sums sums up the film. Yes, it is not too sugarcoated but it has does not have much taste either. While the movie is appealing and a delight to watch in the first half and slowly seems to change track in the second half, things get a little too messy in the last third after Buddha goes to India to meet Neena's father. The first half works as a romantic comedy where Balki introduces the love story of the two interesting protagonists, Buddha (Amitabh Bachchan) and Neena (Tabu) There are some very funny feel good scenes. The comedy between Amitabh and Tabu works well and Zohra Sehgal is absolutely hilarious. Once Buddha lands in India things go haywire. Was the screenwriter suffering from writer's block and pressured to meet a deadline? Did he not find any other way to get Neena's father to accept the proposal or for Buddha to finally manage to convince Mr. Verma without showing all that forced melodrama? Tabu is charming and has amazing screen presence but her character isn't exactly well-written as a result of which her performance suffers. In the last third she is barely given importance. This is among her weakest performances but in all fairness to her, the script does not give her enough scope to make the character more appealing. Amitabh Bachchan returns to his angry man mode (again) and he severely hams at many scenes. Zohra Sehgal is a delight to watch and Swini Khara is wooden (her voice sounds a little monotonous but her non-verbal expressions are good at times) Why did the writer choose to give a little girl a nickname like 'Sexy' (forced humour?)?. Paresh Rawal gives a forgettable performance. In addition to that, there are some very passable songs (but nothing great) and the locations are nice to look at. Anyway, 'Cheeni Kum' mainly suffers because of bad writing and poor direction. I wouldn't want to watch it again.

I watched this immediately after jhoom barabar jhoom, and was very glad I did. JBJ was an AWFUL pile of bakvaas, and Amitabh's appearances in that movie were pointless and embarrassing (why was he trying to look like Stevie Ray Vaughan?) Cheeni kum was a very good movie. A little slower than it could have been, and maybe Amitabh's character was a little bit TOO "cheeni kum", but overall it was an intelligent and well put together film. There were several things not done as well as they could have been, including the shameful underutilization of Paresh Rawal, but overall this was a good try. It was certainly one of Amitabh's better roles of the last couple of years. Zohra was outstanding as was Swini Kehra, and the film examined the central issue well. Almost as well as the outstanding Dil Chahta Hai. After KJo cr*p like KANK, SLB's bloated rubbish (Black, Devdas) and the David Dhawan conveyor belt of pathetically unfunny "comedies", films like Cheeni Kum restore my faith in Hindi cinema. The central jodi was very plausible, and Tabu's character gave as good as she got, except for the scene at the restaurant with the fish (where her capitulation seemed out of character). I just wish that was at least one Cheeni Kum for every Jhoom Barabar Jhoom. Plus I want to see more of Zohra before she leaves us, and more of the excellent Swini.

Zohra Sehgal has passed away. She truly deserved to live for more than a century. The great artist who was an icon of vivaciousness. She left for her heavenly abode on 10.07.2014 after spending 102 years on this planet with each one of them brightening with her never-say-die spirit. The really bold lady who was much ahead of her time and a true symbol of woman-lib was a multi-talented artist. She was a stout pillar of Indian theatre, a dancer-cum-choreographer-cum dance teacher par excellence, a great cine-actress and what not! She lived her life on her own terms and always maintained the true spirit of living a meaningful and energetic life - 'Never say die'. Interestingly, she had acted in a TV series titled as 'Never Say Die' only which was a comedy and was telecast on a channel in U.K. during the late eighties.

Her first movie as an actress was Dharti Ke Laal(1946) by Khwaaja Ahmed Abbaas whereas her last movie as an actress was Saawariya(2007) by Sanjay Leela Bhansaali. While paying my tribute to this brave woman born in a Muslim family a century ago who went ahead to live a life full of vigor and vivacity, drawing respect from all the quarters of the society, I am reviewing a movie which was one of her final movies. It's Cheeni Kum(2007).

Cheeni Kum(less sugar) is a comedy whose story is true to the spirit of Zohra Aapa. Here she plays the role of a very aged woman Mrs. Gupta whose son Buddhadev(Amitabh Bachchan) is a bachelor even during his sixties. He runs one of top restaurants of London and rolls in money but lives without a woman in his life much to the anguish of his mother. Destiny brings him into contact with an Indian tourist Neena(Tabu) and he falls for the charms of a girl thirty years junior to him in age. After initial teasing and 'no-no', Neena also falls in love with this man who is old by age but young by heart. Buddhadev's mother readily agrees for their marriage because it's something she's been waiting for decades but making Neena's Delhi-based father Mr. Varma(Paresh Rawal) consenting for this marriage is a Herculean task because the aspirant groom is older than the hoped-for father-in-law. The movie concludes on the desired note after some interesting twists and arranging not only rib-tickling but also heart-piercing and sentimental moments for the audience.

The title of the movie has been kept as Cheeni Kum(sugar in little quantity) because the first encounter of the lead pair starts with the preparation of Zaafraani Pulaao in the hero's restaurant for the heroine who is dissatisfied with the dish prepared on her order and then the hero who considers himself as a great chef, tells her that Zaafraani Pulaao is to be prepared with a little amount of sugar only because it shouldn't be very sweet. Perhaps the filmmaker has taken this recipe to his heart and he has also not presented an out and out comedy. There is an ample dose of sentiments also through the character of a little girl fondly called as Sexy (Swini Khera) and her sad demise leaving the lead characters especially the Mrs. Gupta and her son as soaked in grief.

The movie is undoubtedly very interesting without boredom at any place and that's the victory of the writer-director R. Balki whose maiden effort in the form of this movie is highly laudable. And the novel story idea combined with the entertainment value being the USP of this movie, it got box office success also. At places, the movie appears to be an adult comedy and is in danger of crossing the boundary line of decency but the talented director has not allowed it to go like that and kept this issue under check.

All the technical aspects are up to the mark. Musical score prepared by Illayaraja is completely in sync with the mood of the movie.

Both Amitabh Bachchan and Tabu are highly talented actors and they have sparkled in this movie right from its opening to its conclusion. Their on-screen chemistry is amazing and heart-conquering. They have proved that the director has chosen the perfect cast for his story. Paresh Rawal, child artist Swini Khera and all the supporting cast members have delivered admirable performances.

And finally, Zohra Sehgal. Zohra Aapa's vivacity, openness and a desire to live every moment of her life to the full sans knowing any bounds for her has found its expression in her role in Cheeni Kum also. During her lifetime, she used to assert quite boldly without any fear that it's sex which always kept her going. In this movie also, she's shown as fond of watching sexy movies, never mind her (highly) advanced years. She has done superbly and instead of acting, has lived her role. Alongwith others, she is also one reason to watch this movie.

While paying my tribute to the Grand Young Lady of the world of art, I recommend Cheeni Kum as a very entertaining movie made on a novel theme to all the movie buffs. I do not term this movie as something great or classic. All the same, it's fair to say that it's a different as well as a very well made movie.