While the Children Sleep

If you have plenty of time to waste ... it's OK. It moves at a good pace but to pull this movie off it would need to be a little longer with a little more background on the sitter.

The acting is OK. Mariana Klaveno as the sitter does the best job and is the most believable.

William R. Moses played a pretty good part as the husband.

Gail O'Grady, as the wife, had a weak part and the reasons for her going back to work were not developed.

The ending is sort of silly. Like most of these sitter movies ... there are parts that are interesting ... but overall it leaves you wondering why you spent the time.

Sometimes you just know you can accurately predict what will happen in a film from start to finish, and you also know for a fact you've seen it a dozen times before and haven't liked it once. And yet, even in cases like that you sometimes continue to watch for a very banal reason. In my case, I simply watched "The Sitter" because I wanted to know whatever became of Russell Mulcahy; the once utterly cool Aussie director of 80's classics such as "Razorback" and "Highlander". Well, now I know … he directs politically correct and hugely derivative made-for-TV thrillers. The theme of "The Sitter" is very nineties. With its 'dangerously seductive (teenage) femme fatale' main formula, the film is similar to "Poison Ivy" (starring Drew Barrymore), "Wild Things" (starring Denise Richards), "Dearly Devoted" (starring Rose McGowan), "The Temp" (starring Lara Flynn Boyle) and of course "The Crush" starring the ultimate next generation's Lolita Alicia Silverstone. All these flicks revolve on seemingly sociable and alluring young girls that are, in fact, obsessive and deranged psychopaths who do not hesitate to kill if they don't get what they want. And what they want is one specific male, usually one that is already happily married and not at all looking for trouble. These males befriend their jailbait admirers and narrowly resist all the sexual allusions, but when they actually physically reject them down, both their private as professional lives turn into a living nightmare. Meanwhile, friends & neighbors of the male in question that are interfering too much begin to die in mysterious accidents. There you go, I just summarized all of the above films including "The Sitter". This particular TV-movie has nothing new to offer, except maybe the experienced directing skills of Russell Mulcahy and the attractive appearance of lead actress Mariana Klevano. She looks a bit like Liv Tyler and supposedly (according to people on her personal message board) like Selena Gomez, although I have no idea who that is. She carries her crazy wench role quite well, although she can't compete with the above mentioned ladies in the other films. The body count in "The Sitter" is quite low, but at least the murders are vile and nasty for a TV- production. Since "The Sitter", Russell Mulcahy directed a sequel to "Resident Evil" and a good old-fashioned gritty revenge thriller "Give 'em Hell, Malone". I'll just conclude that this was a side-project to be able to pay the necessary bills.

Here's an amusingly derivative psycho-thriller that acts as if all the other psychological thrillers in this genre don't exist. The template for this one, surprise surprise, is THE HAND THAT ROCKS THE CRADLE, but it doesn't even manage to be the first film about a psychotic babysitter – THE SITTER was already made at the beginning of the sub-genre, back in 1991, and Alicia Silverstone had a stab as a babysitter/temptress later in that decade.

This turns out to be completely predictable and routine, although it is more watchable than some dogs the genre throws up. Russell Mulcahy, once one of Hollywood's hottest directors after HIGHLANDER, invests this with a little more style than the usual journeyman types and the pacing is pretty much spot on. Horror fans are advised to ignore the routine script and enjoy the silly murder sequences, which are quite strong for a television movie. Garden murders, bathtub murders, a staircase set-piece inspired by THE OMEN and a decent wheelchair stunt; it's all present here, as well as the over-the-top climax complete with pulled-out phone cords, duct-taped victims, carving knives and the like.

None of the characters elicit much sympathy, particularly in the case of Gail O'Grady who comes across as a bit of a bimbo as the mother. It's incredible how nobody ever suspects the angelic babysitter and becomes a bit irritating. William Moses, once the young upstanding hero of PERRY MASON, is bland as the nice-guy father. The sitter herself, Mariana Klaveno, is hopeless when she tries to do menacing, so the filmmakers wisely focus on her sexuality instead and I found her fairly effective as the teenage temptress. Still, this definitely falls into the so-bad-it's-good category, so only fans of bad movies need bother applying.

this movie delivers. the best is when the awkward teenage neighbor tries to bike away from the babysitter and in the background looks like he's never been anywhere near a bike in his life as he attempts not to fall off.

but this movie doesn't stop there, when less than 5 minutes later it delivers a scene of nothing but an arm reaching through a fence and into a cooler pulling out a beer.

stereotypical grilling dads, several plot lines that go nowhere, and a former seaQuest actress with a bluetooth cell phone all add up to making this the perfect Saturday night at home.

The film received negative reviews, saying it was derivative of other psychological thrillers of the 90s femme fatale, with many comparing it to the wonderful "The Hand That Rocks the Cradle". Despite this, Mariana Klaveno's performance as the psychopath Abby received praise. That said, as I love these B movies of predictable and simple suspense, they capture my attention deeply, instigate and enchant, even though they are abominably horrible, with some many holes, and so, I love it. Imperfect and adorable...

A family hires a nanny who seems to be perfect to take care of their children: young, beautiful, a good cook, careful with cleaning and, mainly, with the children. The nanny ends up becoming part of the family and gets closer every day. What the parents don't even suspect is that she was a problematic child and that she seeks some kind of revenge.