CALIFICACIÓN DE IMDb
6.7/10
9.1 k
TU CALIFICACIÓN
Un viaje por carretera a través de Louisiana transforma a tres extraños que originalmente se unieron por sus respectivos sentimientos de soledad.Un viaje por carretera a través de Louisiana transforma a tres extraños que originalmente se unieron por sus respectivos sentimientos de soledad.Un viaje por carretera a través de Louisiana transforma a tres extraños que originalmente se unieron por sus respectivos sentimientos de soledad.
Emanuel Cohn
- Doctor Leonard
- (as Emanuel K. Cohn)
Lucy Faust
- Snotty Girl
- (as Lucy Adair Faust)
Aimée Spring Fortier
- Teenage Mother
- (as Aimee Fortier)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Great Love story, I like it when you Americans put a bunch of characters on a road trip. Classic!. This film takes you beyond the bitter part of life back into the sweet.
The music just blend in, the camera capture is somewhat 'spiritual'.
Simple movie, brought tears to my spirit's eyes. This one truly touches the heart. One great movie making!. Salute. The cast is perfect in their place.
People may shine only in a moment in their life. And that moment will shine forever in whosoever is touched by it. I almost give up on Hollywood, but this shows, you still can do it right!
Salute ^ ^
The music just blend in, the camera capture is somewhat 'spiritual'.
Simple movie, brought tears to my spirit's eyes. This one truly touches the heart. One great movie making!. Salute. The cast is perfect in their place.
People may shine only in a moment in their life. And that moment will shine forever in whosoever is touched by it. I almost give up on Hollywood, but this shows, you still can do it right!
Salute ^ ^
Road trips in American film have often been flamboyant metaphors—Easy Rider and Thelma and Louise come quickly to mind. The Yellow Handkerchief will not be remembered so readily given its low-key, Southern slow delivery. Yet it has a subtle power to inform the Louisiana bayou landscape with meaning as three strangers embark by auto for destinations barely known.
Brett Hanson (William Hurt) has just been released from 6 years in prison for manslaughter. Ignorant of this fact is Martine (Kristen Stewart), a fifteen year-old runaway, who invites Brett to ride with her and Gordy (Eddie Redmayne), who is a stranger and a strange young man having the advantage of a convertible and enough cash for a trip that might end up in New Orleans.
Like a European film, Handkerchief takes it time to reveal character, meet a conflict and climax, and settle down to its title, which is unsubtly tied to the handkerchief and a pop tune about an ex-convict "comin' home." Hurt, one of America's finest actors, brings gravity and melancholy to a role that requires sorrow and redemption to ride along with hope. I hope he receives a well-deserved Oscar nod and the grand prize—think of Jeff Bridges' win for Crazy Heart, a more histrionic part than Hurt's understated torture.
While I'm still trying to warm up to Kristen Stewart as anything but a vampire lover of little acting range beyond a hesitating delivery, Maria Bello as May, Brett's love interest, is plain persuasive as the one who tries to understand and work with the eccentricities of Brett.
Of course, Katrina as family wrecker is quietly in the background, and because this is a story of the search for family, or "belonging to something," the hurricane informs every grasp for lost love as the vanished twin towers might do. If you want slow exposition that offers character development of the first order, then ride along with these three misfits to find a bit of yourself in the journey.
Brett Hanson (William Hurt) has just been released from 6 years in prison for manslaughter. Ignorant of this fact is Martine (Kristen Stewart), a fifteen year-old runaway, who invites Brett to ride with her and Gordy (Eddie Redmayne), who is a stranger and a strange young man having the advantage of a convertible and enough cash for a trip that might end up in New Orleans.
Like a European film, Handkerchief takes it time to reveal character, meet a conflict and climax, and settle down to its title, which is unsubtly tied to the handkerchief and a pop tune about an ex-convict "comin' home." Hurt, one of America's finest actors, brings gravity and melancholy to a role that requires sorrow and redemption to ride along with hope. I hope he receives a well-deserved Oscar nod and the grand prize—think of Jeff Bridges' win for Crazy Heart, a more histrionic part than Hurt's understated torture.
While I'm still trying to warm up to Kristen Stewart as anything but a vampire lover of little acting range beyond a hesitating delivery, Maria Bello as May, Brett's love interest, is plain persuasive as the one who tries to understand and work with the eccentricities of Brett.
Of course, Katrina as family wrecker is quietly in the background, and because this is a story of the search for family, or "belonging to something," the hurricane informs every grasp for lost love as the vanished twin towers might do. If you want slow exposition that offers character development of the first order, then ride along with these three misfits to find a bit of yourself in the journey.
There are movies, such as this and many others, that sometimes don't appeal to people do to the slowness of it all. Nonetheless, I was surprised to see the low rating that it received. The Yellow Handkerchief tells the touching story of three broken individuals, each with their own troubled past and lingering issues; who share one thing in common: the need to escape. The entire plot is centred around a long car journey, in which Martine (Kristen Stewart) and Gordy (Eddie Redmayne)slowly unravvel the mystery of Brett Hanson (Willian Hurt) an unhappy man, recently released from his sentence in prison. The movie is an Indie movie, and it does appear to be rather slow. The script isn't as chatty or invasive as the blockbuster movies we're used to, and there is a lot of scenery. But regardless, the theme of the movie is easy for people to relate to. You don't have to be a convict, or an abandoned child to understand it- the entire story, is about making mistakes. And eventually, the message becomes clearer: that the people who forgive you, and offer you a second chance, are those who love you the most. There are so many different ways to see this movie, that I will point out that that's only my interpretation. I highly recommend this movie, but only if you're in the mood for a more symbolic movie rather than fast paced; action packed thrillers..
This film rewards you....it is worth every moment of your watching time. The beauty of its title, the sweetness and affirming image of a yellow handkerchief...like a yellow ribbon is about waiting,welcome and coming home. The Yellow Handkerchief is a road trip movie. It is a quiet, quirky ride around the roads of Louisiana. It plays like real people who make real reconciliations and whose lives keep us captured and moving and flowing forward. William Hurt gives a performance of a supreme subtlety and beauty. Kristen Stewart, Eddie Redmayne and Maria Bello breath life into their characters. It is so rare to find such a sensitive cast that really click...a great ensemble piece ...all with a quiet nobility. Watch it.
If you are planning on seeing this, DO! It is a bit slow but you will come to love the characters and their flaws. It is not average road-trip to self discovery it is more. The lead characters have a tense and fearful journey ahead. As they open themselves up to each other we see the story take a journey that reminds me of To Kill A Mockingbird as we see the film from two innocent teenagers points of view. The writing is sarcastic and not at all Hollywood flashy it is down to earth and heart warming. A truly uplifting story to all who to let your teenager nature over-run them for 2 hours. You just might believe there is a happy ending in life for everyone. You should watch this movie, it is not one to miss!!
¿Sabías que…?
- TriviaTo prepare for the role, William Hurt spent a night in Louisiana State Penitentiary - better known as Angola.
- ErroresAt the beginning of the movie, after Brett enters the shop he request a beer. The woman brings him the beverage she pour into the glass and leaves the bottle on the table. A few shots later the bottle disappears.
- ConexionesRemake of Shiawase no kiiroi hankachi (1977)
- Bandas sonorasBlack Bayou
Performed by Ida Guillory and Al Rapone
Written by Al Rapone (as Albert J. Lewis)
Published by Neil Music Corp. and LaBonne Musique, administered by Neil Music Corp.
Courtesy of GNP Crescendo Records
By arrangement with Ocean Park Music Group
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- How long is The Yellow Handkerchief?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Noran Sonsoogeon
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 318,623
- Fin de semana de estreno en EE. UU. y Canadá
- USD 37,296
- 28 feb 2010
- Total a nivel mundial
- USD 318,623
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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