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4.7/10
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Agrega una trama en tu idiomaA shy, stuttering professor brings Aleister Crowley back to life.A shy, stuttering professor brings Aleister Crowley back to life.A shy, stuttering professor brings Aleister Crowley back to life.
Terence Bayler
- Professor Brent
- (as Terrence Bayler)
Geoffrey Breton
- Young Symonds
- (as Geoff Breton)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was torn when I watched this film - on the one hand, it's a very average film, mostly confusing and random, sometimes poorly acted (and sometimes not) and of a subject matter that I am very critical; on the other hand, if you view it as a (relatively) low-budget, British B-movie it's actually quite good. Not entertaining, mind you, it never actually manages to fight its way out of the swamp of "too many ideas, crammed into too little time with no coherence". But the production and direction of the film is commendable.
The basic plot of the film is that Aleister Crowley, "the wickedest man in Britain" (in the early part of the last century - I doubt he'd rank above "dirty old perv" these days) manages to get reincarnated into the body of a Cambridge professor (played by Simon Callow - by far the best part of the film) and starts a 4-day (? - the query is because a lot happens, but little relevant, over the 4 days) campaign to become wholly physical again.
Basically, stuff happens; lots of it random, and I'm sure was more meaningful to the writers than it was to me as a viewer (and that as an educated and informed viewer). Unfortunately, as good as it looks at times, and as many good ideas are just screaming to to be exploited, it just ends up being a B-movie. I'd still watch it though, just the once.
I realise that this constitutes a critique rather than a review, but it's difficult to sum up what happens in the film other than what I've just said - it's a bit random, and if you're into thelemic mysticism you'll probably enjoy it, but unfortunately I view the whole subject as occultism for people who are too scared to throw off the shackles of catholic Judaism, and compensate for their reticence to abandon Christianity for something more pure with an unhealthy interest in the Christian devil. But you're talking about a film about an early 20th century English occultist raised in a strict Christian family, so what can you expect? Anyway, if you're in the mood for a British B-movie (well made, but not exactly stimulating) - this is the movie for you (or watch Razorblade Smile or Dead Mans Shoes instead).
The basic plot of the film is that Aleister Crowley, "the wickedest man in Britain" (in the early part of the last century - I doubt he'd rank above "dirty old perv" these days) manages to get reincarnated into the body of a Cambridge professor (played by Simon Callow - by far the best part of the film) and starts a 4-day (? - the query is because a lot happens, but little relevant, over the 4 days) campaign to become wholly physical again.
Basically, stuff happens; lots of it random, and I'm sure was more meaningful to the writers than it was to me as a viewer (and that as an educated and informed viewer). Unfortunately, as good as it looks at times, and as many good ideas are just screaming to to be exploited, it just ends up being a B-movie. I'd still watch it though, just the once.
I realise that this constitutes a critique rather than a review, but it's difficult to sum up what happens in the film other than what I've just said - it's a bit random, and if you're into thelemic mysticism you'll probably enjoy it, but unfortunately I view the whole subject as occultism for people who are too scared to throw off the shackles of catholic Judaism, and compensate for their reticence to abandon Christianity for something more pure with an unhealthy interest in the Christian devil. But you're talking about a film about an early 20th century English occultist raised in a strict Christian family, so what can you expect? Anyway, if you're in the mood for a British B-movie (well made, but not exactly stimulating) - this is the movie for you (or watch Razorblade Smile or Dead Mans Shoes instead).
Aleister Crowley, one of the greatest of the magicians, is dead. But what if someone were to synthesize his essence in a computer program, and import it into the human mind... could Crowley be reborn, or at least simulated? England is about to find out, thanks to a program called Z93. As one might expect from Crowley (and Iron Maiden's Bruce Dickinson), chaos ensues.
My background on this film was mixed. I had heard largely unkind things said about it, including suggestions that it wasn't even worth viewing. As for the subject matter, my knowledge is relatively minimal. I've never been an Iron Maiden fan, and although I have read Crowley's "Diary of a Drug Fiend", that is more or less the extent of my awareness of him. I do, however, know a bit about Eliphas Levi, who is referenced in the film.
Despite the rash of bad reviews this film received, I have to say I thoroughly enjoyed it beginning to end. I found the idea very clever and original, Simon Callow's portrayal of Crowley to be flawless (especially playing two diverse characters), and the film's pushing of the limits to be a welcome surprise. I've seen the limits of violence pushed, but rarely in horror do we see sexual magick pursued with such graphic imagery. One scene involving a fax machine is particularly interesting. The images in general are vivid and alluring. Director Julian Doyle knows how to get his vision on film and does it here.
Besides Callow, the other performances are also top notch. The professors and the female lead are superb. The lead in particular was both sexy and graceful and had all the skills of a seasoned actress. I am not familiar with her work, but if we see her more often, this wouldn't be a surprise at all and may be a pleasant addition to the list of recurring actresses working in cinema today.
I had two minor concerns. First, why is getting a photo of Crowley so hard? One of the subplots involves the school's newspaper looking for a photo and they either never find one or fail to for several scenes. The film takes place in 2000, so the Internet should be available, and even without it, any occult book should have one of the more common photos (such as with Crowley wearing the pyramid on his head). Also, maybe it's me (it's probably me), but I found Mathers and Victor to be confusing. Once Victor gets scarred, there's no problem, but before that I wasn't always clear which one was on screen. Am I alone on this?
I encourage you to see "Crowley" as soon as you can. I find more and more often the few enjoyable films I view are re-issues of classic or forgotten titles, usually foreign. "Crowley" departs from that, breaking the mold... it may just be the first good horror film of 2009 (excluding re-issues). And based on what I'm seeing on the horizon, it will likely not have much competition.
My background on this film was mixed. I had heard largely unkind things said about it, including suggestions that it wasn't even worth viewing. As for the subject matter, my knowledge is relatively minimal. I've never been an Iron Maiden fan, and although I have read Crowley's "Diary of a Drug Fiend", that is more or less the extent of my awareness of him. I do, however, know a bit about Eliphas Levi, who is referenced in the film.
Despite the rash of bad reviews this film received, I have to say I thoroughly enjoyed it beginning to end. I found the idea very clever and original, Simon Callow's portrayal of Crowley to be flawless (especially playing two diverse characters), and the film's pushing of the limits to be a welcome surprise. I've seen the limits of violence pushed, but rarely in horror do we see sexual magick pursued with such graphic imagery. One scene involving a fax machine is particularly interesting. The images in general are vivid and alluring. Director Julian Doyle knows how to get his vision on film and does it here.
Besides Callow, the other performances are also top notch. The professors and the female lead are superb. The lead in particular was both sexy and graceful and had all the skills of a seasoned actress. I am not familiar with her work, but if we see her more often, this wouldn't be a surprise at all and may be a pleasant addition to the list of recurring actresses working in cinema today.
I had two minor concerns. First, why is getting a photo of Crowley so hard? One of the subplots involves the school's newspaper looking for a photo and they either never find one or fail to for several scenes. The film takes place in 2000, so the Internet should be available, and even without it, any occult book should have one of the more common photos (such as with Crowley wearing the pyramid on his head). Also, maybe it's me (it's probably me), but I found Mathers and Victor to be confusing. Once Victor gets scarred, there's no problem, but before that I wasn't always clear which one was on screen. Am I alone on this?
I encourage you to see "Crowley" as soon as you can. I find more and more often the few enjoyable films I view are re-issues of classic or forgotten titles, usually foreign. "Crowley" departs from that, breaking the mold... it may just be the first good horror film of 2009 (excluding re-issues). And based on what I'm seeing on the horizon, it will likely not have much competition.
The premise was interesting though a bit convoluted.
The acting and directing were acceptable.
The one thing that ruined this film for me was the sound editing. Perhaps it was the copy I watched.
Perhaps it is really the way it was edited.
Dialog so low you cannot hear followed by a crappy musical score that blared every time it came in. If you are a fan of the music guy, and I am not, it may work for you. To me, the balance between music and dialog was totally amateur at best and ruined what could have been a very interesting movie.
The acting and directing were acceptable.
The one thing that ruined this film for me was the sound editing. Perhaps it was the copy I watched.
Perhaps it is really the way it was edited.
Dialog so low you cannot hear followed by a crappy musical score that blared every time it came in. If you are a fan of the music guy, and I am not, it may work for you. To me, the balance between music and dialog was totally amateur at best and ruined what could have been a very interesting movie.
AKA: Chemical Wedding
Rating: 3 out of 5
Genre: Horror, Science Fiction, Occult
Director: Julian Doyle
Stars: Robert Ashby, Jared Ashe, Terence Bayler, Antonia Beamish, Esmé Bianco, Geoff Breton, Simon Callow, Jud Charlton, Lucy Cudden, Lily Dumont, Richard Franklin
Synopsis: At an English academy the most powerful computer in the world is used to perform time sensitive experiments. When an experiment goes awry and the spirit of Aleister Crowley inhabits a professor participating in the experiment.
Thoughts: I could explain the plot but I can't really do it justice. The detailed script written by the director and Bruce Dickinson (from the metal legends Iron Maiden) is pretty good with you enough twisted Crowley debauchery to keep you engaged. The first thirty or so minutes are a bit slow so hang in. As you can guess a horror film that borrows from the depraved life of the "Wickedest Man in the World" gives you such perverted pleasures as orgies and canning. The script does get a bit bogged down in the final act when its more lofty, SciFi conventions kick in but hey it delivers the weird goods.
In Conclusion: Yup we get treated to Iron Maiden and Dickinson tunes throughout the film. Not enough but that's just me. Say didn't the mighty Bruce become a born-again Christian? An odd choice and subject for a horror movie I believe.
Rating: 3 out of 5
Genre: Horror, Science Fiction, Occult
Director: Julian Doyle
Stars: Robert Ashby, Jared Ashe, Terence Bayler, Antonia Beamish, Esmé Bianco, Geoff Breton, Simon Callow, Jud Charlton, Lucy Cudden, Lily Dumont, Richard Franklin
Synopsis: At an English academy the most powerful computer in the world is used to perform time sensitive experiments. When an experiment goes awry and the spirit of Aleister Crowley inhabits a professor participating in the experiment.
Thoughts: I could explain the plot but I can't really do it justice. The detailed script written by the director and Bruce Dickinson (from the metal legends Iron Maiden) is pretty good with you enough twisted Crowley debauchery to keep you engaged. The first thirty or so minutes are a bit slow so hang in. As you can guess a horror film that borrows from the depraved life of the "Wickedest Man in the World" gives you such perverted pleasures as orgies and canning. The script does get a bit bogged down in the final act when its more lofty, SciFi conventions kick in but hey it delivers the weird goods.
In Conclusion: Yup we get treated to Iron Maiden and Dickinson tunes throughout the film. Not enough but that's just me. Say didn't the mighty Bruce become a born-again Christian? An odd choice and subject for a horror movie I believe.
If you have read anything by Crowley, the Satanic Bible, or Marquis de Sade, this movie will fall along those kind of lines and not upset you too much. However, if you can't handle a weird mixture of sadism (both sexual and other), a perversion of the Christian religion (mostly in the distortion of Biblical verses to emphasize sexual things), and (just for kicks) a little Sci-Fi (kinda like "The Mangler 2"), then do not watch. But, I found it entertaining, although a bit confusing trying to mix so many genres into one movie. Basically, a professor becomes possessed by Alastair Crowley, via virtual reality, which is being tested by (basically) an American Tech Support guy. Prof. Hallow completely changes. Most of the movie is about spouting Crowley's rhetoric, with a few deaths thrown in for good measure. The movie also quotes and/or refers to many ideas regarding thoughts about space, time, philosophy, etc. I cannot expand too much because it has been a very long time since I studied any of the points that are brought up in the movie. But I will say that the ones I remember (and the ones I looked up for a refresher), were accurately presented and expressed from an educated (for one opinion or another) point of view.
I do love the acting from the character Hallow. His descent into madness and deviance is great. The other actors are good as well, but his performance steals the show. Also note: do NOT let children watch this movie. There is at least one scene that is very "Fifty Shades".
I'm sorry I do not know any of the actors names.
I do love the acting from the character Hallow. His descent into madness and deviance is great. The other actors are good as well, but his performance steals the show. Also note: do NOT let children watch this movie. There is at least one scene that is very "Fifty Shades".
I'm sorry I do not know any of the actors names.
¿Sabías que…?
- TriviaChristina Chong and Gemma Hiles's debut.
- ErroresHaddo states that both Jesus and Samson from the Bible were Nazarenes. Though Jesus was a Nazarene (a person from Nazareth), Samson was a nazarite, which is a person who has taken certain vows in early Judaism.
- Citas
Haddo: Why do you not take my laws seriously?
Victor Nuberg: YOUR laws?
Haddo: "Do what thou wilt. Love is the law, love under will."
Victor Nuberg: Who is it you think you are?
Haddo: Victor, who is it you think I am?
Victor Nuberg: You are Oliver Haddo. H-A-D-D-O, Haddo.
Haddo: Oh, Victor, would you deny me thrice before the cock grows?
- Créditos curiosos[statement before end credits] On the seventh day the old king gave me a golden medal, bearing on one side the words ART IS THE PRIESTESS OF NATURE and on the other NATURE IS THE DAUGHTER OF TIME.
- the Chymical Wedding (1616)
- Bandas sonorasChemical Wedding
Written by Bruce Dickinson (as Dickinson)/Roy Ramirez (as Ramirez)
Performed by Bruce Dickinson
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- How long is Chemical Wedding?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- GBP 2,500,000 (estimado)
- Total a nivel mundial
- USD 9,439
- Tiempo de ejecución1 hora 49 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Chemical Wedding (2008) officially released in India in English?
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