Cranford

If you thought that North and South 2004, Bleak House 2005 and Jane Eyre 2006 were heroic steps forward in period adaptation you are absolutely going to adore this. I'm hoping, on the strength of the first episode, that we may be about to ascend new heights.

Liberties are taken. The material is being reinterpreted for the screen with a dashing disrespect for fidelity that is bound to offend those critics who watch screen adaptations with their Everyman edition on their knee but what Thomas has done here is bring the spirit of Gaskell and the humour of the age (specifically northern humour), magnificently to life.

Eileen Atkins' performance alone will carry this series to every Award ceremony worthy of attention but there is so much more you may be left agape with wonder or clapping your hands with glee at the stories surrounding Cranford's womenfolk, many condemned to spinsterhood by the Napoleonic Wars. And there's much more still to come.

You won't see the novel reassembled piece by piece, but what you'll get instead is a mordant, hilarious, moving, masterpiece of the art of adaptation and a brilliant cast extracting every last every drop of juice from the fruit (sucked separately, of course).

Cranford is vibrantly alive and kicking as it never has been before. Bring on the rest. If you please.

First, I'm a big Elizabeth Gaskell fan. I had just reread Cranston last winter...so starting this series, I was really confused and frankly worried about the age of my brain...until I realized that the plot was an amalgamation of three different Gaskill stories. I'm not such a purest that it bothered other than not being aware of it at the onset.

Actually, I was just grateful that anyone was paying attention to Elizabeth Gaskill in the first place. No doubt there are those of us who adore Jane Austen but she always gets all the attention in movies and TV, what with the oodles of remakes and re releases and her immense popularity. But Gaskill is just down right hilarious to read...so hurray for the old new comer!

There's a wealth of material here and BBC put a lot of effort and time into making this a worthwhile production. I agree that the music was really sappy, but the script and the fine acting made up for it. Of course the costuming was fabulous! There were a lot of belly laughs surrounding the escapades of the ladies of Cranford...Mrs Forrester's cow, the misbegotten meaning behind gifts and letters, hair dying, much gossip, of course...even lace eating cats! As character would demand, Eileen Atkins was a tour de force as Miss Deborah...in fact, the entire cast was astounding! All together a remarkable entertaining miniseries!

I am at heart an Austen girl, and I will admit that I find that the BBC's adaptations often far outrank any other, and Cranford was no exception. I have yet to read the books but have dropped heavy hints to Santa. The BBC has, if I'm honest disappointed me recently, but for one Cranford' quality programme I can almost forgive for everything else. Pure excellence. Cranford had me in tears for every episode, and often begging for the happy ending which given the often dark nature of the narrative was unlikely to come, and often didn't. Wonderful performances, from the Sirs and Dames, down to the youngster who played Harry Gregson, and with wonderful characterisation, which made the characters lovable and known and even gives unseen characters and histories unseen depths which are sometimes unavoidably and sadly missed in period pieces. A wonderful job. One request, may 'Cranford' never meet Hollywood, they won't be able to do it better than the BBC! Does anyone know when it comes out on DVD?

I cannot believe that anyone could miss this wonderful piece of work. I have just watched the final episode with tears streaming down my face! Partly due to the content and partly due to the fact that there will be no more of this feast of period drama/comedy/social comment.Not one performance has jarred not one piece of dialogue does not uplift ones heart. I cannot praise the whole thing enough (perhaps you may have noticed)!! It would be unfair to single out one of the actors for special praise as they were all so exemplary and masters of their craft. Versatility, though, was seen by Philip Glenister's part. To have seen him as the detective in Life on Mars then see him do Cranford just shows what a wealth of talent the British scene has. I want to see it again!!

Not a dry eye in the house as this came to a close last night. Absolute perfection. Never has a better cast been assembled for a t.v. drama. For me, Imelda Staunton shone, with her fantastic comic timing, but they were all excellent. A departure from the usual Dickens or Austen ( which I adore) in that the plot is more episodic and less dark. There are no obvious villains and few mysteries to unravel. More of a 19th century Archers. However, the insight into the people of the time and into social history is fascinating. Some hilarious lines mixed with occasional haunting tragedy which makes you empathise with its many characters regardless of their faults. Everyone I know has been watching this and all would rate this as the best thing on t.v this year.