En la Francia del siglo XIX, un vinicultor campesino se esfuerza por crear la añada perfecta.En la Francia del siglo XIX, un vinicultor campesino se esfuerza por crear la añada perfecta.En la Francia del siglo XIX, un vinicultor campesino se esfuerza por crear la añada perfecta.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 3 nominaciones en total
Stephane Garneau-Monten
- Young Soldier
- (as Stephane Garneau)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film absolutely surprised me! I randomly searched for a fantasy film, and when this tile appeared I thought what the heck, I love wine that should be interesting! What I wasn't expecting, however, was a very well written and very well acted, blend of romance and fantasy. Even if you're not a person who enjoys wine (though it helps), this film is sure to keep you intrigued and engaged. Give it a try, preferably while drinking a glass or two or three of your favorite Pinot noir, and enjoy!
I was thrilled to hear Niki Caro was going to make this movie, no one else would have been able to portray the 'basic' elements of the novel better than she could and very well did. From start to finish the movie consisted of a real feeling of love and life. More so that she exactly put just that into making this film. The importance of simple things which when given love, sweat and time grow into something special, which if you haven't read the novel is the basic idea.
There is a heavy pagan love of the earth atmosphere in the movie ensuring an uplifting feeling. Leading me onto the visuals which where spot on, the sweeping French vineyards and valleys where just as I imagined them.
The casting was perfect, Sobran who is played by Jeremie Renier provided us with a inspiring and moving look at the trials and tribulations experienced by a 19th century wine maker. I would hate to give this remarkable film any negativity but it does bare mentioning that Xas is completely neglected. Played by the fantastic Gaspard Ulliel much that could have been anticipated was actually not used at all. In fact almost all of the characters fascinating background such as his knowledge of there whereabouts of haven and hell, his relationship with another human, other than Sobran, and the reason why he is a fallen angel is not remotely even mentioned in the movie. The angel seams to be of no importance sadly and could in fact have been withdraw all together. Niki Caro sort of justified this in the Q&A "the movie is about life". It seams to me that she didn't want to add the philosophical characteristic's which was very sad to me, Xas is a captivating individual. Aurora De Valday (Vera Farmiga) was compelling but sadly Celeste (Keisha Castle-Hughes) fell flat in the second half.
Many fans of the novel might be disappointed due to the amount of fundamental moments in the development of the characters which is simply dropped out all together. However I do strongly think that this is as great an adaptation as anyone could have hoped for. Also if its anything to go by I was at the gala presentation, after which it received a huge round of applause.
There is a heavy pagan love of the earth atmosphere in the movie ensuring an uplifting feeling. Leading me onto the visuals which where spot on, the sweeping French vineyards and valleys where just as I imagined them.
The casting was perfect, Sobran who is played by Jeremie Renier provided us with a inspiring and moving look at the trials and tribulations experienced by a 19th century wine maker. I would hate to give this remarkable film any negativity but it does bare mentioning that Xas is completely neglected. Played by the fantastic Gaspard Ulliel much that could have been anticipated was actually not used at all. In fact almost all of the characters fascinating background such as his knowledge of there whereabouts of haven and hell, his relationship with another human, other than Sobran, and the reason why he is a fallen angel is not remotely even mentioned in the movie. The angel seams to be of no importance sadly and could in fact have been withdraw all together. Niki Caro sort of justified this in the Q&A "the movie is about life". It seams to me that she didn't want to add the philosophical characteristic's which was very sad to me, Xas is a captivating individual. Aurora De Valday (Vera Farmiga) was compelling but sadly Celeste (Keisha Castle-Hughes) fell flat in the second half.
Many fans of the novel might be disappointed due to the amount of fundamental moments in the development of the characters which is simply dropped out all together. However I do strongly think that this is as great an adaptation as anyone could have hoped for. Also if its anything to go by I was at the gala presentation, after which it received a huge round of applause.
Having read the novel by Elizabeth Knox I had high hopes for the film. I bought the DVD and when I got round to the viewing I was impressed by Niki Caro's rendition. The movie was beautifully crafted from start to finish with the exception of the wasted screen time establishing the landscape. Too much screen time was dedicated to the albeit beautiful French/New Zealand landscape. The casting was perfect, each of the protagonists had a part to play romantically to Sobran Jodeau. Celeste (Keisha Castle Hughes) was the physical, the Baroness (Vera Farmiga) being Intelletual and Xas (Gaspard Ulliel) the spiritual. One factor I found disappointing was the relationship between Sobran and Xas in the novel played a significant role in influencing the fruition of Sobran's dreams to create a wine never tasted, yet in the film the relationship seemed downplayed. Which is a shame because it seemed like the film missed something which would have brought justice to the novel. However I definitely think that this movie is a gem which touches on a mythical theme not explored in the film Industry. The introduction of the angel Xas seemed very believable and I believe Niki managed to bring to life Elizabeth Knox's story of a vintner and his angel to life.
Didn't know about a book, had no expectations. Surprised by supernatural element involving an angel. Being impatient, the slow moving pace left me wanting, but I stuck through because I liked the strength of the actors, especially the lead. Glad I did by the end. Was ambivalent about the many allegories about wine making and life spoken by the angel, but eventually these ideas did became more than words. Betrayal, reconciliation, the many shades of love and loss. Eventually you understand.
Didn't like the dark color palette in the beginning, but was impressed by the authenticity of the dirt and grunge of the peasant laborers. Much like the Game of Thrones franchise in that way. And when the lead becomes richer by his Wine taking risks, the velvet brocade and ruby wine bedazzles the scene like darkly gorgeous vintage. Very pleasing.
The film is odd because it seems to have a Christian spiritual feel, yet it is decidedly gray area rather than black and white. It is even hedonistic, existentialist and atheistic, while also speaking about heaven and hell in a manner reminiscent of how Frankenstein's monster spoke with his creator in Mary Shelley's violent and philosophical book. Where "Frankenstein" is violent though "A Heavenly Vintage" is intensely erotic in a way that is sometimes like violence except sublimated into passion. The slow burn nature of "A Heavenly Vintage" coupled with its underlying eroticism (and sometimes homoeroticism) is mysteriously affecting, even while being an oddly uplifting tale based in an extraordinary humanism.
Didn't like the dark color palette in the beginning, but was impressed by the authenticity of the dirt and grunge of the peasant laborers. Much like the Game of Thrones franchise in that way. And when the lead becomes richer by his Wine taking risks, the velvet brocade and ruby wine bedazzles the scene like darkly gorgeous vintage. Very pleasing.
The film is odd because it seems to have a Christian spiritual feel, yet it is decidedly gray area rather than black and white. It is even hedonistic, existentialist and atheistic, while also speaking about heaven and hell in a manner reminiscent of how Frankenstein's monster spoke with his creator in Mary Shelley's violent and philosophical book. Where "Frankenstein" is violent though "A Heavenly Vintage" is intensely erotic in a way that is sometimes like violence except sublimated into passion. The slow burn nature of "A Heavenly Vintage" coupled with its underlying eroticism (and sometimes homoeroticism) is mysteriously affecting, even while being an oddly uplifting tale based in an extraordinary humanism.
This film, which transports us to 19th century France, is so beautiful in so many ways. It seeps in and touches you with the delicacy of a fine wine. The pace of it let's you digest each moment and allows you to linger in a wonderful world of passion, desire, spiritedness as well as death and anguish. Which is why I loved the film so much...the duality of it. It's not like your typical Hollywood movie in which one thing or another is forced onto you. The film takes you on a journey where you can think about, and more importantly feel the duality of life...the duality of your own life and spirit. It awakens an understanding within yourself through the characters and the script. The acting is superb...Vera Farmiga is at her best and Keisha Castle-Hughes has become a fierce woman with such raw vibrancy I was wishing for more of her. The script takes the kind of turns and risks you can only hope for when watching a film. Filled with such feeling and thought it's a tale that lingers on long after leaving the theater....isn't that what art is all about.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- A Heavenly Vintage
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 8,500,000 (estimado)
- Total a nivel mundial
- USD 136,295
- Tiempo de ejecución
- 2h 1min(121 min)
- Color
- Relación de aspecto
- 2.35 : 1
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