Basado en una historia real, un policía de Los Ángeles afroamericano racista y con problemas El oficial no se detendrá ante nada para expulsar a una simpática pareja interracial que acaba de... Leer todoBasado en una historia real, un policía de Los Ángeles afroamericano racista y con problemas El oficial no se detendrá ante nada para expulsar a una simpática pareja interracial que acaba de mudarse al lado.Basado en una historia real, un policía de Los Ángeles afroamericano racista y con problemas El oficial no se detendrá ante nada para expulsar a una simpática pareja interracial que acaba de mudarse al lado.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
- Woman
- (as Dartanea Dee Bryant)
- Nadine
- (as Bitsie Tulloch)
Opiniones destacadas
The rest of the cast do a good job in there supporting roles. This by far is not a movie that will win any Oscars but it is a movie that will entertain, i recommend it for a Saturday night in with drinks. A very entertaining thriller with great acting from its two leading actors. I hope my review was help full and if you get the chance to see this take it, because it will not disappoint.
This movie despite its racial overtones doesn't break any new ground as a thriller. Patrick Wilson and Kerry Washington are a yuppie couple pushed too far and Sam Jackson as Abel is their disturbed neighbor/antagonist who wishes them harm. Definitely nothing new. The acting and script are okay with Sam Jackson's performance easily being the best. The ending is something that can be seen coming a mile away. This film is something you would watch on a slow day if it came on cable.
Reminiscent of Denzel Washington from Training Day, we see Samuel L. Jackson play an overly aggressive cop with an agenda, with the movie focusing on the problems he's causing for his new neighbors. A completely realistic situation that can take place anywhere. Problem is, because a movie like this is completely character driven, after you have the nice slow build up to the climax, once the tension snaps, you're relegated to basically a generically default final act of the movie where "the bad guy finally comes out of the proverbial shadows and literally chases the hero." (i.e. Disturbia, The Glass House). It's a shame too because the buildup on this was very good. Samuel L. Jackson was really scary here, he played that bullying, obsessive character perfect. The only acting problems I saw were 2-3 moments from Kerry Washington where her sad face was done poorly, with overly done lip quivers and facial movements (similar to Kirsten Dunst's crying scenes from the Spider-Man movies, except done in a BAD way).
With a movie like this, you pretty much have these possible outcomes:
1) the generic, semi-predictable ending (like we got here). 2) tragic ending with hero dying at the end. 3) an unpredictable twist coming out of left field (this has the potential to be very good or very bad). 4) a Great ending.
Unfortunately we usually get number one, since they wanna give the satisfying, safe, effective, tried and true, Hollywood ending. Most people are content with those types of cop out endings. I'm not.
¿Sabías que…?
- TriviaThe plot for this movie is loosely based on real-life events that happened in Altadena, California, involving an interracial couple and an African-American Los Angeles Police Officer.
- ErroresAbel Turner has a goatee in every shot, including on duty. LAPD grooming standards prohibit beards and goatees while on duty.
- Citas
Chris Mattson: Y'know what, Abel? Fuck you.
Abel Turner: [laughs] Is that a 'We Are the World' 'fuck you'?
Chris Mattson: No. It's a special one. Just for you.
- Bandas sonorasShoot Me Down
Written by Peter Carr, Kevin Chase, Shahzad Mahmood, Christian Peck
Performed by Boy Kill Boy
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Lakeview Terrace
- Locaciones de filmación
- Hawthorne, California, Estados Unidos(exteriors: library)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 39,263,506
- Fin de semana de estreno en EE. UU. y Canadá
- USD 15,004,672
- 21 sep 2008
- Total a nivel mundial
- USD 44,655,002
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1